Asian studies in "crisis" : is cultural studies the answer?

This article explores some of the benefits and limitations of Cultural Studies in Asian studies with particular reference to the expression of Asian-Australian identity in diaspora. It has been suggested that the influence of Cultural Studies – a discipline that is viewed as more globally relevant – may be an answer to the Asian studies “crisis”. In relation to the Cultural Studies approach to Asian-Australian identity, I argue that the discourse and rhetoric of Cultural Studies is highly beneficial in breaking down stereotypes and rebuilding the national narrative of identity. However, as a methodology it is not without limitations.

Beyond the road : Beat writing and its socio-cultural contexts

This study looks at the contribution of Beat Generation writers to the post-World-War II reinvigoration of the American literary tradition. It challenges the reductive judgements of many critics and demonstrates that the Beat phenomenon was as much an expression of its historical moment as a rebellion against it.

Drawing the line: Chinese calligraphy, cultural materialisms and the “remixing of remix"

Remix in writing has very different expressions, and is grounded in very different legal, philosophical and creative materialisms, in Western and Chinese cultures. The infringement of authors’ Intellectual Property Rights (IPRs) in China is not only an irritant for Chinese-Western commercial and legal relations. It also points to different formations of the creative and legal domains across global space, and serves to introduce notions of creativity and originality that are largely unfamiliar in the West. Calligraphy, as a pictorial and material mode of writing, comprises a practice of Chinese remix in which the apprentice traces the lines of the master’s work: repetition of Yun 韵 (‘composed body movements’) stimulates the expression of Qing 情 (‘feelings’). What appears from a distance to be slavish imitation actually involves a philosophy of learning (or more precisely, of ‘unlearnt learning’) that, bypassing plagiarism’s traps, effectively ‘remixes remix’ as a creative model no longer dependent on the familiar Western rationales for the legitimacy of remix as appropriation, homage and/or pastiche. To see this though, one has to deploy a Taoist rather than a Confucian framework in the analysis of calligraphic practices. The case of Kathy Acker, allied with the work of Gilles Deleuze, reveals a largely invisible lineage of Taoist-influenced remix in Western creative writing. In this way, calligraphy emerges as a model of remix relevant to all forms of writing—for all writing is material, whether calligraphic or not. Further, as Acker shows, the materiality of writing constantly replenishes its remixing with cultural elements that may not be otherwise visible.

Whose culture, where and why? – Identity, culture and artistic expression

This research addresses how the visual and artistic expression represents my cultures and gendered identities. My journey mapped cultural inheritances, ancestry and postcolonial influences from home country, my childhood memories, life experiences and migration transitions to Australia. A series of my artworks represent cultural markers, a sense of belonging, nostalgia and challenges of relocation. Findings support how art expression can forge ‘affective links’ and develop pedagogies for intercultural understanding through Art Education.

Intimacy at work: Playback theatre and corporate cultural change in Mercedes Benz, Brazil

On the back of a faltering economic year in 2007 and a major merger of motor car and truck dealerships, international motor car giant Mercedes Benz adopted a radical approach to re-aligning the company vision for their Brazilian business. Adopting a people-centred approach to change, they integrated participatory theatre and personal stories into a nationwide cultural development programme producing twelve performances in twelve cities. The central content of the performances came from employees who told personal stories that were then performed onstage. Each event acted as a unique expression of workplace values that would be led by employee attitudes and behaviour. Through the dialogic process, the company established a new code of conduct for customer care for the next phase of company activity. This article critiques various aspects of the programme and considers the value and limitations in the person-centred approach facilitated through theatre.

