The pre-raphaelite female muse in Julia margaret cameron’s “idylls of the king” photographs

There has been little discussion of Julia Margaret Cameron’s Idylls of the King photographs over the past decade. My goal with this paper is to bring her Idylls of the King series back into discussion and address its success and relevance in both art history and literature. Scholars Helmut Gernsheim and Marylu Hill have questioned photography as a means to capture the imaginative content of Tennyson’s Arthurian stories and they declared Cameron’s photographs a failure. I argue that her theatrical style, use of props and costumes, obvious posing of her models, and nod to Victorian tableaux vivants capture the true essence of Tennyson’s epic. Her use of the Pre-Raphaelite female muse to portray the Arthurian characters of Elaine, Guinevere, and Vivien places her photographs in direct correlation with Pre-Raphaelite painting as well as popular literature. Her depictions of Tennyson’s epic poem are highly successful and I believe she achieved her personal goal of ennobling photography to the level of High Art.

El bienestar en España: una perspectiva de largo plazo, 1850-1991

Los historiadores económicos han estimado tradicionalmente el bienestar en términos de renta por persona. Durante la última década se han publicado, sin embargo, diversos trabajos que utilizan otros indicadores. Siguiendo esta línea de investigación, el artículo contrasta cuatro indicadores del bienestar en España (renta per capita, índice de Desarrollo Humano, Índice Físico de Calidad de Vida y estatura), dos de los cuales son inéditos (IDH e IFCV). Los resultados complican el objeto de estudio, pero sirven para proponer algunas hipótesis que deben ser ratificadas o desmentidas por futuras investigaciones.

Catharine Waugh McCullouch papers in the Mary Earhart Dillon collection, 1869-1945

Collection primarily documents McCulloch's research on women's legal status, and her work with the Illinois Equal Suffrage Association, the National American Woman Suffrage Association, and the League of Women Voters. There is also documentation of women in the legal profession, of McCulloch's friendships with the other women suffragists and lawyers, and some biographical material. The papers contain little information about her family or social life.

IV. Sheet music of Father Abbey's Will dedicated to the Graduates of Harvard University, 1850

Sheet music for Father Abbey's Will published in Boston by Oliver Ditson.

Letter from Benjamin Croswell to William Croswell, 1810 March 30

One-page letter from William Croswell's cousin with information about the ailments of Benjamin Croswell's wife.

Financial bills and receipts, 1809-1810

This folder contains five bills and receipts.

Proposal and recommendations for a celestial planisphere, or, map of the heavens, 1807-1810

This folder contains a broadside with an 1807 printed proposal for a Mercator celestial map that is appended with a handwritten list of subscribers, dated December 1810, as well as two copies of printed recommendations for the map.

Draft of an acknowledgment statement, [1810?]

One-page document containing notes presumably for an acknowledgment page of Croswell's Mercator map.

Company orders, 1810 May 2

A printed request for Croswell to appear for military duty.

XI. Catalogue of Harvard graduates, [ca. 1810]

This paper notebook contains a handwritten, alphabetical listing of graduates of the Harvard Classes of 1642 to 1809 presumably compiled from the published Triennial Catalogues.

[College Declamation of Andrew Fuller, 1761]

One-page handwritten Latin composition by Andrew Fuller with an epitaph of two lines from Perseus beginning, "Respice quod non es..." The document is a draft with edits and struck-through words.

[Admittatur of Timothy Fuller (Harvard AB 1801)], 1797 August 18

Published copy of the 1790 College Laws with the admittatur of undergraduate Timothy Fuller signed by President Joseph Willard on August 18, 1797.