A Fé documentada: perspectivas metodológicas de organização da informação fotográfica sobre romarias de Juazeiro do Norte – Ceará

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Análise documental das imagens fotográficas de romarias no Nordeste do Brasil

A discussion, through a literature review, on the use of photographic documents and Documentary Analysis (DA) for the preservation, description and retrieval of images of pilgrimages in northeastern Brazil, which are archived at the Laboratory of Information Science and Memory (LACIM). The photograph acts as an expression of faith and devotion; it is a witnesses and documents, through images, the records of the day-to-day folk religion in its multiple meanings and situations, linked to the sacred. The DA —as a set of procedures performed after the reading of documents— facilitates the analysed collection location or query through the documentary language. This paper tries to show that the particular form of the information contained in a photographic archive echoes submerged memories of the pilgrims, authenticating a social fact in the country, capturing the sacredness from specific moments of celebration.

Devoção, lazer e turismo nas romarias de Juazeiro do Norte, CE: reconfigurações romeiras dos significados das romarias a partir de tensões entre as categorias turismo e devoção

Based on a fieldwork conducted among groups of Father Cicero‟s devotee pilgrims at the Brazilian state of Ceará, I try to discuss in this paper the use pilgrims make of the expressions "tourism" and "go touring”. The argument presented here is that the uses of these expressions are much more than a classification system through which they seek to define who goes on pilgrimage for devotion or for leisure. The main argument is that when the pilgrims use these expressions there is a tension related to the transformations that have been occurring on pilgrimages (and on the ways pilgrims experience them), as well as on the meanings of pilgrimages for their lives, either individually or as a group.

Not in the Legends

In writing “Not in the Legends”, one of the images and concepts which constantly returned was that of pilgrimage. I began to write these poems while studying abroad in London, after having passed the previous semester in France and travelling around Europe. There was something in the repetition of sightseeing— walking six miles in Luxembourg to see the grave of General Patton, taking photographs of the apartment where Sylvia Plath ended her life, bowing before the bones of saints, searching through Père Lachaise for the grave of Théodore Gericault— which struck me as numinous and morbid. At the same time, I came to love living abroad and I grew discontent with both remaining and returning. I wanted the opportunity to live everywhere all the time and not have to choose between home and away. Returning from abroad, I turned my attention to the landscape of my native country. I found in the New England pilgrims a narrative of people who had left their home in search of growth and freedom. In these journeys I began to appreciate the significance of place and tried to understand what it meant to move from one place to another, how one chose a home, and why people searched for meaning in specific locations. The processes of moving from student to worker and from childhood to adulthood have weighed on me. I began to see these transitions towards maturity as travels to a different land. Memory and nostalgia are their own types of pilgrimage in their attempts to return to lost places, as is the reading of literature. These pilgrimages, real and metaphorical, form the thematic core of the collection. I read the work of many poets who came before me, returning to the places where the Canon was forged. Those poets have a large presence in the work I produced. I wondered how I, as a young poet, could earn my own place in the tradition and sought models in much the same way a painter studies the brushstrokes of a master. In the process, I have tried to uncover what it means to be a poet. Is it something like being a saint? Is it something like being a colonist? Or is to be the one who goes in search of saints and colonists? In trying to measure my own life and work based on the precedent, I have questioned what role era and generation have on the formation of identity. I focused my reading heavily on the early years of English poetry, trying to find the essence of the time when the language first achieved the transcendence of verse. In following the development of English poetry through Coleridge, John Berryman, and Allison Titus, I have explored the progression of those basic virtues in changing contexts. Those bearings, applied to my modern context, helped to shape the poetry I produced. Many of the poems in “Not in the Legends” are based on my own personal experience. In my recollections I have tried to interrogate nostalgia rather than falling into mere reminiscence. Rather than allowing myself poems of love and longing, I have tried to find the meaning of those emotions. A dominant conflict exists between adventure and comfort which mirrors the central engagement with the nature of being “here” or “there”. It is found in scenes of domesticity and wilderness as I attempt to understand my own simultaneous desire for both. For example, in “Canned Mangoes…” the intrusion of nature, even in a context as innocuous as a poem by Sir Walter Raleigh, unravels ordinary comforts of the domestic sphere. The character of “The Boy” from Samuel Beckett’s Waiting for Godot proved such an interesting subject for me because he is one who can transcend the normal boundaries of time and place. The title suggests connections to both place and time. “Legends” features the dual meaning of both myths and the keys to maps. To propose something “Not in the Legends” is to find something which has no precedent in our histories and our geographies, something beyond our field of knowledge and wholly new. One possible interpretation I devised was that each new generation lives a novel existence, the future being the true locus of that which is beyond our understanding. The title comes from Keats’ “Hyperion, a Fragment”, and details the aftermath of the Titanomachy. The Titans, having fallen to the Olympians, are a representation of the passing of one generation for the next. Their dejection is expressed by Saturn, who laments: Not in my own sad breast, Which is its own great judge and searcher out, Can I find reason why ye should be thus: Not in the legends of the first of days… (129-132) The emotions of the conquered Titans are unique and without antecedent. They are experiencing feelings which surpass all others in history. In this, they are the equivalent of the poet who feels that his or her own sufferings are special. In contrast are Whitman’s lines from “Song of Myself” which serve as an epigraph to this collection. He contends for a sense of continuity across time, a realization that youth, age, pleasure, and suffering have always existed and will always exist. Whitman finds consolation in this unity, accepting that kinship with past generations is more important that his own individuality. These opposing views offer two methods of presenting the self in history. The instinct of poetry suggests election. The poet writes because he feels his experiences are special, or because he believes he can serve as a synecdoche for everyone. I have fought this instinct by trying to contextualize myself in history. These poems serve as an attempt at prosopography with my own narrative a piece of the whole. Because the earth abides forever, our new stories get printed over the locations of the old and every place becomes a palimpsest of lives and acts. In this collection I have tried to untangle some of those layers, especially my own, to better understand the sprawling legend of history.

