Conference report : ‘For the Socially Responsible University’. Reflections on Universidad 2014, the 9th International Higher Education congress in Havana, Cuba, February 2014

This article describes salient aspects of 'Universidad', the 9th International Higher Education conference held in Havana, Cuba, in February 2014. Addressing the conference theme, 'For the Socially Responsible University', participants debated the university's capacity to lead societies in matters of knowledge creation and diffusion, and discussed how it could help governments in the quest for solutions to inequality and exclusion. A particularly interesting panel was one that discussed the social commitment of Hugo Chavez, the late president of Venezuela, and his work to support the expansion of education.

Os cavaleiros imaginários de Terry Gilliam: uma análise da transição da figura do cavaleiro medieval da literatura para o cinema

As narrativas em torno da busca do Graal tiveram origem no século XI e foram de grande importância para fixar a imagem de um personagem típico da sociedade medieval, o cavaleiro, como um novo modelo heroico. Nesse sentido, os cavaleiros que encontraram o Graal nessas narrativas, especialmente no ciclo literário conhecido como Matéria da Bretanha, representam a configuração máxima desse paradigma. Esta pesquisa visa analisar a permanência de tal imagem no cinema, que é igualmente uma arte narrativa, como o eram as novelas de cavalaria que originaram o modelo. O corpus a ser analisado são três significativas obras do cineasta norte-americano Terry Gilliam que direta ou indiretamente retomam a questão do Graal: Monty Python em busca do Cálice sagrado (Monty Phyton and The Holy Grail, 1974), O pescador de ilusões (The Fisher King, 1991) e Os doze macacos (Twelve Monkeys, 1995). Assim, procura-se com esta tese traçar um panorama das retomadas da imagem literária e medieval dos cavaleiros no cinema, assim como observar as mudanças no padrão dessas imagens descritas literariamente para sua representação óptico-sonora

"Ladyes, damesels, and jantilwomen": female autonomy and authority in Sir Thomas Malory's Morte Darthur

Popular medieval English romances were composed and received within the social consciousness of a distinctly patriarchal culture. This study examines the way in which the dynamic of these texts is significantly influenced by the consequences of female endeavour, in the context of an autonomous feminine presence in both the real and imagined worlds of medieval England, and the authority with which this is presented in various narratives, with a particular focus on Sir Thomas Malory’s Morte Darthur. Chapter One of this study establishes the social and economic positioning of the female in fifteenth-century England, and her capacity for literary engagement; I will then apply this model of female autonomy and authority to a wider discussion of texts contemporary with Malory in Chapters Two and Three, in anticipation of a more detailed study of Le Morte Darthur in Chapters Four and Five. My research explores the female presence and influence in these texts according to certain types: namely the lover, the victim, the ruler, and the temptress. In the case of Malory, the crux of my observations centres on the paradox of the capacity for power in perceived vulnerability, incorporating the presentation of women in this patriarchal culture as being vulnerable and in need of protection, while simultaneously acting as a significant threat to chivalric society by manipulating this apparent fragility, to the detriment of the chivalric knight. In this sense, women can be perceived as being an architect of the romance world, while simultaneously acting as its saboteur. In essence, this study offers an innovative interpretation of female autonomy and authority in medieval romance, presenting an exploration of the physical, intellectual, and emotional placement of women in both the historical and literary worlds of fifteenth-century England, while examining the implications of female conduct on Malory’s Arthurian society.

Main eigenvalues and (κ, τ)-regular sets

A (κ, τ)-regular set is a subset of the vertices of a graph G, inducing a κ-regular subgraph such that every vertex not in the subset has τ neighbors in it. A main eigenvalue of the adjacency matrix A of a graph G has an eigenvector not orthogonal to the all-one vector j. For graphs with a (κ, τ)-regular set a necessary and sufficient condition for an eigenvalue be non-main is deduced and the main eigenvalues are characterized. These results are applied to the construction of infinite families of bidegreed graphs with two main eigenvalues and the same spectral radius (index) and some relations with strongly regular graphs are obtained. Finally, the determination of (κ, τ)-regular sets is analyzed. © 2009 Elsevier Inc. All rights reserved.

