Author-Illustrator

This essay investigates the concept author-illustrator by drawing on two influential essays – ‘Death of the Author’ by Roland Barthes and ‘What is an Author?’ by Michel Foucault. By engaging with the key points of debate that emerge from these positions, this essay argues that the notion of author-illustrator is part of a wider discursive field that is embedded in a complex, commodified, multimedia public sphere where the author is paradoxically reinscribed and erased. This environment is changing the nature of the text, authorship, and reader-text interaction, but until now the concept author-illustrator has been largely absent from these discussions.

Modos de ler e ser: a poética dos livros ilustrados

Esta tese propõe uma abordagem do livro ilustrado (em geral associado ao público infanto-juvenil) que considera as diferentes modalidades de relação entre a imagem e o texto verbal, bem como sua conexão indissociável com o suporte. O livro ilustrado é entendido como objeto estético, polissêmico, capaz de convocar a capacidade sensível do leitor, expandindo tanto sua noção de si como sua visão de mundo. Busca-se problematizar a especificidade desse gênero literário por meio da imbricação de categorias como as de visibilidade e legibilidade, pensadas a partir da reflexão de Vilém Flusser sobre o conflito entre a imagem e a palavra escrita ao longo do tempo. Discute-se também a linguagem do livro ilustrado à luz do pensamento de Giorgio Agamben e Gilles Deleuze, que preferem a noção de intensidade em vez de etapa cronológica para compreender a infância. O livro ilustrado é considerado um devir-criança (ou devir-outro) do autor e/ou ilustrador capaz de desestabilizar o leitor, fazendo aflorar sensações que reconfiguram modos de sentir e estar no mundo

Friedensbilderbücher - Die österreichische Kinder- und Jugendbuchautorin Mira Lobe als Friedenserzieherin

Ce mémoire cherche à créer un dialogue entre les domaines de recherche du livre d’images et celui de recherches sur la paix afin d’exposer les différentes formes et fonctions des livres d’images pour la paix. Questionnant le pourquoi et le comment de ces œuvres, ce travail expose la façon et la manière avec lesquelles ces dernières contribuent à « l’alphabétisation de la paix » auprès des enfants et comment elles les motivent à agir en fonction de la paix. Les livres d’images constituent un média idéal pour éduquer les enfants à la paix. Très tôt dans le processus de socialisation, ces livres sauront transmettre et inculquer des concepts et aptitudes clefs et éventuellement ancrer dans l’esprit de l’enfant les valeurs d’une culture de la paix. Au centre de cette recherche est exposé le thème de la paix tel que traité à travers les œuvres de l’écrivaine autrichienne Mira Lobe (1913–1995). Par l’analyse de sept livres d’images pour la paix, ce travail explique quelles stratégies et méthodes littéraires, pédagogiques, sémiotiques, narratives et esthétiques sont employées par l’auteure pour réussir à bien présenter et à traiter de sujets politiques complexes et d’enjeux sociaux et humains parfois délicats et tabous à un jeune auditoire. Il montre également par quels moyens ces œuvres font naître l’empathie, une aversion pour la violence et comment elles pourront finalement amener les enfants à opter pour l’acte de la paix. En joignant et en mettant en relation les résultats et conclusions des deux champs de recherche observés dans ce travail, soit l’éducation à la paix et la recherche sur des livres d’images, il devient possible de démontrer comment Mira Lobe apporte, avec ses livres d’images pour la paix, une contribution universelle et intemporelle à l’éducation à la paix.

The train ride.

Una niña y su madre van en el tren desde la ciudad al campo para visitar a la abuela. Un texto que rima, establece el tono sobre todas las cosas que se pueden ver desde el tren. A la pregunta: qué veo, el cambio de página muestra un nuevo panorama: una yegua y su potro, un tractor de color rojo brillante, unos gansos, un globo de aire caliente, la respuesta y el estribillo :eso es lo que veo. Por fin la niña y su madre llegan a su destino. Recurso para la enseñanza de la lectura. Es el inicio de una reflexión sobre los textos y sus significados. Los niños pueden aprender a dividir una palabra en sus partes principales y crear nuevas palabras por analogía con las palabras que conocen, o para sugerir otras palabras. Para la lectura en grupos, individual o en parejas.

Gorilla.

