Thirty-two sonatinas and rondos for the piano by Clementi, Kuhlau, Dussek, Haydn, Mozart, Beethoven, Hofmann, Raff, Schumann progressively arranged. [music] /

Contains works by Clementi, Kuhlau, Dussek, Haydn, Mozart, Beethoven, Hofmann, Rafff, and R. Schumann.

History of the Handel and Haydn Society, of Boston, Massachusetts ... From the foundation of the society ... 1815 [to May 25, 1903] ...

Mode of access: Internet.

Meister der Tonkunst : Mozart, Beethoven, Haydn, Weber, Schumann, Mendelssohn.

Mode of access: Internet.

Haydn's dictionary of dates relating to all ages and nations : for universal references /

Authorized American ed. from 13th English ed. with supplement relating chiefly to American topics, and a copious biographical index, by G. P. Putnam.

The Boston Academy's Collection of church music : consisting of the most popular psalm and hymn tunes, anthems, sentences, chants, &c., old and new : together with many beautiful pieces, tunes and anthems, selected from the masses and other works of Haydn, Mozart, Beethoven ... and other distinguished composers, arranged and adapted to English words expressly for this work, including, also, original compositions by German, English and American authors.

Includes indexes.

Haydn, sa vie, ses ouvrages, ses voyages et ses aventures ...

Mode of access: Internet.

The life of Haydn : in a series of letters written at Vienna. Followed by the life of Mozart, with observations on Metastasio, and on the present state of music in France and Italy /

Translation by R. Brewin, of "Lettres sur le célèbre compositeur Jh. Haydn [etc.]"

Crown and anchor tavern, Strand, April 18th, 1821, when will be presented a grand selection of music, principally from the works of Handel and Haydn.

Mode of access: Internet.

Haydn's Mass in C, no. 2 /

Mode of access: Internet.

Haydn's mass in G, (No. 7.) /

Mode of access: Internet.

Variations on a theme by Joseph Haydn, op.56a.

Mode of access: Internet.

The days of Haydn, Mozart and Beethoven; fifty compositions by English, French, German, Bohemian and Italian masters of the period from 1725-1790.

Includes notes on the composers.

Life of Haydn,

Mode of access: Internet.

Are we keeping the bastards honest? Perceptions of corruption, integrity and influence on politics

The words of the late Don Chipp, the founder of the Australian Democrats, have a perennial relevance to politics. When Chipp talked about ‘keeping the bastards honest’, it related to a minor political party playing a role of keeping the major political parties true to their word (Warhurst 1997). Yet it is also a democratic role that citizens play on an ongoing basis, particularly through the mechanism of elections. At the ballot box, governments that are widely perceived to have acted with a lack of integrity are roundly punished. This chapter explores public opinion on issues of integrity, corruption, influence and trust in politics and politicians in Australia. The evidence paints a differentiated picture of a public which sees little sign of overtly corrupt political practices but on the other hand does not feel terribly influential and is not always confident of fair treatment from public officials...

SELECTED VARIATIONS BY COMPOSERS IN GERMANY AND FRANCE

The Haward of Dictionary of Music (1983), defines variation as "a technique modifying a given musical idea." From the Baroque period on, the form and the techniques of variation were developed and enriched in Germany and France. Therefore, I presented the works of composers from these two nations. Even though there was a vast number of possibilities, I wanted to be scholastically fair and interesting in making my selections by choosing well-known pieces along with lesser-known ones. Haydn's well-known Variations in F minor consist of two sets of double variations which break into an improvisation fantasy. The first movement of Beethoven Sonata in A flat major, Op. 26, is a set of five variations on the composer's original theme. The variations are positioned in the first movement instead of Sonata-Allegro form. In 1861 Brahrns composed the Variations and Fugue, Op. 24, on the theme of Handel. Brahms displays a wealth of rhythmic, harmonic and textural contrasts in the variations. Chopin's E Major Variations without opus number are written on a Swiss influenced German folksong. Faure's Theme and Variations in C sharp minor, Op. 73, includes eleven variations. The work displays the composer's subtlety, grace and reticence. 12 Variationen iiber ein eigenes Thema were written by Alban Berg as a composition study with Schonberg. The Finale of Dutilleux's Piano Sonata, titled "Chorale with Variations", is written in an impressionistic style. A rich expressiveness is well blended in a classical form. In 1742, the remarkable Aria and thirty variations known as the Goldberg Variations were composed by J. S. Bach. The thirty Variations are unified by the bass line, which forms the foundation of the Aria. The pieces discussed above were presented in three recitals. Compact disc recordings of these recitals are available in the Michelle Smith Performing Arts Library of the Clarice Smith Performing Arts Center at the University of Maryland.