Religaciones hispano-americanas en torno del 98 : Los usos de La Tempestad en el Modernismo (Darío y Rodó)

Con el 'Desastre' del 98, la reacción antiimperialista del Modernismo implicó una revisión de sus afiliaciones culturales. Como se sabe, han sido frecuentes las críticas al hispanismo y al latinismo desplegados en la escritura modernista en tanto síntomas de un persistente 'colonialismo'. Este trabajo analiza las relaciones establecidas entre los escritores latinoamericanos y españoles a partir de la Derrota del 98 -las cuales eran promovidas a su vez por el Hispanismo peninsular desde los festejos del IV Centenario en 1892- y el modo en que los Modernistas piensan los lazos con España ante una situación que confirmaba la hegemonía sajona y la 'decadencia latina'. En este contexto la lectura 'antiimperialista' de La Tempestad de Shakespeare ('El triunfo de Calibán' de Darío, el Ariel de Rodó) se transforma en un poderoso fenómeno de religación en torno del cual se debaten las relaciones con la ex-Madre Patria. Para los modernistas, según nuestra lectura, la unión con la intelectualidad hispana implicaba el fortalecimiento de un sistema literario común en el mercado internacionalizado de la letras. En tal sistema, resultaba evidente hacia el fin de siglo el liderazgo de Darío y la posibilidad de que los latinoamericanos compititieran con los españoles en pie de igualdad

Dos décadas de estructuras plegadas de hormigón. Inicio y ocaso de un movimiento

This paper deals with the development and achievements of structures conformed by concrete folded plates. It explores the origins of its analysis and calculation and shows an overview of the main folded plate structures between 1950 and 1970. Great number of technical articles and publications on folded structures appeared in these two decades, to quickly decline shortly after. At least in a symbolic sense, their end can be certified by a memorable and monographic IASS symposium held in 1970 on such structures. More than four decades after the last of the large-scale structures of this type was erected, a review of achievements and possible causes of decadence seems to be pertinent, furthermore considering the growing and renewed interest in the geometry of folds and facets of the last years.

A revolução capitalista

The Capitalist Revolution was the period of the transition from the ancient societies to capitalism; it was a long transition that began in North Italy, in the 14th century, and for the first time got completed in England, in the second part of the 18th century, with the formation of the nation state and the Industrial Revolution; it is a major rupture, which divided the history of mankind between a period where empires or civilizations prospered and fell into decadence and disappeared, to a period of ingrained economic development and long-term improvement of standards of living. Since then the different peoples are engaged in the social construction of their nations and their states; since then, they are experiencing economic development, because capitalism is essentially dynamic; since then they are struggling for the political objectives that they historically defined for themselves since that revolution: security, freedom, economic well-being, social justice, and protection of the environment.

Crítica y arte.

Mode of access: Internet.

Venice : its individual growth from the earliest beginnings to the fall of the republic /

Part 2, v. 1-2, has imprint: Bergamo, Istitutio italiano d'arti grafiche.

Par quelles causes et par quels degres les loix de Lycurgue se sont alterees chez les lacedemoniens jusqu'a ce qu'elles ayent ete aneanties : Dissertation qui a remporte le prix dans l'Academie Royale des inscriptions & Belles-Lettres, le 28 avril 1767 ; Avec des notes contenant les principaux traits de l'histoire de Lacedemone /

ICCU,

Realities and ideals; social, political, literary and artistic.

Partly republished from various sources.

Heralds of revolt; studies in modern literature and dogma,

"Of the essays contained in this volume the first four have been taken from the Dublin Review, the remaining seven were published in the Quarterly Review."--Pref.

The later renaissance,

The later renaissance in Spain.--The Spanish learned poets.--The growth and decadence of the Spanish drama.--Forms of the Spanish drama.--Spanish prose romance.--Spain: historians, miscellaneous writers, and the mystics.--Elizabethan poetry.--The earlier dramatists.--The Elizabethan prose-writers.--France. Poetry of the later renaissance.--French prose-writers of the later sixteenth century.--The later renaissance in Italy.--Conclusion.

The substance of Gothic; six lectures on the development of architecture from Charlemagne to Henry VIII, given at the Lowell Institute, Boston, in November and December, 1916,

The quarry of antiquity.--The age of Charlemagne.--The great awakening.--The epoch of transition.--The mediæval synthesis.--The decadence and the new paganism.

Nachwort

This is the preface to the first German translation of the original first edition of Herman Bang's 1880 novel of decadence (which was banned on publication).

