961 resultados para Futures of publishing


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In this chapter I position the iPhone as a “moment” in the history of cultural technologies. Drawing predominantly on advertising materials and public conversations about other "moments" in the history of personal computing and focusing on Apple’s role in this history, I argue that the design philosophy, marketing, and business models behind the iPhone (and now the iPad) have decisively reframed the values of usability that underpin software and interface design in the consumer technology industry, marking a distinctive shift in the history and contested futures of digital culture.

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Purpose – The internet is transforming possibilities for creative interaction, experimentation and cultural consumption in China and raising important questions about the role that “publishers” might play in an open and networked digital world. The purpose of this paper is to consider the role that copyright is playing in the growth of a publishing industry that is being “born digital”. Design/methodology/approach – The paper approaches online literature as an example of a creative industry that is generating value for a wider creative economy through its social network market functions. It builds on the social network market definition of the creative industries proposed by Potts et al. and uses this definition to interrogate the role that copyright plays in a rapidly-evolving creative economy. Findings – The rapid growth of a market for crowd-sourced content is combining with growing commercial freedom in cultural space to produce a dynamic landscape of business model experimentation. Using the social web to engage audiences, generate content, establish popularity and build reputation and then converting those assets into profit through less networked channels appears to be a driving strategy in the expansion of wider creative industries markets in China. Originality/value – At a moment when publishing industries all over the world are struggling to come to terms with digital technology, the emergence of a rapidly-growing area of publishing that is being born digital offers important clues about the future of publishing and what social network markets might mean for the role of copyright in a digital age.

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The Australian Council on the Ageing (COTA) commenced publication of the Australian Journal on Ageing (AJA)in early 1982 with the purpose of publishing important issues around ageing, reporting new ageing research developments and providing a forum for the exchange of views on ageing issues. Over a 30-year period, the AJA has evolved into an internationally recognised, peer-reviewed journal, publishing high-quality original work in gerontology and geriatric medicine under the stewardship of six editors, editorial teams and management committees. The journal is currently published on behalf of the AJA, Inc., with representation from The Australian and New Zealand Society for Geriatric Medicine (ANZSGM), the Australian Association of Gerontology (AAG), COTA and Aged and Community Services Australia (ACSA). Key events over the 30 years are explored later and summarised in Table 1.

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The world is increasingly moving towards more open models of publishing and communication. The UK government has demonstrated a firm commitment to ensuring that academic research outputs are made available to all who might benefit from access to them, and its open access policy attempts to make academic publications freely available to readers, rather than being locked behind pay walls or only available to researchers with access to well-funded university libraries. Open access policies have an important role to play in fostering an open innovation ecosystem and ensuring that maximum value is derived from investments in university-based research. But are we ready to embrace this change?

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The International Journal of Robotics Research (IJRR) has a long history of publishing the state-of-the-art in the field of robotic vision. This is the fourth special issue devoted to the topic. Previous special issues were published in 2012 (Volume 31, No. 4), 2010 (Volume 29, Nos 2–3) and 2007 (Volume 26, No. 7, jointly with the International Journal of Computer Vision). In a closely related field was the special issue on Visual Servoing published in IJRR, 2003 (Volume 22, Nos 10–11). These issues nicely summarize the highlights and progress of the past 12 years of research devoted to the use of visual perception for robotics.

