A expressão arquitétónica na escultura moderna

This dissertation seeks to map out a route in sculptural production and artistic modernism, through the questioning of some of the different ways of approaching the concept of sculpture and architecture that were explored during the twentieth century. Based on the concepts of sculpture, architecture and space — which are proposed as a complementary perspectives to the analysis of our study object — a reflection is develop, in which explores the tension between a sculptural model and an architectural model. This research aims to identify and understand some presences of architectural expression in Modern sculpture. In this context, we will see that this has influenced other movements to the present day, but also a result of a historical situation. The relationship between sculpture and architecture has taken different forms and functions over time and the means of technological and industrial production were seen as a way of transformation of twentieth-century art. The first part of this dissertation focuses on several Modernism definition proposals. The second part presents the first vanguards proposals, and the transformations in the way of understanding sculpture. In the third part, the most current trends, which provide a reference for resolving the tension between the listed models, are addressed. Going against the linear evolution of reading, this paper proposes an interpretation that is based on the identification from a processing of the sculpture conception

A suspensão do tempo na escultura de Rui Chafes

The work of Rui Chafes is the irreducible expression of a sculpturesque thinking that intends to overcome the limits of materiality, aiming the reencounter with a lost spirituality. From the various influences that his work welcomes, the spiritual legacy present in the late german gothic, the german romanticism, as well as the formal heritage of post-minimalism stand out. The objects build are only possible as the translation of an Idea, since, for the sculptor, the “matter is filthy and wrong”; denying their materiality, they’re solely the support of something which is before and after their own objectuality. Like so, by refusing them the matter, of which they are yet made of, and by providing, through the aesthetic experience, the spiritual transformation of the spectator, he irreversibly denies the time which resides in them, as a constituent of historical and chronological reality. Being time a fundamental dimension of the human existence, necessarily inherent to the artistic production, it seems suspended in the objects of Rui Chafes

Carmina votiva and other occasional verses,

"Of this collection only 125 copies have been printed for England and America, and the type has been broken up. "

Catálogo de la escultura formado por Eduardo Barrón ...

Mode of access: Internet.

Principios de geometría descriptiva para los alumnos de pintura y escultura.

Mode of access: Internet.

Catálogo de los cuadros del Museo Nacional de Pintura y Escultura de S. M. /

Mode of access: Internet.

Catálogo de los cuadros del Real Museo de Pintura y Escultura de S. M. /

Mode of access: Internet.

Varia commensuracion para la escultura y arquitectura /

Mode of access: Internet.

[Algunos pensamientos acerca del noble arte de la escultura] : discursos leídos ante la Real Academia de Bellas Artes de San Fernando en la recepción pública /

Mode of access: Internet.

Varia commensuracion para la escultura y arquitectura /

Mode of access: Internet.

Majestas Hierarchiae Ecclesiasticae : a Cleri Regularis Antiquissimo Instituto ; Coenobitarum Altissima Contemplatione, Ordinum Monasticorum, & Militarium Piissima Actione, Asceteriorum Vitam Mixtam Profitentium Ordinatissima Charitate, Nec Non Religionum Votiva Sanctimonia, & Admirabili Varietate Exornata, Aucta, & Propagata, per lucubrationem historico-theologicam commonstrata /

Mode of access: Internet.

Varia commensuracion para la escultura y arquitectura /

Mode of access: Internet.

Noticia historica de los principios, progreso y ereccion de la Real Academia de las Nobles Artes, Pintura, Escultura y Arquitectura, establecida en Valencia con el titulo de San Carlos y relacion de los premios que distribuyo en la Junta publica celebrada en 18 de agosto de 1773.

Mode of access: Internet.

Diccionario de las nobles artes : para instruccion de los aficionados, y uso de los profesores : contiene todos los terminos ... de la Pintura, Escultura, Arquitectura y Grabado ... segun el método del Diccionario de la Lengua Castellana compuesto por la Real Academia Española /

Mode of access: Internet.

Abertura solemne de la Real Academia de las tres Bellas Artes, pintura, escultura, y architectura con el nombre de S. Fernando ... : celebrose el día 13 del mes de junio de 1752.

Mode of access: Internet.