„Fern im dänischen Norden ein Bruder”:Thomas Mann und Herman Bang. Eine literarische Spurensuche

This study for the first time demonstrates and analyses the full extent of Danish impressionist writer Herman Bang’s influence on one of Germany’s major authors, Thomas Mann. Mann was an avid reader of Bang’s works and he regarded the Scandinavian writer as a kindred spirit, a “brother up north”, who “taught [him] much”. It has previously been accepted that Bang was an inspiration for Mann in his formative years. However, as this study conclusively shows, references to Bang’s works occur throughout Mann’s writings, from the early novellas to the late novels. The book argues that Mann was not only impressed by Bang’s highly individual style of impressionist writing but that his fascination for Bang’s works was to a large extent based on this author’s recurrent depiction of decadence, his handling of artistic motifs and his treatment of erotic themes. Bang’s topical focus on the problematically isolated lives of artists and aristocrats as well as his insights on the destructive nature of love and sexuality – particularly of homoerotic desire – were surprisingly similar to Mann’s own views on these topics and yet provoked him to produce heavily referenced counter versions of Bang’s works. This phenomenon is explored in the context of Mann’s struggle with his own homosexuality and the attraction that death and decadence exerted over him. Most of Mann’s writings are in that way indebted to Bang. In addition, Mann’s frequent use of homoerotic subtexts and his depiction of female characters were noticeably influenced by Bang’s literary techniques. All these different, yet closely interlinked, aspects of Mann’s creative appropriation of Bang’s works are analysed and discussed in this study. To conclude, Mann’s references to Bang’s works are schematised and an attempt is made to characterise Mann’s intertextual practice in general in the context of his famous use of irony.

Daughter of Eve, "Femme Fatale", and Persecuted Artist: The Mythic Transgressive Woman in Oscar Wilde's and Richard Strauss's "Salome"

Historically, Salome was an unexceptional figure who never catalyzed John the Baptist's death. However, in Christian Scripture, she becomes the dancing seductress as fallen daughter of Eve.  Her stepfather Herod promises Salome his kingdom if she dances for him, but she follows her mother’s wish to have John beheaded. In Strauss’s opera, after Wilde's Symbolist-Decadent play, Salome becomes independent of Herodias’ will, and the mythic avatar of the femme fatale and persecuted artist who Herod has killed after she kisses John's severed head.  Her signature key of C# major, resolving to the C major sung by Herod and Jokanaan at her death, represent her tragic fate musically.

Dos riscos e miasmas : os apelos de um texto-pensamento em Crônica da casa assassinada, de Lúcio Cardoso

Tese (doutorado)—Universidade de Brasília, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2016.

EL CAMINO DE MULAS EN COSTA RICA Y PANAMA

El Camino de Mulas, con excepción de las veredas y trillos precolombinos, fue el primero, y por muchos años el único camino para las comunicaciones interiores y exteriores. El camino fue construido ya en 1601 con el objeto de unir Cartago (en la  oriental de la Depresión Tectónica Central) con Tierra Firme (Panamá), pero también el camino contribuyo a unir Nicaragua, Costa Rica y Panamá. Por el se transportaban los productos y materias primas hasta la feria de Portobelo y desde esta las mercaderías por el mismo camino hacia las colonias. El tráfico origino importantes ingresos públicos y con ellos fue posible pagar los gastos militares y administrativos de la provincia. Ejemplos de contratos de venta, hipotecas y opciones de compraventa, incluso por parte de eclesiásticos, son presentados en el trabajo. Sin embargo, la supresión de la feria en 1746, determinó la decadencia económica de Panamá, la reducción del tráfico de mulas a lo largo del camino y la subsecuente disminución y, finalmente, la desaparición de los impuestos, todo lo cual puede ser verificado en las cuencas de Tesoro Real de la provincia de Costa Rica.  ABSTRACT The Mule Trail, with exceptions to the Pre-colombian footpaths, was the first, and for many years the only, interior and international communications route. The trail was constructed in 1601 with the object being to link Cartago (in the Eastern Sub-Basin of the Central Tectonic Depression) with Tierra Firme (Panamá) but also the trail contributed in linking Nicaragua, Costa Rica and Panamá because it permitted. The transportation of products and raw materials to the Portobelo fair and also allowed Spanish merchandise to arrive to the colonies. The traffic originated ingresses and with the money it was possible to pay the Administrative and Military debts of the province. Example of sales contracts, mortgages and buying and selling options, even used by the ecclesiastics, are presented in this essay.  Nevertheless, the suppression of the fair in 1746, determined the economic decadence of Panamá, the reduction of mule traffic over the trail and the subsequent diminish and finally disappearance of the accounting of the Royal Treasury of the Province of Costa Rica.