996 resultados para Filosofia da composição
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Pós-graduação em Educação - FCT
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Pós-graduação em História - FCHS
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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In this paper, data on the fauna of Ephemeroptera and Trichoptera (ET) from a Cerrado stream was analysed in order to test the hypothesis that the high seasonality of this biome can influence the composition of ET between the wet and dry seasons. The community structure was evaluated using Detrended Correspondence Analysis and Cluster Analysis (Morisita Horn-UPGMA). Environmental factors were analyzed using the Principal Components Analysis. In order to test the effect of abiotic variables on the fauna, It was applied the Procrustean Randomization Test (Protest) and Mantel Test. The environmental factors recorded for this study had a significant effect on the ET fauna from Córrego do Pedregulho. Faunal similarity was high throughout the year, indicating that although there was density of fluctuation, due to rainfall variation, the faunal composition showed little temporal variability. On the other hand, it was possible to observe that the genus Lachlania (Ephemeroptera) occurred preferably during the rainy months and that the faunal composition during the dry season was less variable than those from other seasons. Therefore, environmental seasonality had a partial effect on the faunal composition of ET from Córrego do Pedregulho.
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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The most challenging Deleuze/Guattari’s lesson regar- ding art is that it is an autonomous way of thinking and bears of no lack relatively to philosophy and science. In fact, creating artistically is thinking. Throughout this article, I will try to show that art and philosophy are autonomous modes of thinking, as far as the statute of their creations is multiplicity. The multiplicity that characterizes philosophy is concept; the multiplicity that characterizes art is sen- sation. Both of them have their multiplicity character guaranteed by the instance of the problems, to which they are solutions. The most important is that the problems although independent constitute in- terference channels through which two modalities of meeting could happen. First, sensations point out how could a thinker endures in the instance of problems, avoiding both to deprive the concept and to fall in philosophical illusions. In second place in the instance of the problem philosophy and art exchange, so that either a thinker takes an art sensation and extracts from it its generating problem to be philosophically solved or, vice-versa, an artist takes a concept and solves its problem creating new art sensations.
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The Throughout the work of Merleau-Ponty, besides philosophical concepts and images of his thinking, some theoretical-anthropological devices exist that reveal his approximation of human sciences. That is the case of the notion of body schema. Interested in discussing the role the critical development of this concept may have played in the passage from the first phase of his work to the period when the philosopher finds himself able to outline a new ontology, in this paper, we study the presence of the body schema notion in the Phenomenology of perception. We show that, in this book, Merleau-Ponty unsubstantiates the notion under analysis which, from a cognitive core that organizes our bodily experience, turns into the expression of our body parts’ mutual permeability, but also of the body’s permeability towards the world and other people.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Pós-graduação em Fisioterapia - FCT
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
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Pós-graduação em Agronomia (Horticultura) - FCA