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Lumometsän syli, Anni Swanin satusymbolismi 1896-1923 on suomenkielisen satukirjallisuuden poetiikkaa ja 1900-luvun alun modernia naiseutta selvittävä feministiseen tutkimustraditioon liittyvä tutkimus. Sen kohteena ovat lasten- ja nuortenkirjailija Anni Swanin (1875-1958) satukokoelmat vuosilta 1901-1923 ja Uusi Suometar -lehden sadunomaiset novellit vuosilta 1896-1904. Tutkimus tuo uutta tietoa lastenkirjallisuuden osalta 1900-luvun alun modernin ihmisen problematiikasta. Se sisältää naissubjektin kehityskaaren ja sisäisen kasvun kohti naistaiteilijuutta. Yksityiskohtaisen tarkastelun kohteina ovat sadut Veli ja sisar (1917), Ihmekukka (1905), Marjaanan helmikruunu (1912), Aaltojen salaisuus (1901), Jääkukka (1905), Tyttö ja kuolema (1917), Merenkuningatar ja hänen poikansa (1905), Lumolinna (1905) ja Tarina Kultasirkasta (1901). Tutkimuksessa tarkastellaan Swanin satujen poeettista kieltä ja naiseuden tematiikkaa ranskalaisen postmodernin ajan feministisen viitekehyksen valossa. Siinä keskeisiä ovat Julia Kristevan psykoanalyyttispohjaiset näkemykset ja Hélène Cixous´n sekä Luce Irigarayn ajatukset feminiinisestä kirjoituksesta. Sadut kontekstualisoidaan ajankohdan symbolistiseen taidevirtaukseen ja Suomen taiteen kultakauteen. Satuja tulkitaan naiskirjailijan lajina ja erityisenä naisen metaforisen ilmaisun muotona. Satujen feministinen lukutapa purkaa perinteisiä lukemiskonventioita ja merkitsee satutekstin lukemista "toisin". Se avaa varhaista modernia naiseutta ja sille ominaista naisen ilmaisukielen erityisyyttä sekä mykkää ei-kielellistä, melankolian ilmaisua. Tutkimus tuo esiin uudenlaisen naiskirjailijan aistimusvoimaisen kielen. Swanin satusymbolismi on luonnon kauneuden synesteettista ja aistimusvoimaista kerrontaa, jolle on luonteenomaista aistiestetiikka, metaforisuus, metonymisyys ja metamorfoosit. Swan vahvistaa osaltaan naisen sankaruutta, omaa ilmaisukieltä ja ääntä. Tuloksena paljastuu satuperinteeseen verrattuna uudenlaisia tyttöyden, äitiyden, naistaiteilijuuden ja perheen malleja ja niiden representaatioita. Satumallit osoittautuvat aikanaan moderneiksi tyttösankareiksi, osin ambivalenteiksi uudenlaista naiseutta ja suhteessa oloa heijastaviksi ja ovat siten varhaisia feministisen sadun tunnusmerkkejä. Tutkimus selvittää, miten Swan rakentaa omaperäisen satusymboliikan. Satumetsä on luonnonkauniin suomalaismetsän symbolinen mielenmaisema ja samanaikaisesti sadun myyttis-symbolinen topos. Swanin luontokäsitys sisältää luonnonsuojelun ja varhaisen ekokriittisen näkemyksen. Tutkimus osoittaa Swanin satujen kytkeytyvän 1900-luvun alun modernismiin ja Suomen taiteen kultakauteen. Swan on suomenkielisen symbolistisen taidesadun kehittäjä ja feministisen sadun aloittaja.

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The project was successful across all objectives, making demonstrable progress in support of establishing tropical lobster farming in Indonesia. The industry remains most active in Lombok where lobster seed resources are most abundant, and impact has been greatest there. Nevertheless, project activities have established activity and interest in lobster farming in other provinces and particularly Aceh and, South and Southeast Sulawesi. The project met all of its 23 milestones with the exception of publishing a production manual, which has been held over until 2017. For several milestone activities, further research will be required to build on the outcomes generated and reach practical commercial outputs. The research was instigated to address the opportunity to establish a significant small-holder based industry in Indonesia that could alleviate poverty in coastal communities. The premise was that such an industry – lobster farming, had been established in Vietnam, with ACIAR involvement, and it could be replicated in Indonesia where the availability of necessary basic requirements had been confirmed through a previous ACIAR project focussed in Vietnam (FIS/2001/058). The broad aim was to assess, develop and expand the resources of naturally settling lobster seed (puerulus), and develop grow out of those seed to meet export market demand. This was to be achieved by adapting and transferring to Indonesia technology from Vietnam, where lobster farming had become a successful industry producing 1,500 tonnes of export quality lobsters valued at $A100 million.

