Storia di Fontana.

Mode of access: Internet.

Descrizione storica della chiesa, e del monistero di S. Domenico Maggiore di Napoli /

Mode of access: Internet.

Ragionamenti di Domenico de Crollis a sua eccellenza Antonio Boncompagni duca di Sora.

Mode of access: Internet.

Notizie storiche circa li pubblici professori nello Studio di Padova scelti dall'Ordine di San Domenico /

Signatures: A-M⁸, N-N², F³-F⁸. Signatures F³-F⁸ were mis-lettered and should read N³-N⁸.

Trattato di Domenico di Guido Mellini dell' origine, fatti, costumi, e lodi di Matelda, la gran contessa d'Italia : diuiso in due parti.

Includes index.

Summarium Io Fra Christoforo Donayre Dell'Ordine di san Domenico ..., certifico, e faccio fede, che stando nel Conuento di Sant'Ildefonso il Reale de Toro ... tutti li Padri Capitolari appartenenti all'elettione del Prouinciale ...

Mode of access: Internet.

Ragguaglio del miracoloso avvenimento operato da Dio Nostro Signore per intercessione della gloriosa Vergine Maria, e del patriarca S. Giuseppe in persona del sig. D. Domenico di Mauro : tratto dalla di lui diposizione fatta avanti a' ministri della curia arcivescovile per ordine dell'eminentiss. e reverendiss. signor cardinal Pignatelli, arcivescovo di Napoli.

University of Illinois bookplate: "From the library of Conte Antonio Cavagna Sangiuliani di Gualdana Lazelada di Bereguardo, purchased 1921".

Reimagining the Baroque in Italian Modernism. From the fin-de-siècle to Lucio Fontana

While Italian art of the twentieth century is usually associated with either the avant-garde practices of Futurism or the classicism of Fascist visual culture, the Italian modernists' complex engagement with concepts of the ‘Baroque’ has yet to be explored. Through an extensive analysis of paintings, sculptures, publications, collecting practices, and exhibitions, my dissertation addresses this lacuna by investigating how the Baroque was discursively constructed and visually represented in Italian modernist artistic and cultural debates between 1880 and 1945. I study how artists and critics such as Umberto Boccioni, Giorgio De Chirico, Adolfo Wildt, Lucio Fontana, and Roberto Longhi championed or disparaged the Baroque in the context of heated debates over the import of Italy’s rich cultural heritage, its status in modern Europe, and the potential role of avant-garde art as a catalyst for national regeneration. In contrast to previous scholars I argue that the development of modern art in Italy was actively shaped by cultural perceptions about the Baroque. My dissertation therefore sheds new light on the role of style in the cultural politics of Italy, which in turn will transform our understanding of visual culture in modern Italy, and of twentieth-century representations of the Baroque in art, literature, and aesthetics.

O homem maldito, de Carlos Eugênio Fontana: o início do romance sul-rio-grandense.

O presente trabalho pretende contribuir para a compreensão do sistema literário sulrio- grandense e, para isso, pretende-se divulgar e analisar a obra literária do autor gaúcho Carlos Eugênio Fontana, a qual se revelou de suma importância para a compreensão da formação do sistema literário no Rio Grande do Sul, sendo que este autor foi o primeiro a publicar romance na cidade de Rio Grande e o quarto no Estado. Em 1858, Carlos Eugênio Fontana publicou o romance O homem maldito e, em 1860, a novela Cenas da vida. Por serem precursoras do gênero no Estado e estarem dentro do padrão literário vigente na época, o estudo destas obras torna-se necessário para a compreensão do processo literário na região sul do país. Contudo, cabe ressaltar que as análises deter-se-ão no romance O homem maldito, por este apresentar recursos literários propícios a uma investigação teórica. Desta forma, buscar-se-á analisar a obra do referido autor com o contexto literário da época em que foi produzida. Além disso, no decorrer da investigação, buscar-se-á analisar as discussões entre história e literatura presentes no romance O homem maldito, foco deste estudo, discutindo questões referentes ao gênero da obra, assim como estudar-se-á também a formação do sistema literário gaúcho, do qual Carlos Eugênio Fontana faz parte, observando a questão da produção/recepção de sua obra.

Entrevista al DR. Josep Fontana

Resumen Los entrevistadores dialogan con Fontana acercad de los problemas teóricos y metodológicos de la investigación histórica. Abstract The interviewers discuss theoretical and methodological problems of history investigation  with Fontana.

Multi-version documents : A digitisation solution for textual cultural artefacts

Textual cultural heritage artefacts present two serious problems for the encoder: how to record different or revised versions of the same work, and how to encode conflicting perspectives of the text using markup. Both are forms of textual variation, and can be accurately recorded using a multi-version document, based on a minimally redundant directed graph that cleanly separates variation from content.

An investigation into painting's transformation and regeneration through post-photographic intervention in the digital archive

This PhD practice-led research inquiry sets out to examine and describe how the fluid interactions between memory and time can be rendered via the remediation of my painting and the construction of a digital image archive. My abstract digital art and handcrafted practice is informed by Deleuze and Guattari’s rhizomics of becoming. I aim to show that the technological mobility of my creative strategies produce new conditions of artistic possibility through the mobile principles of rhizomic interconnection, multiplicity and diversity. Subsequently through the ongoing modification of past painting I map how emergent forms and ideas open up new and incisive engagements with the experience of a ‘continual present’. The deployment of new media and cross media processes in my art also deterritorialises the modernist notion of painting as a static and two dimensional spatial object. Instead, it shows painting in a postmodern field of dynamic and transformative intermediality through digital formats of still and moving images that re-imagines the relationship between memory, time and creative practice.

Standard preanalytical coding for biospecimens: Review and implementation of the Sample PREanalytical Code (SPREC)

The first version of the Standard PREanalytical Code (SPREC) was developed in 2009 by the International Society for Biological and Environmental Repositories (ISBER) Biospecimen Science Working Group to facilitate documentation and communication of the most important preanalytical quality parameters of different types of biospecimens used for research. This same Working Group has now updated the SPREC to version 2.0, presented here, so that it contains more options to allow for recent technological developments. Existing elements have been fine tuned. An interface to the Biospecimen Reporting for Improved Study Quality (BRISQ) has been defined, and informatics solutions for SPREC implementation have been developed. A glossary with SPRECrelated definitions has also been added.

The genome of the domesticated apple (Malus × domestica Borkh.)

We report a high-quality draft genome sequence of the domesticated apple (Malus × domestica). We show that a relatively recent (>50 million years ago) genome-wide duplication (GWD) has resulted in the transition from nine ancestral chromosomes to 17 chromosomes in the Pyreae. Traces of older GWDs partly support the monophyly of the ancestral paleohexaploidy of eudicots. Phylogenetic reconstruction of Pyreae and the genus Malus, relative to major Rosaceae taxa, identified the progenitor of the cultivated apple as M. sieversii. Expansion of gene families reported to be involved in fruit development may explain formation of the pome, a Pyreae-specific false fruit that develops by proliferation of the basal part of the sepals, the receptacle. In apple, a subclade of MADS-box genes, normally involved in flower and fruit development, is expanded to include 15 members, as are other gene families involved in Rosaceae-specific metabolism, such as transport and assimilation of sorbitol.