History of art ... /

[I] Ancient art.--[II] Mediæval art.--[III] Renaissance art.--[IV] Modern art.--[V] The spirit of the forms.

Exposition de Manchester : Les arts industriels du moyen âge et de la renaissance.

With this are bound his: Excursion artistique en Angleterre and Mantz, P. Exposition de Manchester.

Kunstwerke und geräthschaften des mittelalters und der renaissance.

Later published as part of "Trachten, kunstwerke und geräthschaften vom frühen mittelalter bis ende des achtzehnten jahrhunderts ... von dr. J. H. von Hefner-Alteneck."

The Madonna in art.

Mode of access: Internet.

Quellenschriften für Kunstgeschichte und Kunsttechnik des Mittelalters und der Renaissance /

Editors: volumes 1-18, R. Eitelberger von Edelberg.

Sofonisba Anguissola : a Renaissance woman /

Mode of access: Internet.

Art decoration applied to furniture.

"Originally published in Harper's bazar."--Pref.

Historic ornament; treatise on decorative art and architectural ornament ...

[v. 1] Prehistoric art; ancient art and architecture; eastern, early Christian, Byzantine, Saracenic, Romanesque, Gothic, and renaissance architecture and ornament.--[v. 2] Pottery; enamels; ivories; metal work; furniture; textile fabrics; mosaics; glass; and book decoration.

Nürnberger Ratsverlässe über Kunst und Kunstler im Zeitalter der Spätgotik und Renaissance (1449) 1474-1618 (1633)

Vol. 1 has no added t.-p.; on t.-p. of v. 1: Sonderausgabe aus "Quellenschriften für Kunstgeschichte" etc.

Renaissance in Italy : the fine arts /

Forms the third part of the author's "Renaissance in Italy".

Histoire de l'art depuis les premiers temps chrétiens jusqu'à nos jours /

Princeton's copy defective lacks t.p.

Autoethnography : critical appreciation of an emerging art

In this article, the author discusses how she applied autoethnography in a study of the design of hypermedia educational resources and shows how she addressed problematic issues related to autoethnographic legitimacy and representation. The study covered a 6-year period during which the practitioner’s perspective on the internal and external factors influencing the creation of three hypermedia CD-ROMs contributed to an emerging theory of design. The author highlights the interrelationship between perception and reality as vital to qualitative approaches and encourages researchers to investigate their reality more fully by practicing the art of autoethnography.