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Errata slip inserted.

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Do the “democratization” of media and the proliferation of online participatory culture undermine the aesthetic hegemony of professional filmmakers? This article is a case study of both more and less popular animated Lego videos, also called “brickfilms,” that asks how amateur videos adhere to and/or depart from professionalized aesthetic standards. It addresses the definitions of professionalism and amateurism and proposes that the dichotomy between democratization and ongoing elitism is insufficient to describe the complex dialogue between professional film aesthetics and amateur production—a dialogue that is diverse but nonetheless follows certain patterns. These patterns link Lego videos to silent era cinema as well as contemporary professional live-action and stop-motion animation. Furthermore, a mixture of parody, pastiche, and homage suggest that amateur work has a variety of affective relationships to professional work. Ultimately, amateur filmmaking indicates a negotiation of professional standards rather than slavish adherence.

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"Feed Materials Production Center, National Lead Company of Ohio"--Cover.

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The literature relative to the chemistry and technology of magnesium sulfate is presented. The literature titles and chemical abstracts numbers are given, together with a subject index.

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"Feed Materials Production Center, National Lead Company of Ohio"--Cover.

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Mode of access: Internet.

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Mode of access: Internet.

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Pages 28-29, blank for "Notes."