Catalogue of Irish, Roman, and British antiquities, in the Museum of the late Dean of St. Patrick's.

Mode of access: Internet.

Inventory of the collection of pictures, miniatures, decorative furniture, porcelain, objects of art, books, &c. /

Cover title: The Jones collection.

Illustrated catalogue of the exhibition of portraits on loan in the new galleries of art, Corporation buildings, Sauchiehall Street.

Exhibition of portraits from Scotland and England "of deceased persons, especially of those who have been connected with Glasgow...." -- P. [iii].

Lepidoptera of the Congo, being a systematic list of the butterflies and moths collected by the American Museum of Natural History, Congo expedition, together with descriptions of some hitherto undescribed species.

Reprinted from Bulletin of the American Museum of Natural History, Vol. XLIII, art. VI, pp. 109-369.

Museum of foreign literature and science.

Title from caption.

Museum of Fine Arts, Boston. Japanese swords guards,

Includes index.

The Museum of foreign literature and science.

Mode of access: Internet.

Bulletin of the Pennsylvania Museum.

No issue published in Dec. 1918.

Illustrated descriptive account of the Museum of Andalucian pottery and lace, antique and modern : together with notes on pre-Roman Seville and the lost city of Tharsis /

Mode of access: Internet.

Catalogue of paintings and drawings, with a summary of other works of art ... Summer 1893.

Mode of access: Internet.

Catalogue of the pictures, drawings, etchings and objects of art /

Compiled by P. Zilcken.

The Impact of Socially Conscious Art Exhibitions: A Case Study of Art AIDS America

Thesis (Master's)--University of Washington, 2016-06

Museum of urban development and headquarters for the planning/preservation department of the city of Miami Beach.

The objective of this research and thesis was to develop a program and project in the context of the Historic Art Deco District in Miami Beach. This project intended to analyze the chronological history of the urban development of the Art Deco District, its geographical, political and socio-cultural conditions as well as the evolution and different architectonic typologies of the area. In order to understand the issues involved in design in a historic context, this research addressed and analyzed several architectonic interventions within various historic places. This research concluded with the design of a public facility located at Ocean Drive, Miami Beach, consisting of a Museum of Urban Development and Headquarters for the Planning/Preservation Department of the City of Miami Beach. The project proposal and thesis, addresses architectonic and theoretical issues specific to design in an historic area.

Fieldworks from the Museum of the Void: Experiments in the Event of an Archive

This exhibition was a research presentation of works made at Center for Land Use Interpretation [CLUI]base in Wendover, Utah, USA between 2008-2010. The project was commissioned by the Centre For Land Interpretation in USA and funded by The Henry Moore Foundation in the UK. Documentation of research conducted in the field as made available as video and installation. An experimental discourse on the preservation of land art was put with GPS drawings and research information displayed as maps and documents. In examining physical sites in Utah, USA, the project connected to contemporary discourse centred on archives in relation to land art and land use. Using experimental processes conceived in relation to key concepts such as event structures and entropy, conceptual frameworks developed by Robert Smithson (USA) and John Latham (UK), the 'death drive' of the archive was examined in the context of a cultural impulse to preserve iconic works. The work took items from Lathams archive and placed them at the canonical 'Spiral Jetty', Smithson land art work at Rozel Point north of Salt Lake City. This became a focus for the project that also highlighted the role of the Getty Foundation in documenting major public artworks and CLUI in creating an American Land Museum. Work was created in the field at extreme remote locations using GPS technologies and visual tools were developed to articulate the concepts of the artists discussed, to engage the exhibition audience in ideas of transformation and entropy in art. Audiences were encouraged to sign a petition to be used in future preservation of spiral jetty currently facing development challenges.