967 resultados para PIAGET, JEAN


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Comprobar si se dan las tres etapas propuestas por Piaget, o cuatro según Pierre Greco, en la formación del concepto operatorio del número en el niño, tanto en el niño normal como en el niño deficiente. Analizar el proceso seguido por el niño hasta poseer el número con carácter operatorio. Determinar, si existiesen diferencias de edad en la adquisición del concepto operatorio. Establecer posibles diferencias en cuanto al sexo y nivel socioeconómico. Dos grupos: 50 niños normales de ambos sexos con edades entre los cuatro y los ocho años, del Colegio Nacional Fuentenueva de Granada; y 25 niños deficientes de ambos sexos con edades entre los seis y quince años, del Centro Provincial de Educación Especial 'Jean Piaget' de Armilla (Granada). Aplicación de tests de inteligencia, tomando como principales variables: coeficiente de inteligencia, sexo, edad. Absentismo y nivel socioeconómico. Test de inteligencia de Goodenough; test de inteligencia de Raven color; test de inteligencia de Wisc; escala de madurez mental de Columbia (CMMS). Gráficos. Resultados con niños normales: aparecen tres etapas claramente definidas en el proceso de adquisición del número por parte del niño: en una primera etapa, las relaciones percibidas no se coordinan entre sí; durante la sgunda etapa, asistimos a un esbozao de operación, más con caracter intuitivo; en la tercera etapa, cuando el niño alcanza la operación, domina la conservación, la medida, etc. de manera inmediata. Resultados con niños deficientes: existencia de tres etapas distintas en el proceso de aparición del número, con caracter operatorio en los niños deficientes: en una primera etapa, los niños consideran natural que la cantidad de líquido varía según la forma y dimensiones del recipiente; la segunda etapa aparece situada a mitad de camino entre la cantidad bruta y la cuantificación, entre la no seriación y la seriación, es una etapa intuitiva; en la tercera etapa, es cuando los niños no necesitan ya reflexionar para asegurarse de la conservación, de la medida y de la seriación. Se dan las tres etapas propuestas por Piaget en la adquisición del número con caracter operatorio, en los niños de Granada. El orden de sucesión de las etapas es constante, aunque las edades promedio pueden variar. No se encuentran diferencias acuciantes en cuanto al sexo. En el niño deficiente se da el mismo proceso de elaboración y formación del número, con carácter operatorio. En el estudio con niños normales no se encuentran diferencias entre un status y otro en el proceso de adquisición del número.

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Analizar la aplicación de la teoría de Piaget en el desarrollo de los programas de EGB del área de Matemáticas en Preescolar y Ciclo Inicial. Jean Piaget (vida, teoría de la inteligencia, teoría de los estadios, constructivismo). Los programas de EGB: Preescolar y Ciclo Inicial. Los programas renovados de Preescolar y Ciclo Inicial en el área de Matemáticas. Ofrece una aproximación al personaje de Piaget (biografía, etapas de investigación, publicaciones). Analiza la teoría de la inteligencia partiendo de los elementos fundamentales del proceso general. Realiza una visión general de los diversos estadios del desarrollo del pensamiento en el niño y del constructivismo relacionado con la pedagogía de la escuela activa. Presenta una visión general de los programas renovados de EGB (Preescolar y Ciclo Inicial) analizando los motivos de la renovación, el proceso de ejecución, las bases psicopedagógicas y la organización del Ciclo Inicial y su coordinación con Preescolar. Analiza los objetivos y actividades del área de Matemáticas en los niveles citados. Bibliografía. BOE. Programaciones para la EGB. Ofrece un capítulo de conclusiones sobre: la visión general de los objetivos y actividades de Preescolar y del Ciclo Inicial; la coordinación de los bloques temáticos y temas de trabajo de Preescolar y Ciclo Inicial; los aspectos generales a nivel de objetivos, actividades y otros aspectos importantes.

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Jean Anyon’s (1981) “Social class and school knowledge” was a landmark work in North American educational research. It provided a richly detailed qualitative description of differential, social-class-based constructions of knowledge and epistemological stance. This essay situates Anyon’s work in two parallel traditions of critical educational research: the sociology of the curriculum and classroom interaction and discourse analysis. It argues for the renewed importance of both quantitative and qualitative research on social reproduction and equity in the current policy context.

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Histories of Catholic education have received little attention by Church historians and are usually written by members of the Catholic clergy, with a strong emphasis placed on the spiritual and building accomplishments of the bishops. This thesis examines the provision of Catholic Education in Australasia, with a focus on the contribution of three men, Jean Baptiste Francois Pompallier, Thomas Arnold and Julian Edmund Tenison Woods. These men received support from the female religious orders in the regions where they worked, frequently with little recognition or praise by Catholic Church authorities. The tenets of their faith gave Pompallier and Woods strength and reinforced their determination to succeed. Arnold, however, possessed a strong desire to change society. All three believed in the desirability of providing Catholic schooling for the poor, with the curriculum facilitating the acquisition of socially desirable values and traits, including obedience, honesty, moral respectability and a strong adherence to Catholic religious values. The beneficiaries included society, future employers, the Church, the children and their parents. With the exception of promoting distinctly Catholic religious values, Roman Catholic schools and National schools in Australasia shared identical objectives. Historians have neglected the contributions of these men.