Hannah ama a los gorilas, pero nunca ha visto uno. Su padre está demasiado ocupado para llevarla al zoo. Por su cumpleaños, Hannah pide a su padre un gorila , pero se siente decepcionada cuando descubre que el gorila que ella tiene no es más que un juguete. Entonces sucede algo extraordinario: el juguete se convierte en un auténtico gorila. Recurso para la enseñanza de la lectura. Es el inicio de una reflexión sobre los textos y sus significados. Los niños pueden aprender a dividir una palabra en sus partes principales y crear nuevas palabras por analogía con las palabras que conocen, o para sugerir otras palabras. Para la lectura en grupos, individual o en parejas.

Walking through the jungle.

Un niño pequeño realiza una gira por una selva imaginaria, camina, luego rastrea, corre, salta, se balancea y, por último, vadea. A medida que avanza, escucha diferentes ruidos: ssssss, grrrrrrr, , roarrrrr, despué de cada uno la página revela el animal responsable de él. El texto, repetitivo, y las ilustraciones se combinan para animar la participación de la clase sobre los niveles de sonido y movimiento, y para crear un juego de adivinanzas. Recurso para la enseñanza de la lectura. Es el inicio de una reflexión sobre los textos y sus significados. Los niños pueden aprender a dividir una palabra en sus partes principales y crear nuevas palabras por analogía con las palabras que conocen, o para sugerir otras palabras. Para la lectura en grupos, individual o en parejas.

The pig in the pond.

En uno de los más calurosos días del verano, el cerdo de la granja de Neligan tiene un sentimiento de envidia de los patos y los gansos que están flotando en el agua fría. Por último, cuando ya no puede soportar mas el calor se da una zambullida, y luego todo el resto de los animales de la granja se reúnen para ver y esperar, preguntándose cual será la reacción del granjero. Para leer en voz alta a los preescolares. El lenguaje lúdico y rítmico, pero no rimado, coincide con el humor de la historia.

Ten in the bed.

Se basa en una canción tradicional. Cuenta cómo un niño llega a abordar el problema de dormir con demasiados juguetes. El texto permite a los niños seguir la rima fácilmente. Para aprender los primeros números y contar hasta diez. Para identificar a los animales de peluche e imitar sus sonidos. Para la lectura en grupo, individual o en parejas.

Increasing food familiarity without the tears. A role for visual exposure?

Research has established the success of taste exposure paradigms as a means of increasing children’s acceptance, and liking, of previously unfamiliar or disliked foods. Yet, parents report that they tend to avoid the stress associated with repeatedly offering their children foods that are likely to be rejected. Given that successful taste exposure programmes often enhance children’s familiarity with a food’s appearance, as well as its taste, this article reviews the potential for exposure interventions that do not require repeated tastings to bring about positive attitude changes towards healthy foods. Recent evidence from studies that expose toddlers to picture books about fruit and vegetables suggest that familiarity with the origins and appearance of unfamiliar foods might increase children’s willingness to accept these into their diets.

Promoting mother–infant book sharing and infant attention and language development in an impoverished South African population: a pilot study

The low rates of child literacy in South Africa are cause for considerable concern. Research from the developed world shows that parental sharing of picture books with infants and young children is beneficial for child language and cognitive development, as well as literacy skills. We conducted a pilot study to examine whether such benefits might extend to an impoverished community in South Africa, by evaluating the impact of training mothers in book sharing with their 14–18 month old infants. Seventeen mothers received book sharing training; and 13 mothers did not, but instead received a comparison training in toy play. We assessed the mothers’ behavior during both book sharing and toy play before and after training, and we also assessed infant attention and language. Mothers receiving book sharing training engaged well with it, and they also benefited from it; thus, compared to the comparison group mothers, they became more sensitive, more facilitating, and more elaborative with their infants during book sharing, and they also became more sensitive to their infants during toy play. In addition, infants whose mothers received the book sharing training showed greater benefits than the comparison group infants in both their attention and language. Training in book sharing for families living in conditions of marked socio-economic adversity in South Africa has the potential to be of considerable benefit to child developmental progress. A large scale controlled trial is required to confirm this.

Vocabulary acquisition in young children: the role of the story

Sharing storybooks with babies increases their future achievements in literacy, especially in reading (Hall, 2001; Moore and Wade, 1997, 2003; Scarborough et al., 1991; Wade and Moore, 1998; Wells, 1985). This study, focusing on case studies of two 20-month-old children, attempts to identify the role the storybook plays in children’s vocabulary acquisition. Their mothers adopted a regime of daily reading of specific picture books over a six-week period, and recorded the children’s acquisition of new vocabulary, in order to explore what specific contribution these texts made to the children’s speech. The findings demonstrate that storybooks form one source of children’s newly-acquired vocabulary. Factors that might account for this were more difficult to determine through a study of this scale.

