1000 resultados para Magoffin, Paul


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O objetivo deste trabalho é tecer considerações sobre as bases teóricas da Fenomenologia Hermenêutica de Paul Ricoeur. Para isso, partimos do esboço de alguns aspectos da Fenomenologia em Heidegger e discutimos certas faces da distinção entre as concepções de Ricoeur e Heidegger quanto à fundamentação da Hermenêutica na Fenomenologia, trabalhando com a Fenomenologia Estrutural e a Fenomenologia Hermenêutica.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Paul de Kock é considerado um escritor popular e de segunda monta do século XIX francês. Partindo desse lugar comum, a presente dissertação pretendeu investigar como o próprio Paul de Kock e seus biógrafos o definiam enquanto escritor e, por outro lado, averiguar se os aspectos editoriais e materiais dos exemplares de suas obras presentes no acervo do Grêmio Literário Português do Pará podem dizer algo a respeito do suposto público leitor ao qual suas obras se destinavam. Assim, no primeiro capítulo foram analisadas as biografias e autobiografia do escritor, buscando verificar qual teria sido a representação do escritor Paul de Kock elaborada em sua própria época. No segundo capítulo foram analisadas as características editoriais dos exemplares das obras do romancista francês presentes no Grêmio Literário Português do Pará, de modo a realizar um mapeamento dos intermediários da literatura - editores, tipógrafos e tradutores - envolvidos no processo de publicação dos romances do autor. No último capítulo procuramos analisar as particularidades do suporte material de parcela dessas edições, com o intuito de compreender até que ponto os formatos nos quais as obras do escritor circularam podem dar pistas sobre a representação dos editores acerca de seu provável público leitor, bem como ser indicativos do estatuto do escritor no interior do campo literário.

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The underdevelopment is a high relevance subject in researches and studies for the general social sciences. In this monographic paper, the marxist analysis perspective of the phenomenon approached is considerate of great importance to make a deep overlook, historical and structural, about the origins and solutions possibilities for the issues caused by it over several countries. Has been done here a theoretical analysis of three studious marxist authors of the subject: Paul A. Baran, Andre G. Frank and Ruy M. Marini. How they thought underdevelopment? Which were their scientific contributions to this theme? The main goal of this paper is to do a comparative analysis of these authors, synthesize their considerations about the underdevelopment issues and organized a theoretical and conceptual framework for a better understanding of the matters in capitalist development/underdevelopment relationship. To accomplish that, we elected four variables that supports this comparative exercises, they are: the origins, the causes, the consequences and the way-out of the underdevelopment conditions. This monographic work was made through studies of some principals books and articles of the cited authors as well as the reading of others authors that commented their theories and concepts. The considerations about the underdevelopment vitality under a world capitalist logical, rescues the debate on the transformation of this entire society project for another, been this movement the only way possible to reverse the path of the world people’s history and the major part of humankind that still lives into the “necessity kingdom”

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Pós-graduação em Educação Escolar - FCLAR

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Applying ecological studies to the adaptations of prehistoric human hunter-gatherer groups has greatly increased our abilities to interpret effects of an ever-changing environment and our access to critical resources on these populations. The Pleistocene/Holocene transition, its climate and human genesis in the new world, draws intensive interest from a number of scientific communities. In Twilight of the Mammoths, Paul Martin adds his views, which are of no surprise, on the megafaunal extirpations during a cultural period referred to in North America as Clovis.

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This edited collection grew out of a symposium held at Utah State University in Logan in 2002. According to the editors, the symposium's purpose was to "publicly explore the particular ways environmental writing educates the public through a fusion of science and literary expression." The Search for a Common Language achieves that purpose by including short prose pieces-ranging from memoirs, essays on specific locations, and scientific papers - as well as poetry on natural themes. The range of topics and genres and the inclusion of poetry provide a variety of ways to talk about the environment and reach out to different audiences to educate them about the natural world.

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This brief book is a history of the Lubbock Lake Landmark site, a nationally recognized archeological site located on the Texas southern High Plains on the north side of the city of Lubbock. The location has been the subject of intense investigations by archaeologists since 1939. Paul H. Carlson, a noted author and professor of history at Texas Tech University, states that his purpose was to go back through what John McPhee called "deep time" to show how the Lubbock Lake location was formed and was used by humans through time. He accomplishes this in five chapters.

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The significance of the works by Venezuelan-born composer Paul Desenne lies in his unique compositional style that incorporates elements of Latin American folk, pop, and traditional music within the framework of the Western European tradition. His works, though easily classified as art music, nevertheless gain much of their emotional and referential meaning through this rich borrowing. This document focuses on three of Desenne’s flute pieces: the Solo Flute Sonata (2001), Gurrufío for flute orchestra (1997), and Guasa Macabra for flute and clarinet (2003). It provides an analysis of the three works, examining formal, structural, motivic, and rhythmic aspects. Scores and interviews with the composer have been employed as primary sources. Bibliographical material closely related to his music and other secondary sources support this analytical approach. This document also provides an introduction and stylistic discussion of Desenne’s other pieces that incorporate the flute. Chapter one consists of an introduction to Desenne’s life and general considerations of his musical style. Each of the following three chapters focuses on one the three aforementioned flute works, including information about the composition and premiere of each piece as well as analysis and an examination of its incorporation of traditional folk elements. The final chapter presents an introduction to and stylistic discussion of the other flute pieces by this composer. This study intends to provide a basic understanding of Desenne’s flute music, including general characteristics of his musical style, paving the way for further investigation of Desenne’s music, and flute music in particular.