992 resultados para Smith, John Pye, 1774-1851.
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The reputation of The Phantom Carriage (Körkarlen) as one of the major films of Swedish silent cinema is in some respects securely established. Yet the film has attracted surprisingly little detailed discussion. It may be that its most striking stylistic features have deflected or discouraged closer scrutiny. Tom Gunning, for instance, in making the case for Sjöström’s Masterman, argues that ‘Körkarlen wears its technique on its sleeve, overtly displays its unquestionable mastery of superimposition and complex narrative structure. Mästerman tucks its mastery of editing and composition up its sleeve, so to speak’. This article makes an argument for a different evaluation of The Phantom Carriage, bringing a critical and interpretative understanding of the film’s style into conversation with the historical accounts of film form which predominate in the scholarship around silent cinema. It suggests that the film achieves ‘mastery of editing and composition’ with a flexibility and fluidity in the construction of dramatic space that is in itself remarkable for its period, but that Sjöström’s achievements extend well beyond his handling of film space. Specifically, it discusses a segment which is in several respects at the heart of the film: the first meeting between the two central characters, David Holm (Victor Sjöström) and Sister Edit (Astrid Holm); it spans the film’s exact mid-point; and at almost twelve and a half minutes it is the longest uninterrupted passage to take place in a single setting. The chapter argues that the dramatic and structural centrality of the hostel segment is paralleled by its remarkably rich articulation of the relationships between action, character and space. We show how Sjöström’s creation of a three-dimensional filmic space - with no hint of frontality - becomes the basis for a reciprocal relationship between spatial naturalism and performance style, and for a mise-en-scene that can take on discrete interpretive force. The argument also places the hostel sequences within the film as a whole in order to show how relationships articulated through the detailed decisions in this section take on their full resonance within patterns and motifs that develop across the film.
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This is a two-part audiovisual essay on Victor Sjöström’s extraordinary film The Phantom Carriage (Körkarlen), which was released on New Year’s Day 1921. Part 1 explores a sequence in detail, revealing a mastery of three-dimensional film space which is remarkable for its period; the essay then look at the ways in which this handling of space is integral to the film’s rich articulation of character and action. Part 2 considers aspects of the film’s mise-en-scène and shows how the features of the sequence explored in Part 1 take on their full resonance within patterns and motifs that develop across the film. Published by Movie: a journal of film criticism, the essay complements our chapter on the film in the volume Silent Features, edited by Steve Neale (Exeter University Press, 2016).
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Inscripción en la parte inferior: "Plate 47"
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Inscripción en la parte inferior: "Plate 60"
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Sequences of three gene fragments (flaA, flaB, and vacA) from Helicobacter pylori strains isolated from patients in Germany, Canada, and South Africa were analyzed for diversity and for linkage equilibrium by using the Homoplasy Test and compatibility matrices. Horizontal genetic exchange in H. pylori is so frequent that different loci and polymorphisms within each locus are all at linkage equilibrium. These results indicate that H. pylori is panmictic. Comparisons with sequences from Escherichia coli, Neisseria meningitidis, and Drosophila melanogaster showed that recombination in H. pylori was much more frequent than in other species. In contrast, when multiple family members infected with H. pylori were investigated, some strains were indistinguishable at all three loci. Thus, H. pylori is clonal over short time periods after natural transmission.
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Handwritten volume containing the Articles, weekly orations, and clerk's journal for the Harvard Latin Society recorded by the club's clerk, Jonathan Mayhew (Harvard AB 1744). The Articles define the Society's mission as to "improve ourselves in the knowledge of the Latin Tongue." The ten articles are signed to by ten members of the classes of 1743 and 1744. The journal which records the weekly meetings from April 14, 1742 through June 17, 1742 includes a transcription of the weekly oration in Latin; the first two entries are also translated into English. On the last page of the book, the "clerk's journal" provides a summary of each meeting with the date, the moderator, and the orators.
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This layer is a georeferenced raster image of the historic paper map entitled: Map of the Chatham Islands, from surveys by S.P. Smith & John Robertson, 1868 & 1883. It was published by General Survey Office in 1887. Scale [ca. 1:126,720].The image inside the map neatline is georeferenced to the surface of the earth and fit to the World Miller Cylindrical projected coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as drainage, cities and other human settlements, roads, shoreline features, and more. Relief shown by hachures. Includes inset: Waitangi; Plan of Rangiauria or Pitt Id. (part of Chatham Islands); Key map shewing the position of the Chatham Islands relative to New Zealand; Rangitutahi or Sister (part of Chatham Islands group).This layer is part of a selection of digitally scanned and georeferenced historic maps from the Harvard Map Collection. These maps typically portray both natural and manmade features. The selection represents a range of originators, ground condition dates, scales, and map purposes.
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Through the processes of the biological pump, carbon is exported to the deep ocean in the form of dissolved and particulate organic matter. There are several ways by which downward export fluxes can be estimated. The great attraction of the 234Th technique is that its fundamental operation allows a downward flux rate to be determined from a single water column profile of thorium coupled to an estimate of POC/234Th ratio in sinking matter. We present a database of 723 estimates of organic carbon export from the surface ocean derived from the 234Th technique. Data were collected from tables in papers published between 1985 and 2013 only. We also present sampling dates, publication dates and sampling areas. Most of the open ocean Longhurst provinces are represented by several measurements. However, the Western Pacific, the Atlantic Arctic, South Pacific and the South Indian Ocean are not well represented. There is a variety of integration depths ranging from surface to 220m. Globally the fluxes ranged from -22 to 125 mmol of C/m**2/d. We believe that this database is important for providing new global estimate of the magnitude of the biological carbon pump.
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French words.
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Back Row: Trainer Mike Willie, Assistant coaches Frank Maloney, Jerry Hanlon, George Mans, Tirrel Burton, Gary Moeller, Dick Hunter, Chuck Stobart, Jim Young, Larry Smith, Manager Neil Hiller, Head Trainer Lindsy McLean
5th Row: Tom Ferchau, John Pighee, Greg Ellis, Bob Mogulich, Tony Smith, Tom Poplawski, Mark Duffy, Bill Moran, Bill Haslett, Don Eaton, Carroll Damron, Bob Swan, Coach Bo Schembechler
4th Row: Bill Ross, Gary Coakley, Bob Rosema, Mike Smith, John Cilluffo, Randy Logan, Tom Kee, Bill Hart, Tom Coyle, Jack McBride, Jerry Schumacher, Jim Coode, Bo Rather, John Daniels
3rd Row: Frank Gusich, Bruce Elliott, Butch Carpenter, Tom Beckman, Mike Oldham, Reggie McKenzie, Fritz Seyferth, Dana Coin, Tom Huiskens, Jim Brandstatter, Dave Zuccarelli, Preston Henry, Paul Seymour, Scott Hulke
2nd Row: Greg Harrison, Bill Berutti, Ed Baldwin, Tom Nieman, Lance Scheffler, Jerry Dutcher, Fred Grambau, Tom Darden, Glenn Doughty, Guy Murdock, Mike Keller, Bill Taylor, Mike Taylor, John Wolff
Front Row: Marty Huff, Pete Newell, Ed Moore, Dan Dierdorf, Tim Killian, Jack Harpring, Co-captain Henry Hill, Co-captain Don Moorhead, Paul Staroba, Werner Hall, Dick McCoy, Bill Harris, Phil Seymour, Jim Betts.
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Mode of access: Internet.
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Mode of access: Internet.