Barn och föräldrars val av bilderbok med fokus på illustrationer : En intervju- och observationsundersökning

Syftet med denna studie var att dels jämföra barn, 3–6 år, och föräldrars preferenser av barnboksillustrationer, dels att undersöka hur föräldrar resonerar kring val av bilderbok och illustrationens roll i samband med detta. Genom enskilda semistrukturerade intervjuer och tillhörande observationer med 22 barn (3–6 år) och 10 föräldrar undersöktes vilken av fem typer av bokillustrationer som föredrogs. Föräldrarna fick därefter även välja vilken av fem bilderböcker, från vilka illustrationerna var hämtade, som de skulle vilja läsa för sina barn och motivera sitt val. Resultatet från undersökningen tyder på att illustrationerna är en aspekt för både barn och föräldrar vid val av bilderbok samt att det finns faktorer som föredras i illustrationerna. Barnen i undersökningen verkade föredra naivistiska illustrationer med stort antal fokuspunkter. Föräldrar föredrog realistiska illustrationer med inslag de kan koppla till verkliga livet. Föräldrarna ansåg att illustrationer, handling, moral och lärdom var viktiga aspekter vid valet av bilderbok till deras barn. Flertalet föräldrar ville ha möjlighet att berätta egna historier kring illustrationerna i bilderboken.

Dissonant Voices : Philosophy, Children's Literature, and Perfectionist Education

Dissonant Voices has a twofold aspiration. First, it is a philosophical treatment of everyday pedagogical interactions between children and their elders, between teachers and pupils. More specifically it is an exploration of the possibilities to go on with dissonant voices that interrupt established practices – our attunement – in behaviour, practice and thinking. Voices that are incomprehensible or expressions that are unacceptable, morally or otherwise. The text works on a tension between two inclinations: an inclination to wave off, discourage, or change an expression that is unacceptable or unintelligible; and an inclination to be tolerant and accept the dissonant expression as doing something worthwhile, but different. The second aspiration is a philosophical engagement with children’s literature. Reading children’s literature becomes a form of philosophising, a way to explore the complexity of a range of philosophical issues. This turn to literature marks a dissatisfaction with what philosophy can accomplish through argumentation and what philosophy can do with a particular and limited set of concepts for a subject, such as ethics. It is a way to go beyond philosophising as the founding of theories that justify particular responses. The philosophy of dissonance and children’s literature becomes a way to destabilise justifications of our established practices and ways of interacting. The philosophical investigations of dissonance are meant to make manifest the possibilities and risks of engaging in interactions beyond established agreement or attunements. Thinking of the dissonant voice as an expression beyond established practices calls for improvisation. Such improvisations become a perfectionist education where both the child and the elder, the teacher and the student, search for as yet unattained forms of interaction and take responsibility for every word and action of the interaction. The investigation goes through a number of picture books and novels for children such as Harry Potter, Garmann’s Summer, and books by Shaun Tan, Astrid Lindgren and Dr. Seuss as well narratives by J.R.R. Tolkien, Henrik Ibsen, Jane Austen and Henry David Thoreau. These works of fiction are read in conversation with philosophical works of, and inspired by, Ludwig Wittgenstein and Stanley Cavell, their moral perfectionism and ordinary language philosophy.

Picturing Australian history: visual texts in nonfiction for children

Time is one of the most prominent themes in the relatively young genre of children's literature, for the young, like adults, want to know about the past. The historical novel of the West grew out of Romanticism, with its exploration of the inner world of feeling, and it grew to full vigor in the era of imperialism and the exploration of the physical world. From the end of the 18th century, children's books flourished, partly in response to these cultural and political influences. After Darwin, Freud, and Einstein, literary works began to grapple with skepticism about the nature of time itself. This book explores how children's writers have presented the theme and concept of time past. While the book looks primarily at literature of the 19th and 20th centuries, it considers a broad range of historical material treated in works from that period. Included are discussions of such topics as Joan of Arc in children's literature, the legacy of Robinson Crusoe, colonial and postcolonial children's literature, the Holocaust, and the supernatural. International in scope, the volume examines history and collective memory in Portuguese children's fiction, Australian history in picture books, Norwegian children's literature, and literary treatments of the great Irish famine. So too, the expert contributors are from diverse countries and backgrounds.