Winckelmann and the invention of antiquity: history and aesthetics in the age of Altertumswissenschaft

This volume provides a new perspective on the emergence of the modern study of antiquity, Altertumswissenschaft, in eighteenth-century Germany through an exploration of debates that arose over the work of the art historian Johann Joachim Winckelmann between his death in 1768 and the end of the century. This period has long been recognised as particularly formative for the development of modern classical studies, and over the past few decades has received increased attention from historians of scholarship and of ideas. Winckelmann's eloquent articulation of the cultural and aesthetic value of studying the ancient Greeks, his adumbration of a new method for studying ancient artworks, and his provision of a model of cultural-historical development in terms of a succession of period styles, influenced both the public and intra-disciplinary self-image of classics long into the twentieth century. Yet this area of Winckelmann's Nachleben has received relatively little attention compared with the proliferation of studies concerning his importance for late eighteenth-century German art and literature, for historians of sexuality, and his traditional status as a 'founder figure' within the academic disciplines of classical archaeology and the history of art. Harloe restores the figure of Winckelmann to classicists' understanding of the history of their own discipline and uses debates between important figures, such as Christian Gottlob Heyne, Friedrich August Wolf, and Johann Gottfried Herder, to cast fresh light upon the emergence of the modern paradigm of classics as Altertumswissenschaft: the multi-disciplinary, comprehensive, and historicizing study of the ancient world.

Taylor v Caldwell (1863)

A Landmark Case is one which stands out from other less remarkable cases. Landmark status is generally accorded because the case marks the beginning or the end of a course of legal development. Taylor v Caldwell is regarded as a landmark case because it marks the beginning of a legal development: the introduction of the doctrine of frustration into English contract law. This chapter explores the legal and historical background to the case to ascertain if it is a genuine landmark. A closer scrutiny reveals that while the legal significance of the case is exaggerated, the historical significance of the cases reveals an unknown irony: the case is a suitable landmark to the frustration of human endeavours. While the existence of the Surrey Music Hall was brief, it brought insanity, imprisonment, bankruptcy and death to its creators.

Winckelmann in the perspective of Altertumswissenschaft: Christian Gottlob Heyne and Friedrich August Wolf

Winckelmann's writings hold an interest for modern classical studies which is not restricted to the subfield of classical archaeology. Considered in terms of methodology, his writings dramatise problems and questions which attend any attempt to provide a comprehensive account of ancient culture and society. The Geschichte der Kunst des Alterthums provided an influential model of what such a reconstruction might look like in a period when classical philology was undergoing a significant reconfiguration as „Alterthums-Wissenschaft" at the hands of scholars such as Christian Gottlob Heyne and Friedrich August Wolf. Investigation of their critical responses to Winckelmann’s works aims to contribute to understanding both of the early reception of his works and of questions which are still relevant today. Im Rahmen der modernen Altertumswissenschaften kommt den Werken Winckelmanns eine Bedeutung zu, die nicht auf den Bereich der Klassischen Archäologie beschränkt ist. Methodologisch betrachtet, dramatisieren seine Schriften Probleme und Fragen, die jedem Versuch einer umfassenden, erklärenden Rekonstruktion der antiken Kultur und Gesellschaft zugrunde liegen. Die Geschichte der Kunst des Alterthums hat ein einflussreiches Modell dafür geliefert, was eine solche Rekonstruktion in einer Zeit leisten konnte, in der die klassische Philologie einer erheblichen Umstrukturierung als „Alterthums-Wissenschaft“ durch Gelehrte wie Christian Gottlob Heyne und Friedrich August Wolf unterzogen wurde. Die vorliegende Untersuchung ihrer kritischen Reaktionen auf Winckelmanns Schriften soll dazu beitragen, sowohl die frühe Rezeption seines Werkes als auch Fragestellungen, die heute noch aktuell sind, besser zu verstehen.

Taxonomic review of Haliclystus antarcticus Pfeffer, 1889 (Stauromedusae, Staurozoa, Cnidaria), with remarks on the genus Haliclystus Clark, 1863

Difficulties concerning the taxonomy of stauromedusae are long known, and there is a clear need for taxonomic revision of the genus Haliclystus, as well as the reevaluation of some species. Haliclystus antarcticus Pfeffer, 1889 is recorded from Admiralty Bay, King George Island, Antarctic Peninsula. Due to the lack of detailed information on this species, we provide a redescription, presenting new data on the cnidome, morphometry, geographical distribution and intraspecific variation. Based on these characters, we propose that our specimens and Haliclystus auricula from Chile and Argentina are synonymous and should be classified as H. antarcticus. We also review the worldwide distribution of the genus Haliclystus Clark, 1863 and discuss taxonomic issues, concluding that some characters traditionally used in the taxonomy of the group should be used cautiously.

Dyrbara experimenter : Införandet av modernare gatubelysning i Falu stad 1863-1888

Syftet med uppsatsen är att belysa en aspekt av Faluns omvandling till modern stad. Den del i denna modernisering som vidrörs i uppsatsen är införandet av elektrisk gatubelysning. Frågeställningarna i uppsatsen rör diskussionen som föregicks i stadsförvaltningen då man införde elektrisk gatubelysning i Falun och anledningarna till införandet av elektrisk belysning. Materialet som har använts för undersökningen är protokoll från stadsfullmäktige och drätselkammare i Falun under perioden 1863-1888. Gatubelysningen i Falun har sedan 1849 varit i stadsförvaltningens regi. Flera olika metoder av gatubelysning har sedan dess tillämpats och ännu fler metoder har diskuterats men aldrig kommit till stånd. Denna uppsats rör också anledningarna till gatubelysning i Falun vilka var flera utöver att få gatorna belysta för nattvandrarna. Stävjandet av brottsligheten var en av dem, estetiken en annan men även ett självändamål tycks också skönjbart. Byggandet av den moderna staden krävde moderna metoder och material. Elektriciteten som metod för belysning av gator var i högsta grad modernt och Falun var bland de första städerna som antog elektrisk gatubelysning i Sverige.

