Essays in Philosophical Moral Psychology

The dissertation consists of four essays and a comprehensive introduction that discusses the topics, methods, and most prominent theories of philosophical moral psychology. I distinguish three main questions: What are the essential features of moral thinking? What are the psychological conditions of moral responsibility? And finally, what are the consequences of empirical facts about human nature to normative ethics? Each of the three last articles focuses on one of these issues. The first essay and part of the introduction are dedicated to methodological questions, in particular the relationship between empirical (social) psychology and philosophy. I reject recent attempts to understand the nature of morality on the basis of empirical research. One characteristic feature of moral thinking is its practical clout: if we regard an action as morally wrong, we either refrain from doing it even against our desires and interests, or else feel shame or guilt. Moral views seem to have a conceptual connection to motivation and emotions – roughly speaking, we can’t conceive of someone genuinely disapproving an action, but nonetheless doing it without any inner motivational conflict or regret. This conceptual thesis in moral psychology is called (judgment) internalism. It implies, among other things, that psychopaths cannot make moral judgments to the extent that they are incapable of corresponding motivation and emotion, even if they might say largely the words we would expect. Is internalism true? Recently, there has been an explosion of interest in so-called experimental philosophy, which is a methodological view according to which claims about conceptual truths that appeal to our intuitions should be tested by way of surveys presented to ordinary language users. One experimental result is that the majority of people are willing to grant that psychopaths make moral judgments, which challenges internalism. In the first article, ‘The Rise and Fall of Experimental Philosophy’, I argue that these results pose no real threat to internalism, since experimental philosophy is based on a too simple conception of the relationship between language use and concepts. Only the reactions of competent users in pragmatically neutral and otherwise conducive circumstances yield evidence about conceptual truths, and such robust intuitions remain inaccessible to surveys for reasons of principle. The epistemology of folk concepts must still be based on Socratic dialogue and critical reflection, whose character and authority I discuss at the end of the paper. The internal connection between moral judgment and motivation led many metaethicists in the past century to believe along Humean lines that judgment itself consists in a pro-attitude rather than a belief. This expressivist view, as it is called these days, has far-reaching consequences in metaethics. In the second essay I argue that perhaps the most sophisticated form of contemporary expressivism, Allan Gibbard’s norm-expressivism, according to which moral judgments are decisions or contingency plans, is implausible from the perspective of the theory of action. In certain circumstances it is possible to think that something is morally required of one without deciding to do so. Morality is not a matter of the will. Instead, I sketch on the basis of Robert Brandom’s inferentialist semantics a weak form of judgment internalism, according to which the content of moral judgment is determined by a commitment to a particular kind of practical reasoning. The last two essays in the dissertation emphasize the role of mutual recognition in the development and maintenance of responsible and autonomous moral agency. I defend a compatibilist view of autonomy, according to which agents who are unable to recognize right and wrong or act accordingly are not responsible for their actions – it is not fair to praise or blame them, since they lacked the relevant capacity to do otherwise. Conversely, autonomy demands an ability to recognize reasons and act on them. But as a long tradition in German moral philosophy whose best-known contemporary representative is Axel Honneth has it, both being aware of reasons and acting on them requires also the right sort of higher-order attitudes toward the self. Without self-respect and self-confidence we remain at the mercy of external pressures, even if we have the necessary normative competence. These attitudes toward the self, in turn, are formed through mutual recognition – we value ourselves when those who we value value us. Thus, standing in the right sort of relations of recognition is indirectly necessary for autonomy and moral responsibility. Recognition and valuing are concretely manifest in actions and institutions, whose practices make possible participation on an equal footing. Seeing this opens the way for a kind of normative social criticism that is grounded in the value of freedom and automomy, but is not limited to defending negative rights. It thus offers a new way to bridge the gap between liberalism and communitarianism.

