Préludes pour piano (Ier[-2ème] livre)

Pl. no.: D. & F. 7687 (v. 1); publisher no.: D. & F. 8697 (v. 2).

Twelve sonatas for two violins : with a bass for the violoncello or harpsichord /

Mode of access: Internet.

Children's corner = Coin des enfants : petite suite pour piano seul.

Doctor Gradus ad Parnassum. -- Jimbo's lullaby. -- Sérénade for the doll. -- The snow is dancing. -- The little shepherd. -- Golliwogg's cake walk.

Konzertante für zwei violinen mit orchester.

Arrangement for violins 1-2 with piano accompaniment.

THE DISTINCTIVE VOICE OF PAUL HINDEMITH THROUGH THE VIOLA

Paul Hindemith has made numerous contributions to the viola, both as a composer and performer. As a composer, he has written 7 sonatas for the viola, as well as a number of chamber and orchestral works which feature the viola as a solo instrument. As a violist, Hindemith was one of the only virtuoso soloists of his lifetime, and premiered virtually all of his solo compositions. Many of his pieces remain an integral part of the viola repertoire; Der Schwanendreher is one of the three major Twentieth-Century concertos for the viola. While some of his pieces are well-known, there are many others which are not performed with much frequency, due in part to the sheer output of this prolific composer. In this dissertation project, I performed Hindemith's compositions for the viola as a solo instrument. Consideration was given to exclusively performing his 4 solo sonatas and 3 sonatas for viola and piano. His only viola duet, his only non-sonata written for viola and piano, and 2 of his viola concertos (Der Schwanendreher and Trauermusik) were included in this dissertation project to provide contrast and supplement the three recital programs. Through this dissertation project I have been able to gain a deeper understanding of the complex language of Hindemith and interpret his music in an approach that is accessible to both the performer and the audience. All performances took place in the Gildenhom Recital Hall and Ulrich Recital Hall at the University of Maryland. All collaborations with piano were performed with Eliza Ching. The Duett for Viola and Violoncello was performed with Daniel Shomper, and the assisting musicians performing in the Trauermusik were Joel Ciaccio, Daniel Sender, Daniel Shomper, Cassandra Stephenson and Dana Weiderhold.

Early Cretaceous dinoflagellate cycsts from ODP Hole 123-765C

Results of a preliminary study of Early Cretaceous dinocyst assemblages from Site 765 on the Argo Abyssal Plain, off northwestern Australia, are presented. The palynological sequence is interpreted in terms of Australian zones and is, in descending order, the late Aptian Diconodinium davidii Zone (Cores 123-765C-33R to -39R), the middle to early Aptian Odontochitina operculata Zone (Cores 123-765C-40R to -49R), the Barremian Muderongia australis Zone (Cores 123-765C-50R to -54R), and the Berriasian lower Batioladinium reticulatum Zone (Core 123-765C-59R). The dating of the sequence as late Aptian to Berriasian on the basis of dinocysts is supported, in part, by data concerning associated foraminiferal, radiolarian, and calcareous nannofossil suites.

Barcarola : ciel sans nuages /

Disbound Original Held in Oak Street Library Facility.

Staccato : capricho /

Disbound Original Held in Oak Street Library Facility.

Suite española : no. IV ; Cadiz /

Caption title: Suite espagnole. No. IV. Cadiz (Canción)

Suite from L'histoire du soldat = The soldier's tale /

Marche du soldat -- Le violon du soldat -- Petit concert -- Tango-valse-rag -- La danse du diable.

Suite in F major for the pianoforte. Op. 46.

Mode of access: Internet.

Troisième sextuor (ut) pour deux violons, deux altos et violoncelles. Op. 11.

Pl. no. 2639.

Pictures at an exhibition.

Caption title.

Schéhérazade : d'après Mille et une nuits : suite symphonique pour orchestre, op. 35 /

Introductory note in Russian and French.

Piemonte; suite per orchestra sopra temi popolari. Op. 36.

Arr. for piano.