998 resultados para Manuscripts, Indic
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by Elkan Nathan Adler
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by Nathan Coronel [[Elektronische Ressource]]
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Text teilw. hebr.
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Indexheft beiliegend
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by Reinhart Hoerning
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by G. Margoliouth
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Prepared and arranged by Joshua Bloch
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by Henry Malter
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by Herbert Loewe
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Studies of the late Miocene-early Pliocene biogenic bloom typically have focused on high-productivity areas in the Indian and Pacific Oceans in order to achieve high resolution samples. Thus there is a paucity of information concerning whether the Atlantic Ocean, in general or low-productivity regions in all three basins experienced this bloom. This study measured the phosphorus mass accumulation rate (PMAR). in five cores from low-productivity regions of the Atlantic and Indian Oceans. All cores exhibit a peak in productivity 4-5.5 Ma, coincident with the Indo-Pacific bloom. This suggests that nutrients were not shifted away from low-productivity regions nor out of the Atlantic Ocean. Instead, it appears that the bloom was caused by an overall increase in nutrient flux into the world oceans. Four of the cores record the bloom's PMAR peak as bimodal, indicating a pulsed increase in phosphorus to the oceans. This suggests that there may have been multiple causes of the biogenic bloom.
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The scholarship on illuminated initials is substantial, yet there is a significant absence of information when discussing the initials found in music manuscripts specifically. In this paper, I endeavor to supplement the current scholarship by focusing my research on music manuscripts produced in Italy between 1250 and 1500 A.D. in order to provide examples of the relationships between image, music, and text in the context of use. I use mainly iconographic research methods, though a considerable amount of background information is reliant on the research of other authors in the field of medieval philosophy and theology. Through my research I have concluded that the use of illuminated initials in medieval Italian music manuscripts enhances the function of the manuscript by providing another layer of understanding which audience members could use to aid them in their meditation, prayer, and in the performance of the music.