The Innocent Pleasure : A Study on Luther's theology of music

The aim of the study is to examine Luther s theology of music from the standpoint of pleasure. The theological assessment of musical pleasure is related to two further questions: the role of emotions in Christianity and the apprehension of beauty. The medieval discussion of these themes is portrayed in the background chapter. Significant traits were: the suspicion felt towards sensuous gratification in music, music as a mathematical discipline, the medieval theory of emotions informed by Stoic apatheia and Platonic-Aristotelian metriopatheia, the notion of beauty as an attribute of God, medieval aesthetics as the aesthetic of proportion and the aesthetic of light and the emergence of the Aristotelian view of science that is based on experience rather than speculation. The treatment of Luther s theology of music is initiated with the notion of gift. Luther says that music is the excellent (or even the best) gift of God. This has sometimes been understood as a mere music-lover s enthusiasm. Luther is, however, not likely to use the word gift loosely. His theology can be depicted as a theology of gift. The Triune God is categorically giving. The notion of gift also includes reciprocity. When we receive the gifts of God, it evokes praise in us. Praising God is predominantly a musical phenomenon. The particular benefit of music in Luther s thought is that it can move human emotions. This emphasis is connected to the overall affectivity of Luther s theology. In contrast to the medieval discussion, Luther ascribes to saints not just emotions but particularly warm and tender affections. The power of music is related to the auditory and vocal character of the Word. Faith comes through hearing the Word that is at once musical and affective perception. Faith is not a mere opinion but the affective trust of the heart. Music can touch the human heart and persuade with its sweetness, like the good news of the Gospel. Music allows us to perceive Luther s theology as a theology of joy and pleasure. Joy is for Luther a gift of the Holy Spirit that fills the heart and bursts out in voice and gestures. Pleasure appears to be a central aspect to Luther s theology. The problem of the Bondage of the Will is precisely the human inability to feel pleasure in God s will. To be pleased in the visible and tangible creation is not something a Christian should avoid. On the contrary, if one is not pleased with the world that God has created, it is a sign of unbelief and ingratitude. The pleasure of music is aesthetic perception. This in turn necessitates the investigation of Luther s aesthetics. Aesthetic evaluation is not just a part of Luther s thought. Eventually his theology as a whole could be portrayed in aesthetic terms. Luther s extremely positive appreciation of music illutrates his theology as an affective acknowledgement of the goodness of the Creation and faith as an aesthetic contentment.

La distruzione delle statue di Pausania nella Sparta tardoantica (Lib. Ep. 1518)

Abstract: The late antique destruction of two bronze statues of Pausanias - the Spartan general responsible for the Greek victory at the Battle of Plataea (479 BC) - housed in the temple of Athena Chalkioikos in Sparta (Lib. Ep. 1518), has been interpreted as one of the few cases of a violent conflict between pagan and Christian population in Greece. Nevertheless the sources suggest that late antique Sparta was a bastion of Hellenic paganism and give a picture of a small and quiet town ruled by a pagan educated élite, where pagans like Libanius wanted to live. Since there is no evidence of a violent conflict between pagans and Christians in Sparta, and Libanius confirms that in 365 AD all the temples and cult statues were still in place, this paper addresses the issue from a different point of view and offers a new contribution to the history of Sparta in Late Antiquity. By using literary, archaeological and epigraphic evidence the paper explores: 1) the relationship between Roman administration and Spartan élite in the IVth century AD; 2) the historical memory of Pausanias in Late Antiquity. It will be emphasized that the obscure burning of the two statues helped to remove from Sparta the memory of Pausanias - a controversial figure, misrepresented in Late Antiquity and connected to the ancient staseis in Laconia - in order to promote a positive image of Sparta as a city without conflicts and ruled by the political system of Lycurgus (eunomia). As documented by local inscriptions in praise of late Roman governors, the mythical lawgiver Lycurgus was the paradigm of the imperial governors who rebuilded the town in the IVth cent. AD. It can be assumed that while Rome, Constantinople, Antioch and Athens were troubled by political and religious violence or by seditions between different factions, Sparta aimed to revive its traditional model of civic order in the new historical context of Late Antiquity.

La construcción de la figura legendaria de Alfonso XI en el “Poema de Alfonso Onceno” y la “Gran Crónica de Alfonso XI”

El artículo intenta estudiar, tanto en el Poema de Alfonso Onceno como en la Gran Crónica de Alfonso XI, cómo el dispositivo discursivo legendario se utiliza con un fin propagandístico de la figura del rey, pues se destina principalmente a exaltarlo no sólo en cuanto a su triunfo en la sumisión de los nobles levantiscos sino también a su éxito en las campañas militares contra los musulmanes.

Fe y teología : elogio de la via eminentiae

Resumen: Este texto muestra la importancia de la conversión como parte esencial de la tarea pensante de la teología a la hora de la Nueva Evangelización. El autor relaciona la eficacia de la palabra teológica en diálogo con la actual cultura posmoderna, con la exigencia –para la teología– de superar críticamente sus propias posibles idolatrías, entrando decidida y gozosamente en la via eminentiae, en el camino incesante hacia el “Dios siempre mayor”, que es, a la vez, el camino hacia lo auténticamente humano. El itinerario del apóstol Pedro ilustra ejemplarmente el planteo que propone el autor.

