Summary of proceedings [of the meeting of the] Western Interstate Committee on Highway Policy Problems, Cosmopolitan Hotel, Denver, Colorado, November 4-5, 1955.

Cover title.

Laws passed at the session of the General Assembly of the State of Colorado convened at Denver.

Has occasional supplements.

Les collections de l'Académie royale de peinture et de sculpture : ouvrage publié sous le patronage de la Société de L'Histoire de L'art Francais /

Each plate accompanied by guard sheet with descriptive letterpress.

Exile and Patronage- Making Art in Cities of Refuge

Chenjerai Hove, world-renowned Zimbabwean author, presents a lecture on the subject of his experiences as an exiled author in the United States. Event held at the Graham Center, Modesto Maidique Campus, Florida International University on October 28,2013.

Towards informed learning: Snapshots of a Fulbright Scholar-in-Residence program in Denver

This paper outlines the Fulbright Scholar-in-Residence (SIR) program that I undertook at University of Colorado in Denver, USA, in August-December 2010. It explains how the SIR program proved a most enriching experience for me, professionally and personally. One reason for this paper is to encourage other LIS professionals and educators to apply for Fulbrights and other types of scholarships and exchange programs. And also to reinforce the message that research and further study really can open doors and enrich our professional careers.

Le Volapük : revue mensuelle publiée sous le Patronage de l'Association française pour la propagation du Volapük

1887/05 (A2,N9)-1887/06.

Le Volapük : revue mensuelle publiée sous le Patronage de l'Association française pour la propagation du Volapük

Etat de collection : 1886-1889

Denver and Rio Grande Railway schedule

Denver and Rio Grande Railway schedule, 1881.

Socio-cultural Degeneration and State Patronage of the Arts: Mapplethorpe, Cultural Crisis, and the NEA

The goal of this paper is to investigate how the Untied States federal government, specifically through the National Endowment for the Arts, or NEA, has acted in the position of an arts patron in the past few decades. Specifically, this paper will focus on the past decade and a half since the 'arts crisis' of the late 1980s and the social and political backlash against the art community in the 1990s, which was only against ‘offensive’ art that was seen as morally and culturally corruptive. I explore the political, social, and economic forms the backlash took, particularly rooted in a perceived fear of degenerative arts as a corruption of and a catalyst for the eventual collapse of American culture and values. Additionally, I analyse the role the federal government played in ‘ameliorating’ the situation. I investigate how state arts patronage has affected and continues to affect both the concepts behind and the manifestations of art, as well as who is encouraged, sanctioned, or neglected in the production of art. To accomplish this, I explore how and why the federal government employs the arts to define and redefine morality and culture, and how does it express/allow the expressions of these through art.