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This article draws together seven practitioners and scholars from across the diffuse GeoHumanities community to reflect on the pasts and futures of the GeoHumanities. Far from trying to circle the intellectual wagons around orthodoxies of practice or intent, or to determine possibilities in advance, these contributions and the accompanying commentary seek to create connections across the diverse communities of knowledge and practice that constitute the GeoHumanities. Ahead of these six contributions a commentary situates these discussions within wider concerns with interdisciplinarity and identifies three common themes—possibilities practices, and publics—worthy of further discus- sion and reflection. The introduction concludes by identifying a fourth theme, politics, that coheres these three themes in productive and important ways.

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Universities’ push toward the production of high quality research is not limited to academic staff and experienced researchers. In this environment of research rich agendas, Higher Degree Research (HDR) students are increasingly expected to engage in the publishing of good quality papers in high impact journals. IFN001: Advanced Information Research Skills (AIRS) is a credit bearing mandatory coursework requirement for Queensland University of Technology (QUT) doctorates. Since its inception in 1989, this unique blended learning program has provided the foundations for new researchers to produce original and innovative research. AIRS was redeveloped in 2012, and has now been evaluated with reference to the university’s strategic research priorities. Our research is the first comprehensive evaluation of the program from the learner perspective. We measured whether the program develops essential transferrable skills and graduate capabilities to ensure best practice in the areas of publishing and data management. In particular, we explored whether AIRS prepares students to be agile researchers with the skills to adapt to different research contexts both within and outside academia. The target group for our study consisted of HDR students and supervisors at QUT. Both quantitative and qualitative research methods were used for data collection. Gathering data was by survey and focus groups with qualitative responses analyzed using NVivo. The results of the survey show that 82% of students surveyed believe that AIRS assisted their research process and helped them learn skills they need as a researcher. The 18% of respondents who expressed reservation about the benefits of AIRS were also examined to determine the key areas of concern. These included trends related to the timing of the program early in the candidature and a belief among some students that their previous research experience was sufficient for postgraduate study. New insights have been gained into how to better support HDR learners in partnership with supervisors and how to enhance learning experiences of specific cohorts, including international students and mature learners.

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This briefing paper offers insight into various open access business models, from institutional to subject repositories, from open access journals to research data and monographs. This overview shows that there is a considerable variety in business models within a common framework of public funding. Open access through institutional repositories requires funding from particular institutions to set up and maintain a repository, while subject repositories often require contributions from a number of institutions or funding agencies to maintain a subject repository hosted at one institution. Open access through publication in open access journals generally requires a mix of funding sources to meet the cost of publishing. Public or charitable research funding bodies may contribute part of the cost of publishing in an open access journal but institutions also meet part of the cost, particularly when the author does not have a research grant from a research funding body

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From studies of protoplanetary disks to extrasolar planets and planetary debris, we aim to understand the full evolution of a planetary system. Observational constraints from ground- and space-based instrumentation allows us to measure the properties of objects near and far and are central to developing this understanding. We present here three observational campaigns that, when combined with theoretical models, reveal characteristics of different stages and remnants of planet formation. The Kuiper Belt provides evidence of chemical and dynamical activity that reveals clues to its primordial environment and subsequent evolution. Large samples of this population can only be assembled at optical wavelengths, with thermal measurements at infrared and sub-mm wavelengths currently available for only the largest and closest bodies. We measure the size and shape of one particular object precisely here, in hopes of better understanding its unique dynamical history and layered composition.

Molecular organic chemistry is one of the most fundamental and widespread facets of the universe, and plays a key role in planet formation. A host of carbon-containing molecules vibrationally emit in the near-infrared when excited by warm gas, T~1000 K. The NIRSPEC instrument at the W.M. Keck Observatory is uniquely configured to study large ranges of this wavelength region at high spectral resolution. Using this facility we present studies of warm CO gas in protoplanetary disks, with a new code for precise excitation modeling. A parameterized suite of models demonstrates the abilities of the code and matches observational constraints such as line strength and shape. We use the models to probe various disk parameters as well, which are easily extensible to others with known disk emission spectra such as water, carbon dioxide, acetylene, and hydrogen cyanide.

