Nothing to wear, and other poems,

Mode of access: Internet.

The Know-Nothing party : a sketch /

Mode of access: Internet.

Forgeries, handwriting, something for nothing,/

Mode of access: Internet.

Much ado about nothing; a comedy ...

Mode of access: Internet.

An essay on the origin, habits, &c. of the African race: incidental to the propriety of having nothing to do with Negroes: ;

Mode of access: Internet.

Harry's holiday, or, The doings of one who had nothing to do /

Cf. Osborne Coll., p. 310.

Much ado about nothing; a comedy, in five acts. With notes critical and explanatory; also, an authentic description of the costume and the general stage business.

Mode of access: Internet.

The decision, or, Religion must be all, or is nothing.

Mode of access: Internet.

Nothing /

Mode of access: Internet.

Shakespeare's comedy of Much ado about nothing /

Mode of access: Internet.

Neck or nothing; a new and original drama, in three acts.

Two copies with slight variations in imprints and paper covers are bound together.

Busy saying nothing new: Live silence in TV reporting of 9/11

News of the attacks on New York and Washington on September 11th 2001 spread fast, mainly through dramatic images of the events broadcast via a global television media, particularly 24-hour news channels such as BBC News 24 and CNN. Following the initial report many news channels moved to dedicated live coverage of the story. This move, to what Liebes (1998) describes as a 'disaster marathon', entails shifting from the routine, regular news agenda to one where the event and its aftermath become the main story and reference for all other news. In this paper, we draw upon recordings from the BBC News 24 channel on September 11th 2001 during the immediate aftermath of the attacks on the World Trade Centre and Pentagon to argue that the coverage of this event, and other similar types of events, may be characterised as news permeated with strategic and emergent silences. Identifying silence as both concrete and metaphorical, we suggest that there are a number of types of silence found in the coverage and that these not only act to cover for lack of new news, or give emphasis or gravitas, but also that the vacuum created by a lack of news creates an emotional space in which collective shock, grieving or wonder are managed through news presented as phatic communion.