The Holy Catholic church: the communion of saints; a study in the Apostles' creed,

Mode of access: Internet.

The communion of the Christian with God : described on the basis of Luther's statements /

Mode of access: Internet.

Ideals of holiness : an aid to preparation for holy communion /

Mode of access: Internet.

The holy catholic church; or the communion of the saints, in the mystical body of Christ; a sermon, preached in the church of the Epiphany...Phila... 1844...

Mode of access: Internet.

Baptism, and the terms of communion; an argument,

On cover: Baptism and communion.

The Communion of labour : a second lecture on the social employments of women /

Bibliographical footnotes.

First communion with prayers and devotions for the newly confirmed : adapted for use in the United States of America /

Mode of access: Internet.

First communion with prayers and devotions for the newly confirmed : adapted for use in the United States of America /

Mode of access: Internet.

My first communion,

Mode of access: Internet.

The body of Christ; an enquiry into the institution and doctrine of Holy Communion.

Mode of access: Internet.

The case stated between the Church of Rome and the Church of England : wherein is shewed that the doubt and the danger is in the former, and the certainty and the safety in the latter communion.

By Charles Leslie. Cf. Dict. nat. biog.

An amicable discussion : on the Church of England and on the reformation in general, dedicated to the clergy of every Protestant communion, and reduced into the form of letters /

Includes bibliographical references.

Allgemeines Fasten-Buch für katholische Christen : enthält: den goldenen Fastenspiegel, Morgen-, Abend-, Meß-, Beicht- und Communion-Gebethe ... : mit einem Stahlstiche

von J.N. Fridrich

Spiritual Violence: Queer People and the Sacrament of Communion

This thesis addresses spiritual violence done to queer people in the sacrament of Communion, or Eucharist, in both Protestant and Roman Catholic churches in the U.S. Rooted in the sexual dimorphic interpretation of Genesis, theologians engendered Christianity with sexism and patriarchy, both of which have since developed into intricate intersections of oppressions. Religious abuse is founded on the tradition of exclusionary practices and is validated through narrow interpretations of Scripture that work to reassert the authority of the experiences of the dominant culture. The resultant culture of oppression manifests itself in ritualized spiritual violence. Queer people are deemed “unworthy” to take ‘the body and blood of the Christ’ and, in fact, are excluded altogether. This “unworthiness” is expressed as spiritual violence against queer people who are shunned and humiliated, internalize hateful messages, and are denied spiritual guidance or life-affirming messages. By “queering” Scripture, or reading the Bible anew through a framework of justice, queer people have begun to sacramentalize their experiences and reclaim their place at the table.

Twitter as a technology for audiencing and fandom : the #Eurovision phenomenon

Amongst the most prominent uses of Twitter at present is its role in the discussion of widely televised events: Twitter’s own statistics for 2011, for example, list major entertainment spectacles (the MTV Music Awards, the BET Awards) and sports matches (the UEFA Champions League final, the FIFA Women’s World Cup final) amongst the events generating the most tweets per second during the year (Twitter, 2011). User activities during such televised events constitute a specific, unique category of Twitter use, which differs clearly from the other major events which generate a high rate of tweets per second (such as crises and breaking news, from the Japanese earthquake and tsunami to the death of Steve Jobs), as preliminary research has shown. During such major media events, by contrast, Twitter is used most predominantly as a technology of fandom instead: it serves in the first place as a backchannel to television and other streaming audiovisual media, enabling users offer their own running commentary on the universally shared media text of the event broadcast as it unfolds live. Centrally, this communion of fans around the shared text is facilitated by the use of Twitter hashtags – unifying textual markers which are now often promoted to prospective audiences by the broadcasters well in advance of the live event itself. This paper examines the use of Twitter as a technology for the expression of shared fandom in the context of a major, internationally televised annual media event: the Eurovision Song Contest. It constitutes a highly publicised, highly choreographed media spectacle whose eventual outcomes are unknown ahead of time and attracts a diverse international audience. Our analysis draws on comprehensive datasets for the ‘official’ event hashtags, #eurovision, #esc, and #sbseurovision. Using innovative methods which combine qualitative and quantitative approaches to the analysis of Twitter datasets containing several hundreds of thousands, we examine overall patterns of participation to discover how audiences express their fandom throughout the event. Minute-by-minute tracking of Twitter activity during the live broadcasts enables us to identify the most resonant moments during each event; we also examine the networks of interaction between participants to detect thematically or geographically determined clusters of interaction, and to identify the most visible and influential participants in each network. Such analysis is able to provide a unique insight into the use of Twitter as a technology for fandom and for what in cultural studies research is called ‘audiencing’: the public performance of belonging to the distributed audience for a shared media event. Our work thus contributes to the examination of fandom practices led by Henry Jenkins (2006) and other scholars, and points to Twitter as an important new medium facilitating the connection and communion of such fans.