Dynamics of cultural heritage development in Sarawak

This paper discusses contestation and legitimization in the heritage process in the Malaysian state of Sarawak. Since 2011 the authors have assisted the Rurum Kelabit Sarawak (RKS) to plan a community museum. The museum is envisaged as an anchor for the preservation and representation of the Kelabit culture. In particular, through consultation and capacity building, the project is seeking to incorporate heritage values into development and cultural tourism plans. The paper considers the roles of historical and contemporary agents in the awakening of heritage consciousness in this community. This process has facilitated questions about priorities including, heritage, tourism, representation and the expression of identity through contemporary design, which this paper will contextualize within the discourse of cultural heritage and development in South East Asia. Apart from the RKS and their range of partners, important agents include the Sarawak Government, with jurisdiction over native customs; the Sarawak Museum Department, an official custodian of cultural heritage; UNESCO, through its promotion of the rights of indigenous people and the integration of culture and development; and the WWF, assisting with the Heart of Borneo conservation project. The authors see this case study of a community museum development process as an opportunity to reflect on the interrelated and contested roles and responsibilities of local, national and trans-national agents in a heritage project that contributes to an understanding of cultural politics and heritage-making.

O Paternalismo nas organizações brasileiras: reflexões à luz da análise cultural de empresas do pólo têxtil de americana

Esta tese procura discutir a atualidade do paternalismo enquanto traço cultural das organizações brasileiras. Resgatando as raízes culturais brasileiras e apoiando-se em trabalhos de fundamentação antropológica, sociológica e psicanalítica, estabelece uma hipótese central de que o paternalismo possa ser encontrado hoje, no Brasil, tanto em empresas pequenas, onde predomina o controle de tipo paterno, quanto em empresas maiores e mais complexas, com tendência ao desenvolvimento de um sistema de controle de tipo materno, onde o paternalismo daria origem a uma versão abrasileirada deste. Pesquisa de campo de cunho etnográfico, realizada em três empresas de portes distintos do Pólo Têxtil de Americana-SP, mostrou indícios favoráveis à hipótese central, apresentando, todavia, importantes peculiaridades que, ao passo que permitem refiná-la, indicam trilhas para novos estudos. Na empresa de menor porte e complexidade, o paternalismo mostrou-se da maneira mais conhecida, nas práticas ora carinhosas, ora severas dos diretores da empresa. Nas empresas mais complexas, pudemos notar a expressão da ação dos pais que regulam o gozo dos filhos. A face protetora e a face violenta se revelam na medida em que se dá ou se restringe acesso ao amor da mãe. Nos três casos estudados, o paternalismo aparece com sua face afetiva predominado significativamente em relação à face violenta, o que parece ser elemento associado ao sucesso experimentado por tais empresas.

Culture, discourse (self-expression) and social development in the Caribbean

Includes bibliography

A formação cultural dos jovens do MST: a experiência do assentamento Mário Lago, em Ribeirão Preto-SP

Pós-graduação em Ciências Sociais - FCLAR

O afetivo para a psicologia histórico-cultural: considerações sobre o papel da educação escolar

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O saber escolar como parte das formas mais desenvolvidas de saber: a questão cultural na Educação Matemática

This article considers the scholastic knowledge as the expression of the most developed forms of knowledge in face of the actual development stage of the mathematics. Thus, it supports that the relation between the scholastic mathematics and the mathematics produced in different social contexts, comprises a relation between the most developed (scholastic knowledge) facing the least developed (knowledge acquired from diverse social contexts). For this reason, this work comprises some specificities of the socialhistorical development of the mathematics and the implications decurrent from this, in relation to the cultural aspect for teaching mathematics.

Romany Families in Romania: Intelligence and Personality of Children Cross-cultural and Specific Problems of Development

