994 resultados para Muse e du Louvre.
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annoncs aux amis de l'humanit par C., ami de B. Schottlaender et ... de [Israel] Jacobsohn
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There has been little discussion of Julia Margaret Camerons Idylls of the King photographs over the past decade. My goal with this paper is to bring her Idylls of the King series back into discussion and address its success and relevance in both art history and literature. Scholars Helmut Gernsheim and Marylu Hill have questioned photography as a means to capture the imaginative content of Tennysons Arthurian stories and they declared Camerons photographs a failure. I argue that her theatrical style, use of props and costumes, obvious posing of her models, and nod to Victorian tableaux vivants capture the true essence of Tennysons epic. Her use of the Pre-Raphaelite female muse to portray the Arthurian characters of Elaine, Guinevere, and Vivien places her photographs in direct correlation with Pre-Raphaelite painting as well as popular literature. Her depictions of Tennysons epic poem are highly successful and I believe she achieved her personal goal of ennobling photography to the level of High Art.
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Vols. 2-5 have also collective t.-p.: Les balles de fronde de la rpublique provenant d'Ascoli.
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The present 30 volumes seem to have remained with the Dukes of Leuchtenberg, until the ducal library was acquired for sale in 1935 by the dealers Ulrich Hoepli (Milan) and Braus-Riggenbach (Basel). The volumes are not complete, as leaves have been wholly or partly removed throughout; this is particularly evident in preliminary volumes 2 and 10 and volume 75. Prints and the relatively small number of drawings are mostly French, with some German, Dutch and English, and are mostly of the 17th or 18th centuries. They are mounted generally on rectos of leaves, often with hand-written captions. Large prints are occasionally bound in directly; these are often folded. The engraved general title page (bearing the date 1788) appears at the beginning of each volume; below the printed title a hand-written volume number and brief title describing the volume's contents usually appear. In many volumes the title leaf is followed by a hand-written contents leaf listing the section titles, which are also written individually throughout the volume on leaves with etched decorative frames. Sections are numbered continuously throughout the work as a whole. Numbering of the leaves, when present, appears in black ink within each volume at top center recto. Printmakers include B. & J. Audran, Francesco Bartolozzi, Abraham Bosse, Stefano della Bella, Jacques Callot, Francois Chereau, Wenceslaus Hollar, Romeyn de Hooghe, Raymond La Fage, Sebastien Le Clerc, Pierre Lepautre, Claude Mellan, Bernard Picart, and Simon Thomassin. There are also early color prints by Gautier-Dagoty and Jean-Baptiste Morret.
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Mode of access: Internet.
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Listed by Ministere de l'instruction publique as part of Collection des documents inedits sur l'histoire de France.
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Atlas has imprint: Garnier Frres, 1853.
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Accompanied by "Suite dite aux frais du Barrande fonds. Problematica silurica. Publis par le Prof. Dr. Anton Fritsch. Avec 12 planches. Traduit par A. S. Oudin, ... " (28 p. illus., 12 pl. 33 cm.) Published: Prague, Leipzig, R. Gerhard, 1908.
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Mode of access: Internet.
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"Extrait des Annales du Musee Guimet, tome XXVI."
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"Extrait du t. XXXII des Annales de la Socit d'agriculture, sciences, arts et commerce du Puy".
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Contains advertisements.
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"Notes historiques sur les exhumations faites on 1793, dans l'Abbaye de Saint-Denis": v. 2, p. [cvi]-cxxxii.