Parasitology and pathology of marine organisms of the world ocean

The Symposium in which the communications, as they were called during the meeting, comprising this volume were presented was held at the Zoological Institute of the Academy of Sciences of the U.S.S.R. in Leningrad during 13 to 16 October 1981. Conducted as part of the cooperative program of the U.S.A.-U.S.S.R. Working Group on Biological Productivity and Biochemistry of the World Ocean, the Leningrad meeting was sponsored by the Academy of Sciences of the U.S.S.R. (the Zoological Institute) and the Ministry of Fisheries of the U.S.S.R. (The Scientific Council on Fish Diseases of the Ichthyological Commission). It was an extremely interesting and successful Symposium, offering all participants the opportunity to describe the results of their studies and reviews during the course of the formal presentations and direct interchange between scientists during breaks in the program and the organized and casual social activities. The facilities provided by the Zoological Institute were quite adequate and the assistance offered by its Director, O. A. Scarlato and his staff in organization,logistics, and translation was excellent. Several of our Soviet colleagues presided over the proceedings, as did I. All were businesslike and efficient, yet graceful and accommodating. To O. N. Bauer Jell the brunt of programmatic detail and follow-up. He bore his burdens well and, with Director Scarlato and his staff, including A. V. Gussev and others of the professional and technical staffs of the Zoological Institute, helped make our stay pleasant and the Symposium productive. These organizations and individuals deserve much credit and praise as well as the thanks of their American and British colleagues. (PDF file contains 141 pages.)

Limited resources? Let the habitat priority planner help!

In this time of scarce resources, coastal resource managers must find ways to prioritize conservation, land use, and restoration efforts. The Habitat Priority Planner (HPP) is a free geospatial tool created by the National Oceanic and Atmospheric Administration’s Coastal Services Center that has received wide praise for its ease of use and broad applicability to conservation strategic planning, restoration, climate change scenarios, and other natural resource management actions. Not a geographic information system (GIS) user? Don’t worry―this tool was designed to be used in a team setting. One intermediate-level GIS user can push the buttons to show quick results while a roomful of resource managers and stakeholders provide input criteria that determine the results. The Habitat Priority Planner is a toolbar for ESRI’s ArcGIS platform that is composed of three modules: Habitat Classification, Habitat Analysis, and Data Explorer. The tool calculates basic ecological statistics that are used to examine how habitats function within a landscape. The tool pre‐packages several common landscape metrics into a user‐friendly interface for intermediate GIS users. In addition, HPP allows the user to build queries interactively using a graphical interface for demonstrating criteria selections quickly in a visual manner that is useful in stakeholder interactions. Tool advocates and users include land trusts, conservation alliances, nonprofit organizations, and select National Estuarine Research Reserves and refuges of the U.S. Fish and Wildlife Service. Participants in this session will learn the basic requirements for HPP use and the multiple ways the HPP has been applied to geographies nationwide. (PDF contains 5 pages)

Em busca do convívio social: o regime semi-aberto no Instituto Penal Oscar Stevenson

O presente trabalho tem como objetivo central analisar o Sistema Penitenciário do Estado do Rio de Janeiro a partir do regime semi-aberto, tendo como campo de análise o Instituto Penal Oscar Stevenson, situado em Benfica, no município do Rio de Janeiro, voltado para um público carcerário feminino. Buscou-se verificar, sob o enfoque das presas, a expectativa e possibilidades de retorno ao convívio social; analisar os aspectos jurídico-institucionais referentes ao regime semi-aberto, no que tange a obtenção dos benefícios, junto a Lei de Execução Penal e identificar quais as parcerias que viabilizam a inserção delas no mercado de trabalho. Para a efetivação desse trabalho utilizou-se, preferencialmente os pressupostos teóricos e metodológicos da pesquisa quali-quantitativa, pois foi trabalhado não só no nível da objetividade, mas também no significado das ações e relações humanas, sabendo que a realidade prisional é perpassada por questões de cunho opressor, punitivo, em função de preconizar a segurança. Foram realizados também levantamentos de dados bibliográficos e censitários, bem como entrevistas semi-estruturadas junto aos agentes penitenciários do setor de educação e classificação e principalmente as presas. A análise do material coletado permitiu confirmar as hipóteses da pesquisa: i) que a ausência de oportunidades que garantam às presas os benefícios do regime semi-aberto não se dá por falta de instrumentos legais, mas sim pela burocracia no cadastramento e poucas parcerias de cursos profissionalizantes, empresas privadas que absorvam mão-de-obra das presas do regime semi-aberto; e ii) e que no momento em que as presas ainda estavam no regime fechado, não tiveram oportunidades de se capacitarem e também os vínculos familiares não foram mantidos, com isso dificultando que estas usufruam dos benefícios do regime semi-aberto. E, conseqüentemente, sendo cada vez mais adiado o seu retorno gradativo ao convívio social, através da progressão de regime.

