826 resultados para story telling


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ABSTRACT: The American metacinema which, by tradition, is narrative but extremely formulaic favours the story above the telling. No man contributed more to alter this state of affairs than Orson Welles, whose cinematic practice exalted the filmic enunciation and linked it more explicitly to the narrative intentions of the creator, making it obvious that metanarrative is synonymous with metacinema. With Citizen Kane (1941), in particular, the cinema was made more disnarrative, as meant by French writer/director Alain Robbe–Grillet, well ahead of Modernism. The fragmented narration, the temporal convolutions, a tendency for paradox and the interpretative obstacles all come together to anticipate the serial practice of David Lynch in his last four features. Structuring the films in segments which constitute different but complementary versions of the same events, Lynch manages to express the director’s enunciation along with the narration of the characters, reinforcing the role of the telling in the midst of the story. In INLAND EMPIRE (2006) the use of mise-en-abyme as a way of duplicating stories and tellers further increases the objective and complicates what is clearly the reign of the puzzle or mind-game film. In the footsteps of Welles, Lynch contributed for an outbreak of metanarrative / metacinematic crossover indie films closer to the European aesthetic practice but still very much within the American narrative tradition.

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Grounded on Raymond Williams‘s definition of knowable community as a cultural tool to analyse literary texts, the essay reads the texts D.H.Lawrence wrote while travelling in the Mediterranean (Twilight in Italy, Sea and Sardinia and Etruscan Places) as knowable communities, bringing to the discussion the wide importance of literature not only as an object for aesthetic or textual readings, but also as a signifying practice which tells stories of culture. Departing from some considerations regarding the historical development of the relationship between literature and culture, the essay analyses the ways D. H. Lawrence constructed maps of meaning, where the readers, in a dynamic relation with the texts, apprehend experiences, structures and feelings; putting into perspective Williams‘s theory of culture as a whole way of life, it also analyses the ways the author communicates and organizes these experiences, creating a space of communication and operating at different levels of reality: on the one hand, the reality of the whole way of Italian life, and, on the other hand, the reality of the reader who aspires to make sense and to create an interpretative context where all the information is put, and, also, the reality of the writer in the poetic act of writing. To read these travel writings as knowable communities is to understand them as a form that invents a community with no other existence but that of the literary text. The cultural construction we find in these texts is the result of the selection, and interpretation done by D.H.Lawrence, as well as the product of the author‘s enunciative positions, and of his epistemological and ontological filigrees of existence, structured by the conditions of possibility. In the rearticulation of the text, of the writer and of the reader, in a dynamic and shared process of discursive alliances, we understand that Lawrence tells stories of the Mediterranean through his literary art.

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O objetivo deste trabalho é estudar as tubagens de polímeros aplicadas nas redes prediais de águas e esgotos. A utilização deste tipo de material tem vindo a aumentar, mas o conhecimento por parte de projetistas e instaladores não tem vindo a acompanhar o ritmo de crescimento. Esta análise irá permitir um maior conhecimento dos materiais disponíveis e das suas caraterísticas próprias, o que induz a uma escolha acertada e a uma instalação adequada. No início do trabalho clarificou-se o significado e a origem dos polímeros, contando a sua história. Visitou-se a fábrica de tubos Fopil para pesquisar o processamento de polímeros. Explicou-se o fabrico de polímeros, que varia de acordo com as propriedades e aplicações desejadas. Os tubos poliméricos disponíveis no mercado para abastecimento de águas e esgotos foram analisados em relação às suas caraterísticas, vantagens e desvantagens e ligações disponíveis. Existem cuidados a ter no transporte, armazenamento e manuseamento dos tubos. Após a análise das caraterísticas técnicas, fez-se o estudo económico para os tubos existentes no mercado. Para isso foi considerado o abastecimento a um edifício multifamiliar com seis apartamentos. O projetista deve estar sempre informado, quer a nível tecnológico, quer a nível económico, para assim poder fazer a escolha mais acertada a nível de qualidade e a nível de preço. Ao realizar este estudo concluiu-se que nas instalações de redes de abastecimento de águas, o PB é o que tem o preço mais atrativo e tem caraterísticas ótimas. O PE-X tem o preço mais elevado, mas a sua qualidade não é proporcional ao seu preço. Nas instalações de redes de esgotos o material mais económico é o PP, que é o que apresenta as melhores caraterísticas.

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Dissertação apresentada na Faculdade de Ciências e Tecnologia da Universidade Nova de Lisboa para obtenção do grau de Mestre em Conservação e Restauro

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There has been a growing interest in the role of children’s literature in language teaching since the 80s, when the communicative approach made it possible to bring stories into the classroom (Garvie, 1990). It is undeniable that storytelling has many benefits. Not only are children naturally drawn to stories, but they are also an effective and enjoyable way to teach and learn. This article presents the findings of a MA project on using stories with children. It shows the importance of stories on language acquisition and concludes with some practical suggestions based on my teaching experience with young learners.

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The affinities of the short story with the style of painting dominating the period in which it is produced have often been debated by critics. The effects of the application of impressionist and vorticist principles in painting turns out differently in Katherine Mansfield and Wyndham Lewis’ short stories structure and strategies, according to their conceptions of Art and Life and to his career as a painter.

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A Work Project, presented as part of the requirements for the Award of a Masters Degree in Economics from the NOVA – School of Business and Economics