Rhyming the National Spirit: Taras Shevchenko and Ilia Chavchavadze

The paper is a comparative inquiry into the roles of Ilia Chavchavadze (1837-1907) and Taras Shevchenko (1818-1861) as national poets and anti-colonial (anti-Tsarist) intellectuals within the context of their respective national traditions (Georgia and Ukraine). During the period of their activity (19th and the beginning of 20th century) both Ukraine and Georgia were under Tsarist imperial rule, albeit the two poets lived in different periods of Russian empire history. Through their major works, each called on their communities to ‘awaken’ and ‘revolt’ against oppression, rejected social apathy caused by Tsarist subjugation and raised awareness about the historical past of their nations. The non-acceptance of present and belief in an independent future was one of the dominant themes in the poetry and prose of both. Their contemporary importance is illustrated in political discourse both after Orange Revolution in Ukraine (2004), and Rose Revolution in Georgia (2003) where both poets are referred “as founding fathers of national ideology”, the history textbooks alluding to them as “symbols of anti-colonial resistance”. To this day, however, there has been surprisingly little academic writing in the West endeavoring to compare the works and activities of the two poets and their impact on national mobilization in Tsarist Ukraine and Georgia, even though their countries are often mentioned in a same breath by commentators on contemporary culture and politics. The paper attempts to fill this gap and tries to understand the relationship between literature and social mobilization in 19th century Russian Empire. By reflecting on Taras Shevchenko’s and Ilia Chavchavadze’s poetry, prose and social activism, I will try to explain how in different periods of Russian imperial history, the two poets helped to develop a modern form of political belonging among their compatriots and stimulated an anti-colonial mobilization with different political outcomes. To theorize on the role of poets and novelists in anti-colonial national movement, I will reflect on the writings of Benedict Anderson (1991), John Hutchinson (1994; 1999), Rory Finnin (2005; 2011) and problematize Miroslav Hroch’s (1996) three phase model of the development of national movements. Overall, the paper would aim to show the importance of, what John Hutchinson called, ‘cultural nationalists’ in understanding contemporary nationalist discourse in Georgian and Ukrainian societies.

Distributed transpressive continental deformation: The Varto Fault Zone, eastern Turkey

The convergence between the Eurasian and Arabian plates has created a complicated structural setting in the Eastern Turkish high plateau (ETHP), particularly around the Karlıova Triple Junction (KTJ) where the Eurasian, Arabian, and Anatolian plates intersect. This region of interest includes the junction of the North Anatolian Shear Zone (NASZ) and the East Anatolian Shear Zone (EASZ), which forms the northern border of the westwardly extruding Anatolian Scholle and the western boundary of the ETHP, respectively. In this study, we focused on a poorly studied component of the KTJ, the Varto Fault Zone (VFZ), and the adjacent secondary structures, which have complex structural settings. Through integrated analyses of remote sensing and field observations, we identified a widely distributed transpressional zone where the Varto segment of the VFZ forms the most northern boundary. The other segments, namely, the Leylekdağ and Çayçatı segments, are oblique-reverse faults that are significantly defined by uplifted topography along their strikes. The measured 515 and 265 m of cumulative uplifts for Mt. Leylek and Mt. Dodan, respectively, yield a minimum uplift rate of 0.35 mm/a for the last 2.2 Ma. The multi-oriented secondary structures were mostly correlated with “the distributed strike-slip” and “the distributed transpressional” in analogue experiments. The misfits in strike of some of secondary faults between our observations and the experimental results were justified by about 20° to 25° clockwise restoration of all relevant structures that were palaeomagnetically measured to have happened since ~ 2.8 Ma ago. Our detected fault patterns and their true nature are well aligned as being part of a transpressional tectonic setting that supports previously suggested stationary triple junction models.