Carmen e a concepção trágica de Nietzsche: o amor retraduzido em natureza

O objetivo desta dissertação de Mestrado consiste fazer uma leitura da ópera Carmen, de Georges Bizet, com a ótica do conceito de trágico de Nietzsche. Privilegiamos o conceito abordado nas obras da maturidade, a partir da publicação de Assim falou Zaratustra, quando a visão trágica é contextualizada na fisiologia da arte, a filosofia é feita com o corpo, o texto da realidade é lido pela ótica da vontade de poder e o amor fati é a mais elevada concepção de amor. Após a apresentação destes conceitos, foi necessário investigarmos o contexto da amizade de Nietzsche e Richard Wagner para entendermos não só as afinidades pessoais, como também o projeto mútuo de renovação da arte alemã através do resgate do espírito trágico, que considerava a união entre filosofia e arte musical. O comprometimento de Wagner com os ideais ascetas, sua conversão ao dogma cristão, a composição de sua última ópera, Parsifal, e o não cumprimento dos ideais reformadores da arte após a inauguração do Teatro de Bayreuth, tudo isso decepcionou Nietzsche, levando-o a romper definitivamente esta amizade a partir de 1876. Seus escritos da maturidade são críticas severas ao wagnerianismo, e é nesta fase que o filósofo descobre Carmen, elogiando-a em cartas e também em O Caso Wagner, um panfleto de 1888, um de seus últimos escritos, onde reúne diversas críticas contra o compositor alemão. Estes elogios exaltam a postura de afirmação da vida e também o fatalismo presentes na obra de Bizet, o que a coloca diametralmente oposta às composições românticas wagnerianas. Tais adjetivações nos motivaram a pesquisar a possibilidade de Carmen ser considerada uma legítima expressão do trágico na Europa finisecular.

Elogio à dispersão: o coletivo mesa e os percursos urbanos como uma experiência estético-política na cidade de Fortaleza

Esta dissertação apresenta uma reflexão sobre os processos que levaram os artistas a atuarem em formações grupais e/ou coletivas e os desdobramentos que essas práticas produziram na arte. A partir de diferentes contextos, o estudo analisa algumas concepções sobre grupo e coletivo e em que medida a arte envolve-se em regras e organizações correlativas as que governam as estruturas de uma sociedade. Analisamos a produção dos artistas nos grupos, uns respondendo à lógica mercantil e outros se organizando em torno das questões sociais e políticas dos seus respectivos contextos a fim de produzir diferentes reflexões e intervenções. Ao pensarmos na cidade como território para essa discussão, analisamos o Coletivo Mesa que utiliza como método de trabalho a lógica da dispersão, assumindo a noção de coletivo como ação, movimento, fluxo de entrada e saída de diferentes saberes e concepções no espaço urbano. Apresentamos o projeto Percursos Urbanos que funciona como uma plataforma volante de investigação e convivência que se estrutura a partir de um ônibus comum, um mediador e passageiros que juntos realizam uma partilha de experiências e saberes, lançando novas descobertas e olhares sobre a cidade de Fortaleza/CE. Buscamos ampliar a partir da pesquisa, a possibilidade de incluir na história da cidade, aspectos que não obedeçam somente o caminho traçado pelos monumentos, mas o exercício da flânerie como experiência estética e o discurso como dispositivo mediático

"Nortia, te veneror" (CLE 1530 = CIL 6. 537): la defensa de Avieno de la fortuna y del encomio propio

Este trabajo ha sido realizado dentro del Grupo de Investigación GIU 10-19 “LITTERARVM. Grupo de Investigación en Literatura, Retórica y Tradición Clásica” de la UPV/EHU.

