A citação no facebook: uma análise dialógica

This study analyses the quotations from a specific Facebook page called Brasileiríssimos, which presents itself as a project aiming to publicize and value the Brazilian culture. For this analysis one can observe the use of concepts of traditional quotations, to highlight, when comparing to these formats, the different ways of quoting that can be found on this means of communication: Facebook. The research aims to reflect about how the image of the page is built from the dialogue between the I and the other. More specifically, we look at the dialogue of the author of the page with the quoted text and the reader. In order to analyze that, concepts of quotation from authors belonging to Bakhtin's Circle are going to be used, amongst others. These concepts constitute the analysis criteria of the quoted texts, especially on how the quotation is made. The chosen methodological approach is a qualitative analysis from the quotations made on Facebook, as well as texts that help to visualize the dialogue between the traditional forms of quotation and the forms found on the abovementioned page. On the proposed dialogue about the concepts of quotation it is possible to notice the production of meaning caused by the way in which the quotation is made, by how the author of the page inserts herself in relation to the quoted text and, finally, by the relation of the text with the reader. Because this research bases itself on the dialogical discourse analysis, it be turned to the concept of dialogism, analyzing discourses in contact. Departing from there, one of the main goals is to understand which discourses dialogue when the production of the quotation and in what manner the quotation is made on the chosen means of communication

A citação no facebook: uma análise dialógica

This study analyses the quotations from a specific Facebook page called Brasileiríssimos, which presents itself as a project aiming to publicize and value the Brazilian culture. For this analysis one can observe the use of concepts of traditional quotations, to highlight, when comparing to these formats, the different ways of quoting that can be found on this means of communication: Facebook. The research aims to reflect about how the image of the page is built from the dialogue between the I and the other. More specifically, we look at the dialogue of the author of the page with the quoted text and the reader. In order to analyze that, concepts of quotation from authors belonging to Bakhtin's Circle are going to be used, amongst others. These concepts constitute the analysis criteria of the quoted texts, especially on how the quotation is made. The chosen methodological approach is a qualitative analysis from the quotations made on Facebook, as well as texts that help to visualize the dialogue between the traditional forms of quotation and the forms found on the abovementioned page. On the proposed dialogue about the concepts of quotation it is possible to notice the production of meaning caused by the way in which the quotation is made, by how the author of the page inserts herself in relation to the quoted text and, finally, by the relation of the text with the reader. Because this research bases itself on the dialogical discourse analysis, it be turned to the concept of dialogism, analyzing discourses in contact. Departing from there, one of the main goals is to understand which discourses dialogue when the production of the quotation and in what manner the quotation is made on the chosen means of communication

Kraus e/o Shakespeare. Intertestualità in prospettiva: tradurre, citare, inscrivere

The thesis focuses on Karl Kraus’s rewritings of some Shakespeare plays and copes with the concepts of “translation” and “quotation” as commensurable forms of intertextuality. Building his Shakespeare’s Bearbeitungen as a montage of quotations of previous German translations, Karl Kraus creates a new kind of hybrid intertextuality that goes beyond the boundaries between quotation and translation. In my opinion, Karl Kraus understands quotation and translation as spatial concepts: in his rewritings he puts Shakespeare’s text into his geometrical and critical “perspective”. The thesis focuses also on the evolution of quotation and translation in Karl Kraus’s work: even maintaining their satirical and destruens function, they develop an “affirmative” role and are used in order to redefine the literary canon. The thesis investigates this form of intertextuality from a comparative point of view, referring to the translation studies (Hermans, Bassnett, Lefevere, Apel, Berman, Meschonnic), theories of intertextuality (Genette, Barthes, Worton, Orr), studies on quotation and montage (Compagnon; Möbius, Hage), and studies on Karl Kraus (Kraft, Ribeiro, Scheichl, Fischer, Timms, Canetti and the famous essay of Walter Benjamin). It also contains a survey of Theater der Dichtung’s historical framework and several comparisons between Karl Kraus’s and other early 20th translations of Shakespeare’s plays.

