27-8-20, circuit de la Sarthe, Isodi sur Douglas : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 60711

27-8-20, circuit de la Sarthe, motos Douglas (équipe) [Alexander, Isodi, Kickam] : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 60713

27-8-20, circuit de la Sarthe, Kickam sur Douglas : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 60714

26-8-20, circuit de la Sarthe, Alexander sur Douglas : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 60718

L'art de propagande en Espagne, de la Seconde République au premier franquisme : affiches et portraits officiels

This thesis questions the major esthetic differences between the artistic productions of the Second Spanish Republic (1931-1939) and the nationalist artistic productions of the Civil War years and the first decade of the francoist dictatorship. These differences are analysed using the artistic productions of Josep Renau (1907 Valence – 1982 Berlin East) and of Ignacio Zuloaga (Elibar 1870 – Madrid 1945). Renau was an important artistic figure during the Spanich Republic. In this thesis, we analyse Renau’s different propaganda productions between 1931 and 1939. Zuloaga was an international artist when the nationalist uprising occurred in 1936. He was recognized by the European elites for his portraits of Andalousian and Castillian sceneries. Zuloaga supported the nationalist putsch and the francoist ideology. In 1939, the Caudillo ordered the painting of the portrait that we will be analysing. The theories of François Hartog, Reinhart Koselleck, Paul Ricoeur and Hannah Arendt are used to analyse the historical conceptual confrontation in Spain, portrayed by the artworks that we studied. During the Republic, it was the modern historical regime that was in force. The historical references used are close in time and the history is constructed in the future and attached to the idea of progress. With the nationalists, the historical conception is connected to the Historia magistra where the past is used as an example. In the first francoism, a return to Spain’s glorious past (the Middle Ages, the Golden Century and the Counter Reform) is clearly claimed in order to rescue the country from the ills of modernity. It is with these different historical conceptions in mind that we compare the esthetics specificities of the artworks, the identity and historical references and the mediums used to legitimize the power and the political actions of each front.

La Cinéologie de l'entre-deux-guerres : les écrivains français et le cinéma

Cette thèse de doctorat porte sur l’évolution du discours critique et théorique sur le cinéma développé par les écrivains français de l’entre-deux-guerres (1918-1939). À une époque où le cinéma prend de plus en plus de place dans la société, les écrivains s’intéressent à cette nouveauté, y réfléchissent et tentent d’élaborer des canevas à partir desquels peut se former une cinéologie, c’est-à-dire, une écriture sur le cinéma. De très nombreux textes (articles, chroniques, essais, manifestes, préfaces, biographies), issus de publications diverses (revues de cinéma, revues littéraires, revues d’art, presse quotidienne, édition), témoignent de l’engouement pour ce qui sera rapidement présenté comme un art. S’inscrivant dans un vaste réseau de diffusion, ces textes aux prémisses essayistiques laissent une place centrale à la réflexion et sont représentatifs des tendances et des enjeux de l'époque. Ainsi, ils montrent les débats autour de l’acceptation du cinéma comme art tout comme les prises de position au sujet du parlant, ils abordent les relations avec la forme de représentation rivale qu’est le théâtre, ils témoignent de la modernité du nouveau média et en proposent des définitions mettant l’accent sur certains de ses aspects – thématiques (comme le rêve et l’inconscient), pratiques (comme la dépendance vis-à-vis de l’industrie et de la finance) et techniques (comme la photogénie et le rythme). Cette production textuelle doit également être abordée comme une mémoire du cinéma où se côtoient des figures (Charlie Chaplin, Douglas Fairbanks, ou encore Erich von Stroheim) et des films (The Cheat, Le Cabinet du Docteur Caligari, ou Hallelujah!) dont les seules évocations fonctionnent comme des citations et des arguments appuyant les propos. En plus de la richesse des idées proposées, l'étude de la posture, l’analyse des renvois intertextuels et des inventions lexicales montrent que des écrivains comme Louis Aragon, Blaise Cendrars, Pierre Mac Orlan, Jean Prévost ou encore Marcel Pagnol, ont largement contribué à l'élaboration d’un pan du savoir cinématographique et au développement d'un discours qui place l’expérience du cinéma et celle du spectateur au centre des préoccupations cinéphiliques.

Problemas y consecuencias del resurgir del pragmatismo norteamericano: 1952-1976

Revisión crítica de la ‘versión heredada’ sobre el resurgir del pragmatismo norteamericano. Aquí sostengo que ésta es una narrativa sobre la historia de la filosofía que puede ser usada para “reivindicar” la continuidad o para “añorar” la pérdida de esa tradición. Presento tres argumentos a favor de mi tesis sobre la versión heredada: i) es insuficiente para explicar el surgimiento del pragmatismo; ii) es un tipo de narrativa que hace plausible una imagen de la filosofía; iii) impide apreciar que la formación del canon obedece a los propósitos de los seguidores del movimiento.

