Sailor town; sea songs and ballads,

Reprinted in part from various periodicals.

Soldier poets : songs of the fighting men.

"First edition, September 1916 ... Reprinted August 1917."

Songs.

Forms part of Student life, v. 9, no. 9.

Introduction to sacred philology and interpretation /

Translation of part of: Einleitung in die theologische Wissenschaft.

Ausgewählte Werke /

Vol. 1: edited by Alfred Einstein and Adolf Sandberger; continuo realized by Franz Bennat. Vols. 2-3 (Bd. 1-2 of the opera) edited by Hugo Riemann.

Elizabethan love-songs /

As Flora slept / John Hilton -- A shepherd in a shade ; Come again / John Dowland -- Come, Phillis / Thomas Ford -- Deare, if you change / John Dowland -- Deare, though you mind / WIlliam Corkine -- Diaphenia / Francis Pilkington -- Fain would I change that note / Tobias Hume -- Faire, sweet, cruell / Thomas Ford -- Fine knacks for ladies ; Flow not so fast, ye fountains / John Dowland -- Go to bed, sweet muse / Robert Jones -- Here she her sacred bower adornes / Thomas Campion -- If I urge my kind desires ; If she forsake me / Philip Rosseter -- On a time / John Attey -- Phillis was a faire maide / Giles Earle's ms. -- Shaded with olive trees / Thomas Greaves -- Shall I come, sweet love, to thee? / Thomas Campion -- Sleepe, sleepe / Giles Earle's ms. -- Sweet cupid, ripen her desire / William Corkine -- Sweet Kate / Robert Jones -- Sweet nymph, come to thy lover / Thomas Morley -- There is a garden in her face / Thomas Campion -- Underneath a cypress tree / Francis Pilington -- What if I seek for love / Robert Jones -- When Laura smiles / Philip Rosseter -- When lo! by breake of morning / Thomas Morley -- Why dost thou turn away? / Giles Earl's ms. -- Woeful heart with grief oppressed / John Dowland.

A compendious book of godly and spiritual songs, commonly known as 'The gude and godie ballatis', reprinted from the edition of 1567;

With facsim. of the t.-p. of the editions of 1576, 1600, and 1621, and of 2 pages of the edition of 1567.

The Treasury of song for the home circle: the richest, best-loved gems, sacred and secular ... to which are appended brief biographies of eminent composers, performers and singers ...

Added t.p., colored.

Sacred writings : in two volumes ; with introductions and notes.

Series title on spine: Harvard classics : the five foot shelf of books.

French songs /

Mostly unaccompanied melodies; some songs have piano accompaniment.

The new Yale song-book : a collection of songs in use by the Glee Club and students of Yale University /

Includes photographs of the Yale campus.

Negro folk-songs.

Forewords by Natalie Curtis Burlin.

Songs and satires,

Blue cloth

Columbia University songs /

English, Latin or German words, in part printed as text.

Let The People Sing? Irish Rebel Songs, Sectarianism, and Scotland’s Offensive Behaviour Act

Irish rebel songs afford Scotland’s Irish diaspora a means to assert, experience, and perform their alterity free from the complexities of the Irish language. Yet this benign intent can be offset by how the music is perceived by elements of Scotland’s majority Protestant population. The Scottish Government’s Offensive Behaviour Act (2012) has been used to prosecute those singing Irish rebel songs and there is continuing debate as to how this alleged offence should be dealt with. This article explores the social function and cultural perception of Irish rebel songs in the west coast of Scotland, examining what qualities lead to a song being perceived as ‘sectarian’, by focusing on song lyrics, performance context, and extra-musical discourse. The article explores the practice of lyrical ‘add-ins’ that inflect the meaning of key songs, and argues that the sectarianism of a song resides, at least in part, in the perception of the listener.