Church melodist: a collection of sacred music, comprising, in addition to most of the old standard tunes, a great variety of new and original tunes, sentences, chants, anthems, &c. Adapted to social and religious worship, societies, singing schools, &c.

For chorus (SATB), principally with figured bass.

Motettenm Kirchenmusik für Chor mit Orgelbegleitung und für Chor a capella.

Words in German or Latin. Selections 5, 6, 7 in Latin with German translations; Selection 12, English with German translation.

Te Deum,

Sometimes ascribed to Handel. Later issued as v.2 of the Supplemente to the Händelgesellschaft edition of Handel's works.

La grande litanie : pour voix seule (ténor ou soprano, ou les deux alternant), avec choeur à 2, 3 ou 4 voix mixtes et orgue ou 5 voix mixtes avec ou sans orgue /

At end: 1917.

Trois chansons = Three chansons /

Cover title.

Lazarus : Kirchliches Oratorium für Solostimmen, Chor- u. Gemeindegesang mit Orgelbegleitung.

German words.

The Odeon :

Mode of access: Internet.

Zwei Gesänge (two anthems) für 16 stimmigen gemischten Chor a capella,

English and German words.

Choral ode I[-IV] from Atalanta in Calydon /

Performance instructions at beginning of choral ode IV.

Trois chansons de Charles d'Orleans : à 4 voix mixtes sans accompagnement /

1. Dieu! qu'il la fait bon regarder! -- 2. Quant j'ai ouy le tabourin. -- 3. Yver, vous n'estes qu'un villain.

The model singer : for classes, schools and choirs /

Includes instructional materials.

Arion : a collection of four-part songs for male voices, in separate vocal parts with piano score, mainly to be sung without accompaniment /

Mode of access: Internet.

Arion; a collection of four-part songs for male voices, in separate vocal parts with piano score, mainly to be sung without accompaniment.

Mode of access: Internet.

A compilation of genuine church music : comprising a variety of metres, all harmonized for three voices : together with a copious elucidation of the science of vocal music /

Includes indexes.

All This the World Well Knows: a symphonic cantata in Sonnets and Proverbs for mixed chorus, four solo voices, and orchestra

All This the World Well Knows is a 30-minute symphonic cantata for mixed chorus, four solo voices (soprano, mezzo-soprano, tenor, and baritone), and orchestra. The libretto, adapted by the composer, weaves together texts from Shakespeare's Dark Lady sonnets and from the King James Bible's book of Proverbs in a loose narrative of love, betrayal, and reconciliation. The composition's pitch material includes microtonality that arises from the just intonation of sonorities derived from the harmonic series. In passages in which the solo voices express this microtonality, they are amplified in order to allow precise, non vibrato intonation. The modest size of the orchestra, which includes pairs of winds and only two percussionists, makes the composition practical for a wide range of performing groups.