A poesia de Adélia Prado: expressão feminina do cotidiano e do sublime

This work aims to locate Adélia Prado’s poetry in the scenery of the contemporary Brazilian literature in order to comprehend some issues that are part of the manner how the poet constructs her poems and which may elucidate, through the lyric speaker, the relation of her poetry with the historical and cultural moment in which her work is placed. In this sense, the purpose of this study is to analyze Adélia Prado’s poetic construction by emphasizing the female voice of her lyric speaker and the superposition of elements from the semantic fields of the prosaic and the sublime, since we have identified these aspects as basic ones for the development of an interpretation on this poetry. This way, we have tried to comprehend the connection that the poet establishes between the material and the spiritual, the erotic and the religious, the immanent and the transcendent and we have concluded that, for the poet, everything can be subject to poetry. For this work, we used the volume Poesia reunida (1995) for it provides a wider view over Adélia Prado’s poetry

Caio Prado Jr. e o intelectual marxista hoje

This article proposes to engage in dialogue with the work and the trajectory of Caio Prado Júnior, one of the most influential historians and Marxist intellectuals of Brazil. The intention is not to evaluate his production in detail, nor follow the relationships she had with the Brazilian society and the historian’s political options, something already conducted by several researchers. Instead, its intention is to “use” his trajectory and style to freely reflect on some traces of Marxism in Brazil and especially on certain dilemmas inherent in the performance of the Marxist intellectuality. Caio Prado Jr. will, therefore, be treated here as a parameter for a broader reflection on the intellectuals.

Um estudo sobre a relação entre Caio Prado Júnior e Fernando A. Novais

In this paper we propose to analyze the relationship established by Fernando Novais with Caio Prado regarding the studies about the colonization. Putting himself as his disciple, Novais exposes his conception of colonization as a deepening means and a way to overcome the way by which the author of Formação do Brasil contemporâneo understood the colonial phenomenon. This way of putting this relationship has been accepted by both the critics and supporters of Novais, thus acquiring certainty of truth. We show in this paper that by rooting his conception of colonization in Prado’s conception, Novais conceived him in a particular way: as an historian of the ‘sense of colonization’. The analysis of Prado’s concept of colonization shows, however, that this is part of his interpretation of the history of Brazil, as a whole. It follows that we can’t isolate one from the other without disturbing the comprehension of Prado’s conception. The result of our text is thus retaking the Prado’s conception in its historicity.

O poema em música e a música além do poema: estudo sobre a relação entre música e poesia em obras de Almeida Prado, Eduardo Guimarães Álvares e Harry Crowl

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Ziembinski, o encenador dos tempos modernos: a construção de uma trajetória na crítica de Décio de Almeida Prado (1950-1959)

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

José Julián Prado: Voluntad y naturaleza. La antropología filosófica de Máximo El Confesor. Ediciones de la Universidad Nacional de Río Cuarto. Río Cuarto. Córdoba. 1974 .

Fil: Prada, Gloria.

Mercado, pedagogía e intervención en la narrativa de la memoria en España

Aunque sujeta a debates y cuestionamientos de diverso tipo, blanco de expresiones de hastío o reproche ante los abusos realizados sobre una materia sensible, la literatura que se ocupa en España de la memoria traumática del pasado reciente no deja de ser, sin dudas, objeto de un incesante interés expresado sobre todo en el volumen de ventas de ciertas novelas y ensayos relacionados con el tema. Este interés trasciende las fronteras de España, acompañando un proceso paralelo de transnacionalización tanto del mercado literario como de los discursos sobre la memoria. Aquí se propone el examen, en un corpus acotado de textos de la narrrativa española de los últimos años (textos de Javier Cercas, Benjamín Prado, Almudena Grandes, Isaac Rosa, Antonio Muñoz Molina, Ignacio Martínez de Pisón, entre otros), de la recurrente autojustificación (en el linde paratextual o bien dentro del mismo cuerpo del texto, que asume con frecuencia una tonalidad metaficcional) de los usos y abusos de la historia y la memoria en la literatura, y con ello del modo en el cual se problematiza, desde estos textos, el lugar de la literatura en el presente, su relación con la historia, la política y el mercado