The Soviet Union and the International Brigades, 1936-1939

The International Brigades are typically viewed as a fighting force whose impetus came from the Comintern, and thus from within the walls of the Kremlin. If the assumption is essentially correct, the broader relation between Stalin’s USSR and the IB has received little attention. This chapter constitutes an empirically-based study of the Soviet role not only in the formation of the IB, but of the Red Army’s collaboration with IB units, and Moscow’s role in the climax and denouement of the brigadistas’ Spanish experience. This study’s principal conclusion is twofold: First, that the creation and sustenance of the IB was part of Stalin’s goal of linking the Loyalist cause with that of the Soviet Union and international communism, a component of a larger geo-strategic gamble which sought to create united opposition to the fascist menace, one which might eventually bring Moscow and the West into a closer alliance. The second conclusion is that the IB, like the broader projection of Soviet power and influence into the Spanish theater, was an overly ambitious operational failure whose abortive retreat is indicative of the basic weakness of the Stalinist regime in the years prior to the Second World War.

The notion of space in the artistic language of Alfredo Jaar

Conceptual art and communicator role has influenced the work of Chilean architect Alfredo Jaar, which has been proposed report, with other codes [verbal and nonverbal], global events influencing contemporary society. His early training as an architect has driven innovation in the design of artistic space , using the message to convey to the viewer the reason for his work for more than three decades, highlights the artistic composition with various material resources whose purpose lies in conceptualizing various topics relevant in considering the role of artistic communication. Jaar’s style is the sum of his own life experience in relation to the contradictions of the world today, which is exposed and from the perspective of postmodernism from the exploitation of the notion of space as an open stage for visual and expressiveness beyond national borders, societies and cultures of the world.

The Split in Stalin's Secretariat, 1939-1948

The question of the relationship between the Party and the State is crucial for understanding Soviet political system. Jonathan Harris goes to the heart of the matter by examining two principal views about the Communist Party’s role in Soviet society during the late 1930s and 1940s. Drawing on a meticulous analysis of the main party publications during this period, the author reconstructs the main battle lines between Georgii Malenkov and Andrei Zhdanov, the two antagonists of the book.
The book provides a very detailed and extensive analysis of the debates about Party's role in Soviet system as it appeared in the official press. However, without a much needed discussion of the 1948 reform of the Party apparatus and use of archival sources, there are few arguments which were not already present in the original article by Jonathan Harris published in 1976.

Summer School Band/Summer School Chorus, July 18, 1939

Concert program for Summer School Band/Summer School Chorus, July 18, 1939

Julius Caesar, August 8, 1939

Concert program for Julius Caesar, August 8, 1939