O que signifixa isso? Dos slogans às ressignificações do discurso pedagógico contemporâneo

O presente trabalho busca compreender as ressignificações do discurso pedagógico contemporâneo a partir da análise dos slogans que circularam na recente Conferência Nacional de Educação (CONAE), como modo de problematizar os projetos ideológicos em disputa por hegemonia no campo da educação nacional. Situado no entrecruzamento entre os campos da linguagem, da ideologia e do poder como hegemonia, toma a teoria enunciativa de Mikhail Bakhtin e a Análise Crítica do Discurso (ACD), nos termos em que formulada por Norman Fairclough, como propostas teórico-metodológicas. No escopo de um diálogo tecido entre os autores, assume a linguagem como parte irredutível da vida social, em duas abordagens que propõem as noções de discurso e de poder em perspectiva crítica. Pautado na imersão da pesquisadora na CONAE, esfera de produção-circulação do discurso pedagógico contemporâneo, este trabalho assume o texto como material privilegiado de análise, focalizando documentos oficiais e pronunciamentos político-governamentais. Dois discursos nodais foram identificados: o da democratização e o da qualidade. Em relação ao primeiro, são analisados os pressupostos assumidos e a constituição histórica de um campo de sentidos que inclui artifícios retóricos. Em relação ao segundo, é dado tratamento crítico ao léxico associado à qualidade em suas sucessivas adjetivações. A partir de ambos os discursos foram analisados dois slogans. O primeiro deles denominado Educação para todos!, Todos pela Educação! aponta para dois deslocamentos semânticos: 1) do direito à educação para o direito à qualidade; e 2) da perspectiva da igualdade para a de uma inclusão baseada no conceito da diferença. O segundo slogan denominado O protagonista, professor! aponta para um lugar contraditório ocupado pelo professor, em que a exortação não se coaduna com suas condições materiais de existência. Para abordar a constituição ideológica deste lugar, nos seus sentidos hegemônicos, são analisados: os discursos da OCDE e imagens de professores na mídia como expressões das relações entre os contextos micro e macro. Para a compreensão dos slogans é situado o binômio informação-conhecimento como cronotopo-chave da contemporaneidade. É nesse cenário que as expectativas relativas à produção do conhecimento são articuladas a exigências do sistema produtivo, sendo a educação concebida como instrumento de racionalidade econômica. Desse modo, o movimento analítico questiona, para além da positividade aparente, a forma como os slogans ganham centralidade no discurso pedagógico contemporâneo, na tentativa de perceber sentidos que interpelam sujeitos e sistemas de ensino e vão sendo naturalizados, até que, tomados como necessários, afastam possibilidades de crítica

Gwaith Madog Dwygraig

Edwards, Huw, Gwaith Madog Dwygraig (Canolfan Uwchefrydiau Cymreig a Cheltaidd Prifysgol Cymru, 2007)

'Muchos Méxicos': widening the lens in Rulfo's cinematic texts

It is difficult to overstate the importance of Juan Rulfo’s two major pieces of fictional narrative work—his haunting, enigmatic novel Pedro Páramo (1955) and his unrelenting depictions of the failures of post-revolutionary Mexico in his short story collection El Llano en llamas (1953). In her foreword to the Margaret Sayers Peden English translation, Susan Sontag hails Pedro Páramo as ‘not only one of the masterpieces of 20th Century world literature, but one of the most influential of the century’s books’. García Márquez has compared the influence of Rulfo on 20th Century world literature to that of Sophocles: ‘No son más de 300 páginas, pero son casi tantas y creo tan perdurables como las que conocemos de Sófocles’ and, completing this oftrepeated triumvirate of recommendations, Jorge Luis Borges has referred to Pedro Páramo as: ‘una de las mejores novelas de las literaturas de lengua hispánica, y aun de la literatura.’ Despite the praise heaped upon Rulfo’s two most famous books, when his third book of fiction, El gallo de oro y otros textos para cine, was finally published in 1980, just six years before his death, it was greeted with almost critical silence. It is precisely this publication that provides the focus of this investigation. The collection contains three texts—El despojo, La fórmula secreta and El gallo de oro. Constituting a third of the fictional work he published in his lifetime, expanding upon themes present in El Llano en llamas and Pedro Páramo while, at the same time, examining new ground, no thematic discussion of Rulfo’s written output is complete without including these texts. Yet they are frequently dismissed. In this way this investigation attempts to go some way towards filling this critical gap in the work of one of the most influential writers of the twentieth century