Lastly, the existence of molecules in extrasolar planets can also be studied with NIRSPEC and reveals a great deal about the evolution of the protoplanetary gas. The species we observe in protoplanetary disks are also often present in exoplanet atmospheres, and are abundant in Earth's atmosphere as well. Thus, a sophisticated telluric removal code is necessary to analyze these high dynamic range, high-resolution spectra. We present observations of a hot Jupiter, revealing water in its atmosphere and demonstrating a new technique for exoplanet mass determination and atmospheric characterization. We will also be applying this atmospheric removal code to the aforementioned disk observations, to improve our data analysis and probe less abundant species. Guiding models using observations is the only way to develop an accurate understanding of the timescales and processes involved. The futures of the modeling and of the observations are bright, and the end goal of realizing a unified model of planet formation will require both theory and data, from a diverse collection of sources.

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[ES]Con el desarrollo de las nuevas tecnologías, se han facilitado las relaciones, acortado el tiempo de espera y agilizado los trámites con la Administración Pública. Estos adelantos, sin embargo, han propiciado que sea necesario proporcionar información de carácter personal de los ciudadanos, que en la mayoría de los casos es sensible. Es por esto que en los últimos años se han ido modificando e introduciendo nuevas leyes que permiten proteger estos datos de carácter personal. Cuando un contribuyente realiza sus obligaciones tributarias suministra datos de carácter personal a Hacienda, datos que están protegidos por la Ley Orgánica de Protección de Datos. El Sistema Tributario deber ser eficaz y transparente. Sin embargo, cabe preguntarse dónde se sitúa el límite a esa transparencia. Con el fin de que la transparencia sea máxima y de que la ciudadanía se conciencie de la importancia de cumplir con sus obligaciones tributarias el legislador se ha planteado la posibilidad de publicar una lista de deudores y las sentencias firmes condenatorias de grandes defraudadores. Esta publicación de las listas aparentemente vulneraría los derechos de los ciudadanos en lo referente a la protección de datos con opiniones encontradas. Tras informes de diferentes organismos se ha llegado al Proyecto de Ley de Modificación parcial de la Ley 58/2003, General Tributaria (Boletín Oficial de las Cortes Generales del 30 de abril de 2015), que permitiría publicar las listas con ciertos límites: publicación únicamente del nombre de la persona física o jurídica y DNI o NIF. Además, para permitir la publicación de las sentencias firmes de los defraudadores, recientemente se ha aprobado el Proyecto de reforma de la Ley Orgánica del Poder Judicial.

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Este é o resultado de um trabalho desenvolvido que compõe a tese de doutorado cujo tema está focado nas práticas de leitura presentes na sociedade maranhense no século XIX, com recorte entre os anos de 1821 a 1831, data da circulação do primeiro jornal e da instalação da primeira tipografia no Maranhão, estendendo-se por todo o Primeiro Reinado quando a província começou a vivenciar os debates políticos e as transformações sociais, culturais e econômicas que lhe proporcionaram a construção de uma nova identidade. Trata- se de uma investigação histórica, tendo como fonte principal de pesquisa os jornais que circularam no Maranhão nesse período, e como sustentabilidade os reclames neles publicados que forneceram pistas necessárias para o entendimento das questões suscitadas sobre a cultura escrita, principalmente a presença de protocolos de leitura que, de forma geral, circundam ou estão vinculados às práticas de leitura e à cultura e de modo singular às pessoas, a fim de identificar as relações estabelecidas na tríade livro-leitor-leitura e, consequentemente, os desdobramentos sociais e pessoais, a partir do que era lido, produzido, veiculado ou comercializado entre os habitantes da província. Assim, houve também uma investigação de práticas sociais, incluindo ações, sujeitos e relações sociais, instrumentos, objetos, valores, tempo e lugar, não haurindo absolutamente o passado, mas garimpando referenciais que auxiliaram a entender o presente. O texto refaz um pouco a trajetória da imprensa no Maranhão, instituída com a finalidade de publicar o primeiro jornal maranhense O Conciliador do Maranhão, cujo caminho também é reconstituído assim como o dos demais jornais que circularam no período pesquisado, mostrando que eles serviram, não só para aclarar ideias, mas também para fazer brotar ideais liberalizantes. O capítulo-chave decorre das informações extraídas sobre os impressos produzidos pela imprensa local, os que estavam sendo comercializados pelo mercado maranhense, os que se encontravam no prelo local ou externo, os que se constituíam em leituras dos intelectuais e jornalistas, considerados principais construtores das práticas de leitura dos maranhenses oitocentistas. Um panorama das instituições mediadoras do livro e da leitura fecha o circuito percorrido, mostrando que as artes como a música, a pintura e o teatro serviram para delinear uma sociedade com peculiar formação crítica e que, as sociedades literárias, os gabinetes de leitura, as bibliotecas e as escolas públicas ou particulares, foram, de fato, verdadeiros baluartes da boa educação e da liberdade dos povos.