Necessary and sufficient conditions for a Hamiltonian graph

A graph is singular if the zero eigenvalue is in the spectrum of its 0-1 adjacency matrix A. If an eigenvector belonging to the zero eigenspace of A has no zero entries, then the singular graph is said to be a core graph. A ( k,t)-regular set is a subset of the vertices inducing a k -regular subgraph such that every vertex not in the subset has t neighbours in it. We consider the case when k=t which relates to the eigenvalue zero under certain conditions. We show that if a regular graph has a ( k,k )-regular set, then it is a core graph. By considering the walk matrix we develop an algorithm to extract ( k,k )-regular sets and formulate a necessary and sufficient condition for a graph to be Hamiltonian.

A bow-form burrow and its sedimentological and palaeoecological significance

A deep-tier, bow-form burrow with a long apertural neck, and several different types of infill is described from Upper Jurassic shelfal carbonates of Saudi Arabia, Miocene pelagic packstones and wackestones of Malta, and Lower Cretaceous shoreface sands and mudrocks of southern England. The two most commonly observed types of infill are a coarse-grained infill, referred to as Glyphichnus-mode (formed by sediment entering the burrow following breakage of the apertural neck), and a laminated, muddy infill, referred to as Cylindrichnus-mode, which is considered to represent passive, drought filling through a complete burrow. The type of infill and aspects of preservation show that these burrows can be used to assess the style of sedimentation, particularly steady aggradation versus periodic erosion. At present the bow-form burrow is not assigned to a specific ichnotaxon.

Barabas's Fall

Early modern play-texts present numerous puzzles for scholars interested in ascertaining how plays were (or may have been) staged. the principal evidence of course for a notional "reconstruction" of practices is the apparatus of stage directions, augmented by indications in the dialogue. in conjunction a joining-of-the-dots is often possible, at least in broad-brush terms. But as is well known, the problem is that stage directions tend to be incomplete, imprecise, inaccurate ­ or missing altogether; more significantly, even when present they offer only slight and indirect evidence of actual stagecraft. Some stage directions are rather more "literary" than "theatrical" in provenance, and in any case to the extent that they do serve the reader (early modern or modern) they cannot be regarded as providing a record of stage practice. After all, words can be no more than imperfect substitutes for (and of another order from) the things they represent. For the most part directions serve as a guide that provides the basis for reasonable interpretation informed by our knowledge of theatre architecture, technology, and comparable play-situations, rather than concrete evidence of actual practice. Quite how some stage business was carried out remains uncertain, leaving the scholar little option but to hypothesize solutions. One such conundrum arises in christopher Marlowe's The Jew of Malta. the scenario in question is hardly an obscure one, but it has not been examined in detail, even by modern editors. the purpose of this essay is to explore what sense might be made of the surviving textual evidence, in combination with our knowledge of theatre architecture and playmaking culture in the late sixteenth century.

The Amplifier - v. 4, no. 16

In this issue...convocation, Robert P. Koenig, Gregson Hot Springs, Knucky's Orchestra, The Ananconda company, Women's Auxiliary, Butte Country Club

The Amplifier - v.8,(a-6) no. 6

In this issue...Billings Gazette, Engineering Days, Valentine Dance, Sylvia White, speed skating, handball tournament, Women's News, Shell Oil Company, KXLF-TV

Our Catholic heritage in Texas, 1519-1936;

Includes bibliographies.

Della architettvra militare del capitanio Francesco de' Marchi bolognese, gentil'hvomo romano, libri tre : nelli qvali si descrivono li veri modi del fortificare, che si vsa a' tempi moderni : con vn breve, et vtile trattato, nel quale si dimostrano li modi del fabricar l'artigliaria, & la prattica di adoperarla, da quelli che hanno carico di essa.

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Documents relating to reconstruction,

Issued in numbers as West Virginia university documents relating to reconstruction. Nos. 4-5 and 6-7 pub. as double numbers.

LPF Layton, Robert D.1; Layton, Robert D

Secretary, Knights of Labor. Studio portrait