Sich erlaufen. Pilgern als Identitätsstärkung

Against the background of an unexpected upswing in pilgrimages, this article states the thesis that pilgrimage enables a strengthening of one’s identity. In addition, the problem of a fragmented and indefinite identity is sketched, with reference to Zygmunt Bauman. In contrast stands a model of identity (connected with Albrecht Grçzinger) in which one contributes to a tradition in which one already is situated. In its main part, the article investigates the various factors of pilgrimage that contribute to this process of gaining one’s identity. Thus, a route frequented as much as theWay of St. James forms an already patterned space that offers the pilgrim traditioned roles to adopt. Walking, as a characteristic element of pilgrimage, is interpreted as physically generating and distinctively opening the space in which pilgrims understand themselves in the world. It also can be shown how walking as a form of physical being that leads from an instrumental relationship to one’s body to an immediate being in living one’s life, conveys certainty about one’s self and the world, activates one’s potential to overcome challenges, and provides self-empowerment. The author makes a strong case for a definition of pilgrimage oriented to an understanding of the hardship of crossing a foreign land, which is an image of a goal-oriented understanding of existence. The resulting poles of self-assurance and self-estrangement in pilgrimage are, in connection with Wilhelm Gräb, interpreted as an expression of a truly known but at the same time distanced self-understanding. Pilgrimage is therefore a form of physical self-interpretation in which people learn to view and be aware of their self-familiarity. Finally, against the background of this representation, criteria are elaborated for organizing a pilgrimage journey that is conducive to identity.

Towns of New England and old England, Ireland and Scotland : connecting links between cities and towns of New England and those of the same name in England, Ireland and Scotland : containing narratives, descriptions, and many views, some done from old prints : also much matter pertaining to the founders and settlers of New England and to their memorials on both sides of the Atlantic /

"Written to commemorate the tercentenary of the landing of the Pilgrims."

Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus

Gerard David; 2 ft. 10 1/64 in.x 10 63/64 in. (left); 2 ft. 10 1/64 in.x 10 63/64 in. (right), painted surfaces; oil on oak panel

The Resurrection, with the Pilgrims of Emmaus

Gerard David; 2 ft. 10 1/64 in.x 10 63/64 in. (painted surface); oil on oak panel

The proceedings by the state of Connecticut in commemoration of the tercentenary anniversary of landing of the pilgrims on Plymouth rock, 1620-1920.

Simeon E. Baldwin, chairman.

The United States and the war : addresses /

Editorial note -- Introduction, by the editor -- Proceedings at the luncheon of th Pennsylvania Society: Address of Rear-Admiral R. E. Peary. Note from the Hon. Theodore Roosevelt [facsimile]. Address by the Hon. J. M. Beck. Verdun menu [facsimile] -- Proceedings at the luncheon of the Pilgrims in London: Address by Viscount Bryce. Address by the Hon. J. M. Beck -- An American advocate [editorial from "London daily telegraph"].

Poems and plays,

vol. I. The present hour. New poems for "The present hour". Lincoln cnetenary ode. Uriel, and other poems. The Sistine eve, and other poems.--vol. II. The Cantebury pilgrims. Jeanne d'Arc. Sappho and Phaon. The sacrecrow Mater.

Catalogue of the historical collection and pictures in Pilgrim hall, Plymouth.

Mode of access: Internet.

Hints to pilgrims /

Essays originally appeared in The Century magazine, The Yale review, The Atlantic monthly and The Literary review.

Realities and ideals; social, political, literary and artistic.

Partly republished from various sources.

The Spirit of the pilgrims.

Mode of access: Internet.