A representação da Segunda Guerra Mundial em um semanário do interior paulista: o Eco (1939-1944)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Entre a diplomacia e a historiografia: a visão de mundo de Hélio Lobo (1908-1939)

Pós-graduação em História - FCHS

Costüm-Portraits des Bayreuther Bühnenweihfestspieles "Parsifal"

Signatur des Originals: S 36/F08712

Hydrochemical Atlas of the Arctic Ocean

Introduction: Chemical composition of water determines its physical properties and character of processes proceeding in it: freezing temperature, volume of evaporation, density, color, transparency, filtration capacity, etc. Presence of chemical elements in water solution confers waters special physical properties exerting significant influence on their circulation, creates necessary conditions for development and inhabitance of flora and fauna, and imparts to the ocean waters some chemical features that radically differ them from the land waters (Alekin & Liakhin, 1984). Hydrochemical information helps to determine elements of water circulation, convection depth, makes it easier to distinguish water masses and gives additional knowledge of climatic variability of ocean conditions. Hydrochemical information is a necessary part of biological research. Water chemical composition can be the governing characteristics determining possibility and limits of use of marine objects, both stationary and moving in sea water. Subject of investigation of hydrochemistry is study of dynamics of chemical composition, i.e. processes of its formation and hydrochemical conditions of water bodies (Alekin & Liakhin 1984). The hydrochemical processes in the Arctic Ocean are the least known. Some information on these processes can be obtained in odd publications. A generalizing study of hydrochemical conditions in the Arctic Ocean based on expeditions conducted in the years 1948-1975 has been carried out by Rusanov et al. (1979). The "Atlas of the World Ocean: the Arctic Ocean" contains a special section "Hydrochemistry" (Gorshkov, 1980). Typical vertical profiles, transects and maps for different depths - 0, 100, 300, 500, 1000, 2000, 3000 m are given in this section for the following parameters: dissolved oxygen, phosphate, silicate, pH and alkaline-chlorine coefficient. The maps were constructed using the data of expeditions conducted in the years 1948-1975. The illustrations reflect main features of distribution of the hydrochemical elements for multi-year period and represent a static image of hydrochemical conditions. Distribution of the hydrochemical elements on the ocean surface is given for two seasons - winter and summer, for the other depths are given mean annual fields. Aim of the present Atlas is description of hydrochemical conditions in the Arctic Ocean on the basis of a greater body of hydrochemical information for the years 1948-2000 and using the up-to-date methods of analysis and electronic forms of presentation of hydrochemical information. The most wide-spread characteristics determined in water samples were used as hydrochemical indices. They are: dissolved oxygen, phosphate, silicate, pH, total alkalinity, nitrite and nitrate. An important characteristics of water salt composition - "salinity" has been considered in the Oceanographic Atlas of the Arctic Ocean (1997, 1998). Presentation of the hydrochemical characteristics in this Hydrochemical Atlas is wider if compared with that of the former Atlas (Gorshkov, 1980). Maps of climatic distribution of the hydrochemical elements were constructed for all the standard depths, and seasonal variability of the hydrochemical parameters is given not only for the surface, but also for the underlying standard depths up to 400 m and including. Statistical characteristics of the hydrochemical elements are given for the first time. Detailed accuracy estimates of initial data and map construction are also given in the Atlas. Calculated values of mean-root deviations, maximum and minimum values of the parameters demonstrate limits of their variability for the analyzed period of observations. Therefore, not only investigations of chemical statics are summarized in the Atlas, but also some elements of chemical dynamics are demonstrated. Digital arrays of the hydrochemical elements obtained in nodes of a regular grid are the new form of characteristics presentation in the Atlas. It should be mentioned that the same grid and the same boxes were used in the Atlas, as those that had been used by creation of the US-Russian climatic Oceanographic Atlas. It allows to combine hydrochemical and oceanographic information of these Atlases. The first block of the digital arrays contains climatic characteristics calculated using direct observational data. These climatic characteristics were not calculated in the regions without observations, and the information arrays for these regions have gaps. The other block of climatic information in a gridded form was obtained with the help of objective analysis of observational data. Procedure of the objective analysis allowed us to obtain climatic estimates of the hydrochemical characteristics for the whole water area of the Arctic Ocean including the regions not covered by observations. Data of the objective analysis can be widely used, in particular, in hydrobiological investigations and in modeling of hydrochemical conditions of the Arctic Ocean. Array of initial measurements is a separate block. It includes all the available materials of hydrochemical observations in the form, as they were presented in different sources. While keeping in mind that this array contains some amount of perverted information, the authors of the Atlas assumed it necessary to store this information in its primary form. Methods of data quality control can be developed in future in the process of hydrochemical information accumulation. It can be supposed that attitude can vary in future to the data that were rejected according to the procedure accepted in the Atlas. The hydrochemical Atlas of the Arctic Ocean is the first specialized and electronic generalization of hydrochemical observations in the Arctic Ocean and finishes the program of joint efforts of Russian and US specialists in preparation of a number of atlases for the Arctic. The published Oceanographic Atlas (1997, 1998), Atlas of Arctic Meteorology and Climate (2000), Ice Atlas of the Arctic Ocean prepared for publication and Hydrochemical Atlas of the Arctic Ocean represent a united series of fundamental generalizations of empirical knowledge of Arctic Ocean nature at climatic level. The Hydrochemical Atlas of the Arctic Ocean was elaborated in the result of joint efforts of the SRC of the RF AARI and IARC. Dr. Ye. Nikiforov was scientific supervisor of the Atlas, Dr. R. Colony was manager on behalf of the USA and Dr. L. Timokhov - on behalf of Russia.