The diary of a baby : being a free record of the unconscious thought of Rosalys Ysolde Smith, aged one year.

Mode of access: Internet.

Panama canal tolls : Speech of Hon. William Kent, of California, in the House of Representatives May 21, 1912.

Reprinted from the Congressional record.

Denkwurdigkeiten und Erinnerungen eines Arbeiters.

Mode of access: Internet.

The life and letters of Lord Macaulay /

Mode of access: Internet.

Equity; an analysis and discussion of modern equity problems

"Fourth printing, 1928."

Critical and historical essays; lectures delivered at Columbia university,

Mode of access: Internet.

1928 University of Michigan Football Team

George Rich, University of Michigan football captain, 1928

Cropped from 1928 team photo.

1928 University of Michigan Baseball Team

Top Row: student mngr. James G. McMillan, Gerson Reichman, Bennie Oosterbaan, Samuel Gawne, Fred Asbeck, William McAfee, Ernest McCoy, asst. coach Jack Blott

Front Row: Louis Weintraub, Raymond Nebelung, captain Carl Loos, coach Ray Fisher, Donald Corriden, Harvey Straub, George Slagle

The last post? Tracking the Australasian to Aussie Post, 1864-2002

Aussie Post, the flagship of ocker Australiana, folded in January 2002. Post began life as the Australasian, a middlebrow magazine steeped in a nineteenth century civics of stable citizenship with a modicum of diversionary leisure. The transformation began when the Australasian became Australasian Post in 1946 under George Johnston's brief 15-week editorship. Johnston's idealistic vision of Post as a voice of post-war Australian modernity was soon overtaken by commercial imperatives as Post's identity wavered between its civic antecedents and a new low-brow populism, a niche it had finally settled into by the mid-1950s. This tension between staid civics and risqué populism shaped the magazine's long evolution into its final realisation of the pictorial general interest genre. This paper, based on a close examination of the magazines themselves, tracks Post's generic evolution and focuses on the struggle to redefine the magazine’s identity during the post-war period when the axis of Australian identity was reluctantly shifting from the staid traditions of Rule Britannia to the flashy modernity of Pax Americana.

Portrait of George Louis Wolff (Gerd Ludwig Wolff) holding a mouse in his genetics laboratory; Little Rock, Arkansas.

Digital Image

Portrait of George Louis Wolff (Gerd Ludwig Wolff) holding a mouse in his genetics laboratory; Little Rock, Arkansas.

Digital Image