A novel mutation in BCS1L associated with deafness, tubulopathy, growth retardation and microcephaly

We report a novel homozygous missense mutation in the ubiquinol-cytochrome c reductase synthesis-like (BCS1L) gene in two consanguineous Turkish families associated with deafness, Fanconi syndrome (tubulopathy), microcephaly, mental and growth retardation. All three patients presented with transitory metabolic acidosis in the neonatal period and development of persistent renal de Toni-Debré-Fanconi-type tubulopathy, with subsequent rachitis, short stature, microcephaly, sensorineural hearing impairment, mild mental retardation and liver dysfunction. The novel missense mutation c.142A>G (p.M48V) in BCS1L is located at a highly conserved region associated with sorting to the mitochondria. Biochemical analysis revealed an isolated complex III deficiency in skeletal muscle not detected in fibroblasts. Native polyacrylamide gel electrophoresis (PAGE) revealed normal super complex formation, but a shift in mobility of complex III most likely caused by the absence of the BCS1L-mediated insertion of Rieske Fe/S protein into complex III. These findings expand the phenotypic spectrum of BCS1L mutations, highlight the importance of biochemical analysis of different primary affected tissue and underline that neonatal lactic acidosis with multi-organ involvement may resolve after the newborn period with a relatively spared neurological outcome and survival into adulthood. CONCLUSION Mutation screening for BCS1L should be considered in the differential diagnosis of severe (proximal) tubulopathy in the newborn period. What is Known: • Mutations in BCS1L cause mitochondrial complex III deficiencies. • Phenotypic presentations of defective BCS1L range from Bjornstad to neonatal GRACILE syndrome. What is New: • Description of a novel homozygous mutation in BCS1L with transient neonatal acidosis and persistent de Toni-Debré-Fanconi-type tubulopathy. • The long survival of patients with phenotypic presentation of severe complex III deficiency is uncommon.

Editorial: Take Me Home, Down Country Roads

Those of us committed to the tenets of Family Preservation must advocate for increased awareness and attention to the needs of children and their families in rural America. "Country roads" and the rural spaces they traverse have been eulogized by many poets and song writers as ideal places to live. But they may not be ideal for everyone. The past few months, it has become all too evident that rural America is not immune to acts of extreme violence by troubled children. Even though almost 1/3 of American youth live in rural areas, they have been "virtually ignored by mental health service planners and providers"(Cutrona, Halvorson, & Russell, 1996, p. 217). Mental health risk factors such as poverty, parental alcohol abuse, and family instability are on the rise in rural areas, and there has been an increase in suicide attempts, family violence, depression, and alcohol abuse (Cutrona, Halvorson, & Russell, 1996; Petti & Leviton, 1986; National Mental Health Association, 1988). Native Americans are especially concerned about the increases in child abuse and neglect, depression, substance abuse, and suicide in their communities.

Espacio modernista. Una mirada abarcadora

El presente trabajo se propone una nueva mirada sobre el extenso corpus modernista hispanoamericano, narrativo y lírico, para descubrir en él las modulaciones del espacio poético y describir, evitando una formulación dogmática, el trazo de un periplo que comienza en el espacio americano, se sumerge en espacios interiores y artificiales, se evade en lo exótico y lo antiguo para regresar nuevamente a América con una técnica transformada. Se subraya la semejanza de tal periplo con la traslación física y espiritual de los poetas modernistas más significativos.

Jorge Luis Borges y la nostalgia de las orillas

Este trabajo indaga en torno a la atracción por el suburbio y sus personajes más característicos –tal el compadrito- que se manifiesta en la obra de Jorge Luis Borges. En primer lugar, analiza la presencia del barrio como tema central en la poesía posmodernista de Enrique Banchs, Evaristo Carriego y Baldormero Fernández Moreno, quienes realizan la incorporación del mundo suburbano a la poesía argentina. A continuación se centra en una original hipótesis que ahonda en la razón afectiva que pudo mover al escritor políglota, erudito y cosmopolita a sentir esa fascinación por el mundo del arrabal y del tango porteño.