Maximising the impact of research: the NCCR North-South approach: Fourth NCCR North-South Report on Effectiveness

Interest is growing in the impact that science can have on reducing poverty in the global South. If we understand impact as the “demonstrable contribution that excellent research makes to society and the economy”, the concept encompasses a variety of contributions of research-related knowledge and skills that benefit people and the environment. One reason for the growing interest in impact in this context is research councils’ increasing focus on documenting the social and environmental benefits of science, as indicated by the above quotation from the British research councils. Another reason is that research funding agencies from the private and public sectors are now more interested in social innovations for solving problems on the ground. Research can indeed influence policymakers’ views, policy development, funding patterns, and implementation or practice. This is promising for those who would like to improve – and prove – the influence research can have on policy and practice. It is also of importance for better understanding the intended and unintended effects of research. This report presents the NCCR North-South approach to increasing the impact of development-oriented research. It explains how we can maximise our impact and how we can assess whether our efforts have worked, based on six case studies from around the world. The report is of interest to all researchers who wish to respond to policy and practice from their point of view and who are keen on publicising their evidence. It is also relevant to those who teach how to maximise research impact.

Mineralogy of altered whole rocks from ODP Sites 193-1188 and 193-1189, PACMANUS field

Postcruise X-ray diffraction (XRD) data for 95 whole-rock samples from Holes 1188A, 1188F, 1189A, and 1189B are presented. The samples represent alteration types recovered during Leg 193. The data set is incorporated into the shipboard XRD data set. Based on the newly obtained XRD data, distribution of alteration phases were redrawn for Ocean Drilling Program Sites 1188 and 1189.

Petonii Curiosa Felicitas : La función de las citas en el discurso de Eumolpo (Sat. 118)

Este trabajo analiza el fenómeno intertextual de la ?cita? en Petronio, Sat. 118, donde el poeta de la obra, Eumolpo, expone su particular ?ars poetica?. En este discurso, Eumolpo cita los nombres de Homero, Virgilio y Horacio, al tiempo que cita el primer verso de la Oda 3.1 del Venusino, lo que evidencia que el poetastro tiene muy en cuenta la figura horaciana. El análisis de las citas en este pasaje se relaciona con que Petronio es un autor que alude constantemente, pero que cita muy rara vez, por lo que, cuando lo hace, se debe prestar mucha atención

Petonii Curiosa Felicitas : La función de las citas en el discurso de Eumolpo (Sat. 118)

Este trabajo analiza el fenómeno intertextual de la ?cita? en Petronio, Sat. 118, donde el poeta de la obra, Eumolpo, expone su particular ?ars poetica?. En este discurso, Eumolpo cita los nombres de Homero, Virgilio y Horacio, al tiempo que cita el primer verso de la Oda 3.1 del Venusino, lo que evidencia que el poetastro tiene muy en cuenta la figura horaciana. El análisis de las citas en este pasaje se relaciona con que Petronio es un autor que alude constantemente, pero que cita muy rara vez, por lo que, cuando lo hace, se debe prestar mucha atención

Petonii Curiosa Felicitas : La función de las citas en el discurso de Eumolpo (Sat. 118)

Este trabajo analiza el fenómeno intertextual de la ?cita? en Petronio, Sat. 118, donde el poeta de la obra, Eumolpo, expone su particular ?ars poetica?. En este discurso, Eumolpo cita los nombres de Homero, Virgilio y Horacio, al tiempo que cita el primer verso de la Oda 3.1 del Venusino, lo que evidencia que el poetastro tiene muy en cuenta la figura horaciana. El análisis de las citas en este pasaje se relaciona con que Petronio es un autor que alude constantemente, pero que cita muy rara vez, por lo que, cuando lo hace, se debe prestar mucha atención

