Modelo de plan estratégico para la gestión de inventarios para los repuestos John Deere de Ponce Yepes S.A.

En el presente trabajo se propone un modelo de plan estratégico, cuya aplicación se sugiere en la empresa Ponce Yepes S.A., con el objetivo de conseguir una eficiente y eficaz gestión de inventarios para la Línea de Repuestos John Deere. El estudio se ha dividido en tres capítulos, en los cuales se van estructurando progresivamente las diferentes etapas para el establecimiento del plan estratégico que se propone. El primer capítulo contiene un resumen teórico sobre la administración de inventarios, los conceptos, la clasificación y los modelos más difundidos. En el segundo capítulo se realiza el análisis de la situación actual de la empresa, enfocado a la Línea de Repuestos John Deere. Este capítulo incluye el análisis del entorno, el esquema de funcionamiento actual del sistema de inventarios, el análisis FODA, la determinación de los clientes internos y externos con sus correspondientes demandas, la elaboración y análisis de las matrices de evaluación de factores internos y externos, en forma individual y combinada; y, se presentan las listas de las estrategias a aplicarse. En el tercer capítulo se presenta la estructuración del plan estratégico, que está compuesto por la reformulación de la misión y visión, el establecimiento de objetivos globales para la gestión de repuestos John Deere, la formulación de las estrategias y políticas para alcanzar dichos objetivos y se concluye detallando el plan operativo, el cual incluye la matriz de aplicación del plan operativo, el cronograma de cumplimiento, el modelo de evaluación y seguimiento de dicho plan, y el flujo de caja del presupuesto de costos. Finalmente se presentan las conclusiones y recomendaciones resultantes del modelo de plan estratégico propuesto.

Dr John Snow and an early investigation of groundwater contamination

John Snow was a physician but his studies of the way in which cholera is spread have long attracted the interest of hydrogeologists. From his investigation into the epidemiology of the cholera outbreak around the well in Broad Street, London, in 1854, Snow gained valuable evidence that cholera is spread by contamination of drinking water. Subsequent research by others showed that the well was contaminated by sewage. The study therefore represents one of the first, if not the first, study of an incident of groundwater contamination in Britain. Although he had no formal geological training, it is clear that Snow had a much better understanding of groundwater than many modern medical practitioners. At the time of the outbreak Snow was continuing his practice as a physician and anaesthetist. His casebooks for 1854 do not even mention cholera. Yet, nearly 150 years later, he is as well known for his work on cholera as for his pioneering work on anaesthesia, and his discoveries are still the subject of controversy.

The Dark Monarch: magic and modernity in British art

This major curated exhibition, publication and events builds on Rowlands’ curatorial research. Working in collaboration with co-curators Martin Clark, Artistic Director, Tate St Ives and Michael Bracewell, cultural historian, the exhibition sought to explore new narratives within British art. The innovative curatorial methodology developed from a fiction found in the infamous novel, The Dark Monarch by Sven Berlin, Gallery Press 1962. The research sought specific archival and collection work that allowed thematic strands to emerge that represented influences across generations. The exhibition features two-hundred artworks, from the Tate Collection, archives and other significant British public and private collections. It examines the development of early Modernism, in the UK, as well as the reappearance of esoteric and arcane references in a significant strand of contemporary art practice. Historical works from Samuel Palmer, Graham Sutherland, Henry Moore and Paul Nash are shown alongside contemporary artists including Derek Jarman, Cerith Wyn Evans, Eva Rothschild, Linder and John Russell. The exhibition includes a key work by Damien Hirst ¬ the first time he has been shown at Tate St Ives and a number of contemporary commissions. The Dark Monarch publication extended the discourse of the research critically examining the tension between progressive modernity and romantic knowledge, the book focuses on the way that artworks are encoded with various histories - geological, mythical and magical. Essays examine magic as a counterpoint to modernity’s transparency and rational progress, but also draw out the links modernity has with notions such as fetishism, mana, totem, and the taboo. Often viewed as counter to Modernism, this collection of essays suggest that these products of illusion and delusion in fact belong to modernity. Drawing together 15 different writers commissioned to explore magic as a counterpoint of liberal understanding of modernity, drawing out links that modernity has with notions of fetish, taboo and occult philosophy. Including essays by Marina Warner, Ilsa Colsell, Philip Hoare, Chris Stephens, Jennifer Higgie and Morrissey.