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Esta tese relata o meu encontro com um grupo de idosos em um projeto denominado Conversas & Memórias, e a experiência comunitária ali produzida. O objetivo central foi analisar de que forma os dispositivos utilizados na intervenção ajudaram na construção dessa experiência. Partindo de um campo de problematização que coloca em questão as possibilidades de vivermos juntos, busquei responder às seguintes perguntas: de que forma a vida coletiva nos contagia e nos constitui? que apostas podemos arriscar que nos permitam afirmar a possibilidade de construirmos experiências comunitárias no mundo de hoje? quais práticas de cuidado de si e de cuidado do outro podemos encontrar (ou inventar) em nossa cultura? como essas práticas podem produzir, como efeito, experiências de vida comunitária? como podemos viver juntos? Foi em torno dessas questões que desenvolvi o trabalho em dois campos distintos, visando à construção, por um lado, de um solo teórico-conceitual, e, por outro, de um plano prático-experimental. Na primeira parte desta tese, apresento os conceitos e intercessores que fundamentam as ideias aqui defendidas. Começo discutindo o processo de subjetivação, em um diálogo com o pensamento de Gilles Deleuze, Gilbert Simondon e Baruch Espinosa, e termino apresentando as apostas de Gilles Deleuze e Felix Guattari, Antonio Negri e Michael Hardt, Maurice Blanchot, Giorgio Agamben e Jean-Luc Nancy em uma comunidade por vir. Em seguida, apresento minhas próprias apostas, fundamentadas no diálogo de Michel Foucault com a filosofia antiga sobre as práticas de si e a construção de um novo ethos, desenhado por uma estética da existência. Descrevo, em outro capítulo, o método da pesquisa, partindo de uma discussão sobre a cartografia e as possibilidades que ela ofereceu para que eu pudesse acompanhar processos e habitar o território da pesquisa; discuto, ainda, o conceito de dispositivo e os efeitos que são produzidos ao desembaraçarem-se suas linhas; por fim, descrevo o material que utilizei nas análises da experiência do projeto. Na segunda parte da tese, arrisco-me em um campo prático-experimental, dando movimento aos conceitos discutidos anteriormente e incorporando-os à discussão dos quatro dispositivos que examino aqui. No primeiro, a Roda de Conversação e os efeitos, como o exercício ético e político, que essa prática anuncia. No segundo dispositivo, os Agenciamentos, apresento as poesias, músicas, crônicas, passeios que foram utilizados como disparadores das conversas, analisando os diálogos e as virtualidades produzidos por eles. No dispositivo três, a Experiência Narrativa, descrevo o processo de publicação de um livro com as histórias de alguns participantes do projeto. No quarto dispositivo, a Imagem Revelada, descrevo os efeitos provocados pelas imagens publicadas em um livro de fotografias. O último capítulo retoma a pergunta inicial - como viver junto? -, e oferece algumas pistas sobre as possibilidades de construirmos uma outra forma de sociabilidade nos dias de hoje.