Die Kunst der deutschen Prosa : Aesthetisch, literargeschichtlich, gesellschaftlich /

Mode of access: Internet.

Jukugo ruijū Meiji bunshō taisei

Mode of access: Internet.

Les prosateurs français du XIXe siécle;

Mode of access: Internet.

Die Götter Griechenlands von Schiller bis zu Heine /

Thesis (Ph. D.)--Friedrich-Wilhelms-Universität zu Berlin.

The Mary Carleton narratives, 1663-1673, a missing chapter in the history of the English novel,

The singular life and curious biographies of Mary Carleton.--The Carleton publications of 1663.--The minor publications of 1673.--"The counterfeit lady," a fiction.--The narrative technique of "The counterfeit lady."--The historical significance of "The counterfeit lady."--The current doctrine of the rise of the English novel.--Bibliographical difficulties.

A history of classical Greek literature,

I. The poets (with an appendix on Homer, by Prof. Sayce).--II. The prose writers (with an index to both volumes)

A history of classical Greek literature /

Includes index.

A history of classical Greek literature.

v. 1, pt. 1 "rev. and enl."; v. 2, pt. 2, "4th ed." v. 2, pt. 2. 4th ed., rev. and enl.

A history of classical Greek literature /

v. 1, pt. 1. The epic and lyric poets [with an appendix on Homer by Prof. Sayce].--v. 1, pt. 2. The dramatic poets.--v. 2, pt. 1. The prose writers, from Herodotus to Plato.--v. 2, pt. 2. The prose writers, from Isocrates to Aristotle (with an appendix on Aristotle).

Crowd Control? Depictions of the Many in Anglo-Saxon Literature, with Particular Reference to the Old English Legend of the Seven Sleepers

This article argues for the distinctiveness of the presentation of crowds in the Old English version of the Legend of the Seven Sleepers . In traditional Old English poetry, crowds are mostly conspicuous by their absence, since the social groupings portrayed are typically those ofthe lord's retinue and the fellowship of the hall. In writings deriving from Latin traditions (in Anglo-Latin, Old English prose and strands of Old English poetry) such as historiography andhagiography, crowds are presented in highly conventional terms based on literary models. The crowd scenes in the Legend of the Seven Sleepers , on the other hand, have an immediacy and urgency that seem based on real-life experience of Anglo-Saxon England rather than simply imitative of the work's Latin (ultimately Greek) source or of other literary models. Drawing upon crowd theory and historical studies, the article demonstrates that the crowds in this text are presented in “domesticated” Anglo-Saxon terms and may be seen as reflective of growing urbanization in late Anglo-Saxon England. “Real” crowds are glimpsed elsewhere in Anglo-Saxon literature but in the Legend of the Seven Sleepers they are particularly foregrounded; this text also presents the literature's liveliest picture of town life more generally.

16th Annual Seminar Course on Ancient Greek Literature and Culture Delfos, Grecia, 19 a 29 de julio de 2010

Fil: Cairo, María Emilia. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.