Rescatando del Leteo crítico a Juan Crisóstomo Lafinur

A menudo la diosa Crítica argentina se empecina en sumergir en el río del olvido a no pocas figuras literarias de nuestro país del siglo XIX. Se podrían ofrecer como excusas, en algunos casos, el despótico paso del tiempo (mientras más nos alejamos del presente más difícil es indagar sobre talo cual autor); en otros, la escasa información biográfica; o la condición paupérrima de ciertas ediciones; o el estado a veces inabarcable de hombresorquesta de estos individuos (son poetas, guerreros, filósofos, etc. y esto sin descuidar ninguno de sus oficios), y así seguiríamos enumerando hasta el hartazgo. Pero así como existe una tendencia a lograr una moderna historiografia argentina de la mano de estudiosos como Tulio Halperin Donghi, revisando los hechos a la luz de sus desencadenantes ideológicos, también se debería proponer un buceo histórico-literario para sacar a la luz varias perlas literarias, engarzadas en sus correspondientes ideologías. Este trabajo se propone ser la ayuda virgiliana que rescate del olvido a Juan Crisóstomo Lafinur, sobre todo su labor poética, ya que de la filosófica todos sabemos de su importante trascendencia. Para esta última sólo tenemos que recordar las palabras de Roberto F. Giusti: "La historia de la evolución mental argentina quedaría incompleta si en ella no hiciésemos un lugar a Lafinur".

Roma de amor y muerte : Eros y Thánatos en tres poetas latinos (Horacio, Virgilio, Propercio)

¿De qué modos se vinculan Eros y Thánatos en la poesía latina clásica? Catulo había fijado una primera expresión de tal vínculo. Los poetas del círculo de Mecenas, cada uno a su modo, renuevan el tema. Horacio intenta moderar el miedo a la muerte y el afán amoroso. Virgilio, por su parte, en sus versos sobre Orfeo y Eurídice, nos ofrece otra cifra del enigma: ni el mayor poeta y amante pudo rescatar de la oscuridad a su amada; pero la poesía con que cante su dolor sobrevivirá a la muerte de ambos. Propercio, finalmente, expresa la constante cercanía de amor y muerte; amar es sentir el fondo de la humana fragilidad. Sin embargo, no piensa él meramente en una perduración literaria; afirma que “son algo los manes", pues su amada Cintia, ya muerta, lo ha visitado. “Aun cruza las riberas del Hado un gran amor."

La palabra y sus relieves

El siguiente texto reflexiona acerca de los distintos relieves (o sentidos) otorgados a la palabra y los usos que se hacen de ella, en especial en el ámbito poético (popular y culto). Dentro de este marco, se resalta la importante función del poeta y del lenguaje en relación con las tradiciones de un pueblo, el autoconocimiento y la construcción y apropiación del mundo real y ficcional. Para ilustrar lo que se expone, se hace referencia a la poesía popular y se cita y analiza a diversos poetas hispanohablantes (Darío, Alberti, Lorca…). Por último se compara el uso literario de la palabra con el que se hace en otros ámbitos menos favorables para ella (como el de la política actual).

Lecturas “dirigidas" de la poesía estadounidense : The new american poetry (1960) y Legitimate dangers (2006)

Este artículo estudia dos antologías de poesía estadounidense publicadas en su país de origen en 1960 y en 2006, respectivamente: The New American Poetry, compilada por Donald Allen, y Legitimate Dangers: American Poets of the New Century, por Michael Dumanis y Cate Marvin. A cincuenta años de la aparición de la primera, la crítica reconoce la función rupturista, renovadora y, a la vez, seminal de la selección de Allen, quien presentaba su texto como una colección de poetas y poemas opuestos al “verso académico". Del mismo modo, Dumanis y Marvin presentan una antología que busca difundir autores jóvenes cuya poesía propone el riesgo como valor fundamental. Nuestro enfoque compara y contrasta ambas antologías, para señalar los aspectos comunes, las declaraciones de principios y las poéticas subyacentes a ambas, y los procesos de canonización que llevan a cabo.