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An Interview with Sylvère Lotringer, Jean Baudrillard Chair at the European Graduate School and Professor Emeritus of French Literature and Philosophy at Columbia University, on the Architectural Contribution to Semiotext(e), Schizoculture, and the Early Deleuze and Guattari Scene at Columbia University, which took place at the Department of French, Columbia University, New York City, July 2003. This interview exists as an audio cassette tape recording.

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This article evaluates the implementation of the WTO General Council Decision in 2003, which resolved that developed nations could export patented pharmaceutical drugs to member states in order to address public health issues - such as HIV/AIDS, tuberculosis, malaria and other epidemics. The Jean Chretien Pledge to Africa Act 2004 (Canada) provides authorisation for the export of pharmaceutical drugs from Canada to developing countries to address public health epidemics. The European Union has issued draft regulations governing the export of pharmaceutical drugs. A number of European countries - including Norway, the Netherlands, France, and Switzerland - are seeking to pass domestic legislation to give force to the WTO General Council Decision. Australia has shown little initiative in seeking to implement such international agreements dealing with access to essential medicines. It is argued that Australia should implement humanitarian legislation to embody the WTO General Council Decision, emulating models in Canada, Norway, and the European Union. Ideally, there should be no right of first refusal; the list of pharmaceutical drugs should be open-ended; and the eligible importing countries should not be limited to members of the WTO.

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This study investigates the significance of art in Jean-Luc Nancy s philosophy. I argue that the notion of art contributes to some of Nancy s central ontological ideas. Therefore, I consider art s importance in its own right whether art does have ontological significance, and if so, how one should describe this with respect to the theme of presentation. According to my central argument, with his thinking on art Nancy attempts to give one viewpoint to what is called the metaphysics of presence and to its deconstruction. On which grounds, as I propose, may one say that art is not reducible to philosophy? The thesis is divided into two main parts. The first part, Presentation as a Philosophical Theme, is a historical genesis of the central concepts associated with the birth of presentation in Nancy s philosophy. I examine this from the viewpoint of the differentiation between the ontological notions of presentation and representation by concentrating on the influence of Martin Heidegger and Jacques Derrida, as well as of Hegel and Kant. I give an overview of the way in which being or sense for Nancy is to be described as a coming-into-presence or presentation . Therefore, being takes place in its singular plurality. I argue that Nancy redevelops Heidegger s account of being in two principal ways: first, in rethinking the ontico-ontological difference, and secondly, by striving to radicalize the Heideggerian concept of Mitsein, being-with . I equally wish to show the importance of Derrida s notion of différance and its inherence in Nancy s questioning of being that rests on the unfoundedness of existence. The second part, From Ontology to Art, draws on the importance of art and the aesthetic. If, in Nancy, the question of art touches upon its own limit as the limit of nothingness, how is art able to open its own strangeness and our exposure to this strangeness? My aim is to investigate how Nancy s thinking on art finds its place within the conceptual realm of its inherent difference and interval. My central concern is the thought of originary ungroundedness and the plurality of art and of the arts. As for the question of the difference between art and philosophy, I wish to show that what differentiates art from thought is the fact that art exposes what is obvious but not apparent, if apparent is understood in the sense of givenness. As for art s ability to deconstruct Nancy s ontological notions, I suggest that in question in art is its original heterogeneity and diversity. Art is a matter of differing art occurs singularly, as a local difference. With this in mind, I point out that in reflecting on art in terms of spacing and interval, as a thinker of difference Nancy comes closer to Derrida and his idea of différance than to the structure of Heidegger s ontological difference.

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Anna Morgan, the central character of Jean Rhys's Voyage in the Dark, has previously been read as a victim of her own inability to fashion some form of life for herself.1 It is possible, however, to suggest an alternative to such character-based readings and instead examine the systems of oppression which work to ensure that Anna remains an excluded, marginalized subject. Rather than personal failings, it is Anna's gender and colonial status which prevent her from participating fully in the dominant social and economic order of Voyage in the Dark. Anna is textually constrained on three levels, which may be defined as economic, colonialist, and narrative. Imbricated within these is the question of gender, which functions to place Anna in a position of double-exclusion within the text. These forms of exclusion function at the levels of discourse and narrative; I would argue that Anna's position is not, therefore, a product of realist character 'flaws' but rather that her discursive placement within the novel offers insight into the ways in which colonialism and sexism function in terms of textuality.