Postproduciendo (casi) nada

Postproducción es un término extraído de la industria audiovisual que alude a todas las operaciones realizadas sobre un material YA grabado o existente: música, fotografías, videos, películas, pinturas, etc. Tiene mayoritariamente un carácter entrópico, de liberación continua e irreversible de energías y nuevos productos reprogramados que revisan productos ya anteriormente reprogramados, y así de manera sucesiva hasta el infinito. ¿Podríamos imaginar una postproducción de sentido contrario? ¿Una postproducción cuyo esfuerzo tienda a cero? ¿Y si ahora preferimos seguir postproduciendo pero haciéndolo desde (casi) nada? Si extrapolamos esta otra acepción directamente hacia la práctica arquitectónica, estaríamos reivindicando una forma explícita de eficacia donde la manera de proceder (la mejor opción, la más sostenible) puede ser precisamente ‘no hacer’ o ‘hacer muy poco’. Una semejanza que nos emparentaría con Bartleby, el personaje de Herman Melville y su célebre frase: “preferiría no hacerlo”.

Student essay composed by Thomas Mason, 1796

Three-page folio-sized handwritten student essay composed by Thomas Mason as a Harvard undergraduate. The verso of the last page is inscribed "Mason February 1796." A quotation from Edward Young appears at the top of the first page: "Heaven gives us friends to bless the present science; / Resumes them, to prepare us for the rest." The essay discusses friendship and the death of friends, and begins, "The author of our nature has so constituted it, that pleasure is unknown without the intervention of pain."

Student essay attributed to William Ellery Channing, 1797 June 5

Three-page handwritten essay composed in English and attributed to Harvard undergraduate William Ellery Channing. The verso of the last page is inscribed "Channing 5 June 97." A quotation from Edward Young appears at the top of the first page: "A Competence is vital to content / Much wealth is corpulence, if not disease" and discusses the topic of affluence. The document includes edits and struck-through words.

al- Jawhar al-munaḍḍad fī maʻná Qul huwa Allāhu aḥad / li-muʼallifihā Aḥmad ibn Aḥmad ibn Aḥmad al-Biqāʻī al-Dimashqī al-Ṣūfī : manuscript, 1641

A Sufi commentary on Chapter 112 of the Qur'an.

DAS GESPRÄCH ZWISCHEN HÖLDERLIN, HEGEL UND SCHELLING ÜBER KANTS ANTINOMIEN

«Die Art, wie er den Mechanismus der Natur mit ihrer Zweckmäßigkeit vereiniget, scheint mir eigentlich den ganzen Geist seines Systems zu enthalten»: This quotation, which originated the present essay, is solely extracted from a letter sent by Hölderlin to Hegel, and yet, it condensates three different approaches from the three Tübingen friends to the problem of Kant’s philosophy of religion and to its possible resolution between 1795 and 1796. From this epistolary dialogue emerges a simultaneous study of Kant, originated by the growing dissension towards the orthodox thought of the Stift. The turning point – or the maximum cumulative point – of this discordance happens precisely with the discovery of the «spirit of Kant’s system», as a combined explanation of the religious and philosophical phenomena [«Die Art, wie er den Mechanismus der Natur mit ihrer Zweckmässigkeit vereiniget»]. This, I think, is something which the three friends discover gradually and not independently from the concept of «providence», which Kant himself, according to Hölderlin, had used to «attenuate his antinomies», which Hegel uses in his first religious writings and the initial formation of his own philosophy and which Schelling will later explore in his System of Transcendental Idealism. In a word, providence is consensually the comprehension axis between man, God and nature and, thus, the explanatory link between the antinomical poles which regulate human existence. On the other hand, however – this being the aspect I would like to stress –, this decisive moment for a whole generation, for the history of philosophy itself, means the consummation of a new revolutionary perspective born in Kant, a new vision of the absolute and the divine and, therefore, a new way to write philosophy about philosophy, less philosophical than before, to the extent that the new situation of man and his reflection within the problem ultimately destined them – as is the case in the three young philosophers – to silence and death. The final aim of this essay is, therefore, to know what this «last step of philosophy» is and what dies along with it, what such a step may have meant and what it already foretold in terms of the development of philosophy.

The Commercial and financial chronicle.

Description based on: Jan. 9, 1909.