Hibridismo, solvência e fratura: gêneros literários, identidades cambiantes e narrador fraturado em Mongólia, de Bernardo Carvalho

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O despojamento em São Bernardo de Claraval e São Francisco de Assis (séculos XII e XIII)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Geografias do drama humano: leituras do espaço em São Bernardo, de Graciliano Ramos e Pedro Páramo, de Juan Rulfo

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Interdiscursividade e ironia em São Bernardo de Graciliano Ramos

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Entre apropriação e recusa: os significados da experiência escolar para os jovens da periferia urbana de São Bernardo do Campo (SP)

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Lira dissonante: o grotesco na lírica romântica brasileira : considerações sobre aspecto do grotesco na poesia de Bernardo Guimarães e Cruz e Sousa

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O narrador e a construção da ficcionalidade em Juan Saer, Italo Calvino, Ubaldo Ribeiro e Bernardo Carvalho

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Lira dissonante: considerações sobre aspectos do grotesco na poesia de Bernardo Guimarães e Cruz e Sousa

Pós-graduação em Estudos Literários - FCLAR

Geografias do drama humano: leituras do espaço em São Bernardo, de Graciliano Ramos, e Pedro Páramo, de Juan Rulfo

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Dialogismo e ironia em São Bernardo, de Graciliano Ramos

Pós-graduação em Letras - IBILCE

Duas fábulas de cidade: configurações do espaço urbano em Bernardo Carvalho e João Cabral de Melo Neto

The aim of this article is to present some considerations on the contemporary city figurativizations, from the reading of “O Arquiteto”, a Bernardo Carvalho’s short story, published in the anthology “Aberração” (2004). In this short story, the writer retakes the city theme following a modernity tradition, established, among others, by Poe and Baudelaire, making his voice embrace other Brazilian writers voices, that have represented the town, but, at the same time, recreating, in his scripture body, dense and intense, quick and, in some sense, agonic, the utopist projects of renascence ideal cities, questioning the utopias and the aesthetics traces which can be found on the nowadays texts. To enlarge the metalinguistic proposal that emerges from the analysis, some poems by João Cabral de Melo Neto are considered. This comparison allow us to establish parameters to think about influence in certain perspective of contemporary literature, which epicenter configures less the supremacy of the newty and more a aesthetic of deletions of the origins, tracks, traces, which are possible by the canon invention.

São Bernardo: construção do romance pela memória

This paper concentrates on demonstrating that the novel called São Bernardo ,written by Graciliano Ramos, utilizes some literary strategies that cause the effect of being built by rememorizations, which is a vital aspect of several of the author’s titles. Such objective is reached via the analyses of how the following narrative categories: focalization, narrator, characters, story and time converge toward the elaboration of the memory and the comparison between this construction on São Bernardo and Angústia. In order to be successful on this task, three groups of study constitute our theoretical basis: a) critical essays concerning Graciliano Ramos; b) theoretical propositions about the narrative categories; c) academic articles on the constitution of memory. Papers composed by Antonio Candido, Alfredo Bosi, Sonia Brayner, Luís Costa Lima and others are part of the first group. The second one is constituted by propositions of Gérard Genette, Benedito Nunes etc. Finally, on the last one, we find Paul Ricouer and Henri Bergson

Os valores políticos da democracia nas opiniões dos vereadores de São Bernardo do Campo, Santo André e São Caetano do Sul

The objective of this paper is to analyze the values of democracy in the opinions of the councillors of the cities of São Bernardo do Campo, Santo André and São Caetano do Sul. This paper analyzes the period of 2010 and the technique of collection and analysis data were based on the main research methods in the Social Sciences. The results were: i) democracy is stable, ii) it is superior to any other type of regime, iii) content support in some public policy and the use of voting and iv) democracy has the support of the various ideological options.

Sobre O tronco, romance de Bernardo Élis

The conception of O tronco was influenced by Hegel´s ideas. The genesis of this novel is in Bernardo Élis’ purpose of writing a monograph on land ownership conflicts in Goiás, later transformed into a new project, the novel O tronco. The same ideological position of the author gives the argumentative direction of the novel; his ideological background determines the choice of the theme, associated with images expanded by the procedures of argumentation that permeate the literary discourse. Thus, in face of the undeniable aesthetic value of Élis´work, we analyzed O tronco, specifically the argumentation that guides the literary narrative, enhanced by the artistic treatment of violence, its theme, as the result of the struggle for power. The novel was published in 1956; the author, heir to the literary regionalism of the 30s, through an artistic and calculated combination of the story of a local government and literature, accuses, judges the exacerbated domination of a particular social group in a region in Goiás.