Psychogenetic research has emphasised the influence of social factors on a child's intellectual development. In her work, Ms. Dumitrascu examines two such factors; family size and order of birth. However, since these formal parameters tend to be unstable, other more informal factors should be taken into consideration. Of these, perhaps the most interesting is the "style" of parental education, which Ms. Dumitrascu regards as an expression of national traditions at the family level. This educational style is culture dependent. Only a comparative, cross-cultural study can reveal the real mechanism through which educational style influences the development of a child's intellect and personality. Ms. Dumitrascu conducted an experimental cross-cultural study aimed at examining the effects of the family environment on a child's intellectual development. Three distinct populations were involved in her investigation, each having quite a distinct status in their geographical area; Romanians, Romanies (Gypsies) from Romania, and Russians from the Republic of Moldova. She presented her research in the form of a series of articles written in English totalling 85 pages, and also on disc. A significant difference was revealed between the intelligence of a child living in a large family, and that of a child with no brothers or sisters. In the case of Romany children, the gap is remarkably large. Ms. Dumitrascu concludes that the simultaneous action of several negative factors (low socio-economic status, large family size, socio-cultural isolation of a population) may delay child development. Subjected to such a precarious environment, Romany children do not seek self-realisation, but rather struggle to survive the hardship. Most of them remain out of civilisation. Unfortunately, adult Romanies seldom express any concern regarding their children's successful social integration. The school as main socialisation tool has no value for most parents. Ms. Dumitrascu argues the need for a major effort aimed at helping Romany's social integration. She hopes this project will be of some help for psychologists, social workers, teachers, and all those who are interested in the integration into society of minority groups.

User Created Content in Virtual Worlds and Cultural Diversity

User created content (UCC) has often been celebrated as a grassroots cultural revolution that as a genuine expression of creativity, localism and non-commercialism can arguably also cater for a sustainable culturally diverse environment. The present article puts these claims under scrutiny and in a more differentiated manner seeks to identify the value of UCC within digital game environments considering the constraints upon players and upon creative play that these impose. The article subsequently tests whether UCC in its dynamic sense of a creative and communicative process can be seen as a channel for the promotion of cultural diversity and if so, what the State should (and could) do about this.

'El problema del pueblo'. La última dictadura y la represión cultural : el caso Lacoste

Este trabajo consiste en una reflexión en torno a la represión cultural desplegada por la última dictadura cívico-militar argentina. El caso del profesor de Letras Luis Oscar Pato Lacoste, secuestrado y desaparecido en octubre de 1976, sirve de ejemplo para abordar la profundidad de la represión dictatorial en el plano cultural como un plan sistemático para la reestructuración y disciplinamiento social como fin último. La recuperación de este caso para la comunidad de Lobos viene de la mano de jóvenes estudiantes y es desde este lugar donde se va a abordar la construcción de la historia reciente y la memoria histórica local. La desaparición de Pato es entendida en un doble plano: la física- corporal y la cultural- representacional. Se cree asimismo importante la construcción y el aporte juvenil a la memoria de la comunidad de un proceso traumático aún no cerrado hoy en tanto impune, derribando el 'acá no ha pasado nada' ó el 'de eso no se habla'.

Aportes para una nueva visión en los estudios geográficos del concepto de nación desde las perspectivas cultural y política

La Nación ha sido una de las más importantes construcciones políticoculturales de la Modernidad. Las premisas que le han dado mayor vitalidad han sido y son, pues, su afirmación como imaginario de identidad para los pueblos y su significación en el desarrollo de las denominadas "relaciones internacionales", en cuanto formas de expresión de las interrelaciones globales de los sectores dominantes. Este estudio se basa en el análisis de esas premisas a la luz de algunas de las nuevas perspectivas emanadas de los paradigmas político y cultural, desarrollados en las ciencias sociales a partir de las últimas décadas del siglo pasado, y aplicadas a los estudios del territorio nacional, su construcción, sus mutaciones y los imaginarios espaciales que de ellos derivan. A partir de algunas de las visiones críticas mencionadas, en la actualidad el concepto de nación parece haber entrado en un proceso de erosión o descomposición. Fenómenos sociales, económicos, políticos y culturales ligados a los procesos de reestructuración global (migraciones intercontinentales, sistemas mediáticos globales, exclusión social, discriminación étnica y religiosa, marginación y falta de participación política, nuevas formas de manifestación social...) y a la construcción de los discursos posmodernos hacen aparecer la nación como un concepto, al menos, puesto en tela de juicio. Los más audaces hablan del virtual ingreso a un mundo "posnacional". ¿Significará esto la extinción de una idea y una realidad con la que se han formado culturalmente millones de personas de numerosas generaciones en los puntos más lejanos del planeta? La respuesta deberá estar planteada en el estudio real y especializado de esos fenómenos y de las nuevas realidades que de ellos emergen.