988 resultados para Taylor, Charles, 1931-


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Inscribed.

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Limited edition of 1000 copies. This is no. 546.

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Limited edition of 350 copies of which this is number 118.

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Back Row: Trainer Ray Roberts, Omer LaJeunesse, William Hewitt, Louis Westover, manager John Sauchuck

4th Row: Fielding Yost Jr, Charles DeBaker, Cecil Cantrill, Charles Bernard, Norm Daniels, Estel Tessmer

3rd Row: Herman Everhardus, Francis Wistert, DuVal Goldsmith, Fred Petoskey, Howard Auer, Tom Samuels, John Kowalik, Stan Hozer

2nd Row: Jay Sikkenga, Ivan Williamson, Director Fielding Yost, captain Roy Hudson, Coach Harry Kipke, John Heston, Stan Fay

Front Row: Harry Newman, Leslie Douglass

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Back Row: John Heston, Frederick Clohset, Howard Auer, Thomas Samuels, Thomas Cooke, Donald McGuire, Francis Hazen, Harold Ellerby, Leslie Frisk, Wallace Miller, Fielding H. Yost jr., Norman Daniels, Robert Miller, John Kirby, Cecil Cantrill, Bethel Kelley, Charles Stone, Louis McGrath, DuVal Goldsmith

Middle Row: Francis Wistert, William Horner, Carl Savage, Charles Bernard, Omer LaJeuness, Ward Oehmann, J. Leo Winston, Leonard Meldman, Neil(?) Savage, Maynard Morrison, Jay Sikkenga, Abe Marcovsky, Harry Schick, Leslie Douglass, John Kowalik, James Conover, Harvey Chapman, Fred Petoskey, Russell Damm

Front Row: William Hewitt, Louis Westover, Francis Hayes, Arthur Kutsche, Roderick Cox, Charles DeBaker, Roy Hudson, Harry Newman, Estel Tessmer, Kirk Holland, Jay Schmidt, William Renner, Harry Stinespring, Herman Everhardus, Stanley Fay, Ivan Williamson, Martin Heston

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Top Row: William Klein, William Hill, Roger Howell

3rd Row: George Weyl, Edwin Jackson, Leo Draveling, Donald Haefele, David Gafill, Francis Hazen, Robert Feustel

2nd Row: Hawley Eggleston, Charles DeBaker, Edwin Turner, Roderick Cox, Ben Glading, Charles Eknovich, Howard Braden, Harmon Wolfe

Front Row: John Campbell, Joseph Austin, Ralph Mueller, John Noyes, John Pottle, coach Charles Hoyt, Edwin Russell, Eddie Tolan, J. Clifford Murray

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manager Charles Reynolds, coach Ray Courtright, Alexander Jolly, Eugene Hand, John Lenfestey, J.R. Royston, John Howard, Richard Livingston, coach Thomas Trueblood

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Back Row: Robert Ostrander, William Hill, David Fitzgibbons, mngr. James Shelton

Front Row: Richard McManus, Robert Howell, Harmon Wolf, coach Charles Hoyt, Howard Braden

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The exponential growth of studies on the biological response to ocean acidification over the last few decades has generated a large amount of data. To facilitate data comparison, a data compilation hosted at the data publisher PANGAEA was initiated in 2008 and is updated on a regular basis (doi:10.1594/PANGAEA.149999). By January 2015, a total of 581 data sets (over 4 000 000 data points) from 539 papers had been archived. Here we present the developments of this data compilation five years since its first description by Nisumaa et al. (2010). Most of study sites from which data archived are still in the Northern Hemisphere and the number of archived data from studies from the Southern Hemisphere and polar oceans are still relatively low. Data from 60 studies that investigated the response of a mix of organisms or natural communities were all added after 2010, indicating a welcomed shift from the study of individual organisms to communities and ecosystems. The initial imbalance of considerably more data archived on calcification and primary production than on other processes has improved. There is also a clear tendency towards more data archived from multifactorial studies after 2010. For easier and more effective access to ocean acidification data, the ocean acidification community is strongly encouraged to contribute to the data archiving effort, and help develop standard vocabularies describing the variables and define best practices for archiving ocean acidification data.

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The comments of Charles Kegan Paul, the Victorian publisher who was involved in publishing the novels of the nineteenth-century British-Indian author Philip Meadows Taylor as single volume reprints in the 1880s, are illuminating. They are indicative of the publisher's position with regard to publishing - that there was often no correlation between commercial success and the artistic merit of a work. According to Kegan Paul, a substandard or mediocre text would be commercially successful as long it met a perceived want on the part of the public. In effect, the ruminations of the publisher suggests that a firm desirous of acquiring commercial success for a work should be an astute judge of the pre-existing wants of consumers within the market. Yet Theodor Adorno, writing in the mid-twentieth century, offers an entirely distinctive perspective to Kegan Paul's observations, arguing that there is nothing foreordained about consumer demand for certain cultural tropes or productions. They in fact are driven by an industry that preempts and conditions the possible reactions of the consumer. Both Kegan Paul's and Adorno's insights are illuminating when it comes to addressing the key issues explored in this essay. Kegan Paul's comments allude to the ways in which the publisher's promotion of Philip Meadows Taylor's fictional depictions of India and its peoples were to a large extent driven in the mid- to late-nineteenth century by their expectations of what metropolitan readers desired at any given time, whereas Adorno's insights reveal the ways in which British-Indian narratives and the public identity of their authors were not assured in advance, but were, to a large extent, engineered by the publishing industry and the literary marketplace.