In Their Footsteps, In Their Words: Special Section, 1813-1863

In Their Footsteps and In Their Words: Colby explores the first 50 years, from Jeremiah Chaplin to the Civil War.

O processo de transcrição da Suíte 20 de Johann Jacob Froberger para violão solo

Este trabalho trata do processo de transcrição da Suíte 20 de J. J Froberger para violão solo. O objetivo geral é descrever o processo de transcrição com base em modelos de transcrição dos séculos XVII e XXI. A partir destas análises foi construído um referencial teórico para aplicação na transcrição da Suíte 20. A identificação dos elementos típicos do chamado stile brisé a partir do referencial foi essencial para o processo de transcrição da suíte 20, que se utilizou de vários procedimentos similares. No anexo deste artigo consta uma edição comparativa da versão original da Suíte 20 com a transcrição, bem como outra edição com a parte do violão solo e sugestões de execução.

“Método de Gauss”: inapropriado até no nome

Tal como ressaltado em de Faro e Guerra (2014), tem sido frequente em nossos tribunais, sentenças judiciais determinando que, relativamente ao caso de amortizações de dívidas com prestações constantes, a popular Tabela Price seja substituída por um sistema que, fundamentado em uma particular aplicação do regime de juros simples, vem sendo cognominado de “Método de Gauss” (cf. Antonick e Assunção, 2006 e Nogueira, 2013). E isso, frize-se, mantendo-se o valor numérico da taxa de juros especificada no contrato de financiamento (usualmente, habitacional). A par de ser totalmente inadequado, como discutido em de Faro (2014c), associar o nome do grande matemático alemão Johann Carl Friedrich Gauss (1777-1855) ao procedimento em questão, sucede que ao mesmo, como a qualquer outro que seja baseado no regime de juros simples, associam-se incontornáveis inconsistências. Como já anteriormente, amplamente evidenciado em de Faro (2013b e 2014a). Tomando a Tabela Price como base de comparação, o propósito do presente trabalho é o de aprofundar a análise das deficiências do que tem sido denominado como “Método de Gauss”. Em particular, dado que as sentenças judiciais costumam não alterar os valores numéricos das taxas contratuais de juros, substituindo tão somente o regime de juros compostos, que está implícito na Tabela Price, pela peculiar variante do regime de juros simples que está subjacente ao que se chama de “Método de Gauss”, buscar-se-á considerar a questão do ponto de vista do financiador.

Da crise do estado à democracia como alvo: Observações sobre o neoliberalismo a partir de Friedrich Hayek e Milton Friedman

The neoliberalism proclaims the crisis of the State in front of globalization , but, approaching two books taken as basic on this theoretical chain - The road to serfdom, of Friedrich Hayek, and Capitalism and Freedom, of Milton Friedman - to analyze this supposed dualism, the conclusion into which we arrive is another one. Remembering liberal tradition and quickly, later, analyzing critically the workmanships, can be perceived that others are the conflicts really gifts in the current capitalist reality - market versus State et capitalism versus democracy - and, from the understanding on the reading made and the theoretical trajectory of its authors, we may see as the neoliberalism locates itself in relation to these conflicts, which polar regions of these antagonisms privileges, what represents the State for itself, and what it intends as much more global philosophy than economic/politics thinking only

A obra de triangulis omnimodis libri quinque de Johann Müller Regiomontanus (1436 1476): uma contribuição para o desenvolvimento da trigonometria

Trigonometry, branch of mathematics related to the study of triangles, developed from practical needs, especially relating to astronomy, Surveying and Navigation. Johann Müller, the Regiomontanus (1436-1476) mathematician and astronomer of the fifteenth century played an important role in the development of this science. His work titled De Triangulis Omnimodis Libri Quinque written around 1464, and published posthumously in 1533, presents the first systematic exposure of European plane and spherical trigonometry, a treatment independent of astronomy. In this study we present a description, translation and analysis of some aspects of this important work in the history of trigonometry. Therefore, the translation was performed using a version of the book Regiomontanus on Triangles of Barnabas Hughes, 1967. In it you will find the original work in Latin and an English translation. For this study, we use for most of our translation in Portuguese, the English version, but some doubt utterance, statement and figures were made by the original Latin. In this work, we can see that trigonometry is considered as a branch of mathematics which is subordinated to geometry, that is, toward the study of triangles. Regiomontanus provides a large number of theorems as the original trigonometric formula for the area of a triangle. Use algebra to solve geometric problems and mainly shows the first practical theorem for the law of cosines in spherical trigonometry. Thus, this study shows some of the development of the trigonometry in the fifteenth century, especially with regard to concepts such as sine and cosine (sine reverse), the work discussed above, is of paramount importance for the research in the history of mathematics more specifically in the area of historical analysis and critique of literary sources or studying the work of a particular mathematician

A figura do poeta em Friedrich von Hardenberg (Novalis) e Gaston Bachelard: algumas considerações

Através do Fogo - elemento marcante tanto em Novalis (século XVIII) quanto em Gaston Bachelard (século XX), pudemos ensaiar uma aproximação entre esses dois autores, distantes no tempo, mas próximos no tocante à valorização da imaginação (estética).