Estudo acústico da variação da frase interrogativa, com destaque para o dialeto paulista

With the new computational technology, the studies of acoustic phonetics started to have a special place. This brought a new way of seeing the phenomenon and to deal with it in the phonetics and in the phonology. Such studies have been developing even more, recently, with a facilitated use of computational programs specially developed to the acoustic analysis of speech, such as PRAAT. Programs like this have been very interesting and useful recently. The acoustic models of analysis have influenced the way the researchers came to see and to interpret the prosodic phenomenon. The current project investigates the acoustic production of declarative and interrogative sentences from the “paulista” Portuguese. This study contributes for a more detailed description of the phenomenon, also becoming inserted in the chart of “intonational” descriptions of the Brazilian Portuguese. The subject of this current project is the acoustic study of some intonation aspects from the speaking Portuguese in Brazil, with a special place to the “paulista” dialect. The current project´s purpose is to make a specific study of interrogatives sentences through the acoustic data analysis of “paulista” dialect speakers

Estudo acústico das vogais do português brasileiro

In the area of Phonetics, current studies are mainly geared toward acoustic analysis of the speech. The technology of personal computers and available software made these analyses easier to be carried out. The following work used the software called PRAAT. Besides showing how it helps the researcher, the aim of this work is to bring new data for future consultation in this field, allowing comparisons and discussions about this subject. At FONAC, a place where a Project of Departmental Traineeship is run, coordinated by Prof. Dr. Luiz Carlos Cagliari and aimed at training on Acoustic Phonetics for undergraduates and graduates, there is a good quality recording, in which a speaker of the paulista dialect reads an excerpt of Michael Ende and Annegert Fuchshuber’s book named ‘The Dream-eater’ twice. The data obtained through it were analyzed directly or by statistic procedures. Tables and charts, created from these data, helped to visualize the similarities and differences between the vowels allowing an easier comprehension of the articulatory phenomenon. With the formants, specifically, prototypical values for the vowels of Portuguese and the dialect in study were obtained

A nasalidade vocálica em português e em espanhol

Pós-graduação em Linguística e Língua Portuguesa - FCLAR

Estudo acústico da fala de Ibiraci-MG

The present monograph studies the speech of the people from Ibiraci, MG. It is a phonetic study which collects speech data by recordings. It has been recorded the speech of eight informants with the age between 20 and 85 years old. The phonetic objective is to transcribe the recordings for acoustic analysis with Praat program, considering aspects such as duration and intonation. The present monograph represents a contribution for the linguistic phonetic description of a Brazilian Portuguese variety. In Brazil, linguistic studies have always been considered the speech of people from big and capital cities. There are a great deal of data related to those cities, but only a few data collection for the other cities and communities

Estabelecimento do contraste entre as fricativas por crianças com transtorno fonológico: manipulação de pistas acústicas

The present study focuses on the presence of covert contrasts in the speech of children with a phonological disorder. The hypothesis is that children with phonological disorders manipulate secondary acoustic cues in an attempt to distinguish the phonological contrasts. We used five audio recordings of the speech of five children with speech disorders, between four and five years of age, who showed the so-called “phonic substitution” involving the sound group of the fricatives. The data were edited and analyzed using the software PRAAT. A phonetic transcription of the first repetition of each child was performed by three evaluators, reaching a 66% agreement level. After the transcription, we carried out a contrastive phonological analysis of the production of the five children and, finally, an acoustic analysis of all the “substitutions”, based on six parameters. We discovered the existence of covert contrasts in the productions auditorily regarded as homophones by the evaluators, representing a total of 54% of total substitutions identified through an impressionistic approach by the evaluators. Children with phonological disorders are seen to rely on secondary acoustic cues in an attempt to distinguish fricative phonemes. The data obtained in this study allow us to reflect on the importance of considering the phonetic detail within the phonological models.

Self-perception, complaints and vocal quality among undergraduate students enrolled in a Pedagogy course

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Dysarthria and quality of life in neurologically healthy elderly and patients with Parkinson's disease

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

O francês como língua de ritmo silábico: um estudo de caso das suas características acústicas

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Coordenação gestual na produção de encontros consonantais em crianças com desenvolvimento de linguagem típico e atípico

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Coordenação gestual na produção de encontros consonantais em crianças com desenvolvimento de linguagem típico e atípico

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Videolaryngostroboscopy and voice evaluation in patients with rheumatoid arthritis

Arthritis may affect the larynx and produce symptoms such as hoarseness and vocal fatigue. Objective: This paper aimed to evaluate the laryngeal manifestations of rheumatoid arthritis. Methods: This is prospective study assessed 27 patients with rheumatoid arthritis with the aid of videolaryngostroboscopy, auditory-perceptual analysis of the speech using the GIRBAS scale, acoustic analysis and the Voice Handicap Index questionnaire. Results: Nineteen patients had laryngeal complaints, the main ones being intermittent dysphonia and sensation of a foreign body in the throat. The most frequent laryngoscopical finding was overlapping arytenoids. Three patients had low pitch, nine patients had mild dysphonia and roughness. Median acoustic measures were: F0, 198.39 Hz; Jitter, 0.815; Shimmer, 4.915; and NHR, 0.144. Regarding the Voice Handicap Index, the median score was zero in all domains. There was a statistically significant correlation between voice complaints and the domains of this index. Functional classes were significantly correlated to: overlapping arytenoids (p = 0.001), PPQ (p = 0.0257), Shimmer (p = 0.0295), APQ (p = 0.0195), and the VHI physical (p = 0.0227) and total domains (p = 0.0425). Conclusion: Laryngeal complaints were reported by 70.4% of the patients and laryngoscopical alterations were observed in 48% of the subjects. Voice acoustic evaluation and self-perception were altered.

The effect of noise on the voice of preschool institution educators

OBJECTIVE: To analyze the association between noise levels present in preschool institutions and vocal disorders among educators. METHODS: Cross-sectional study conducted in 2009 with 28 teachers from three preschool institutions located in the city of Sao Paulo (Southeastern Brazil). Sound pressure levels were measured according to Brazilian Technical Standards Association, with the use of a sound level meter. The averages were classified according to the levels of comfort, discomfort, and auditory damage proposed by the Pan American Health Organization. The educators underwent voice evaluation: self-assessment with visual analogue scale, auditory perceptual evaluation using the GRBAS scale, and acoustic analysis utilizing the Praat program. To analyze the association between noise and voice evaluation, descriptive statistics and the chi-square test were employed, with significance of 10% due to sample size. RESULTS: The teachers' age ranged between 21 and 56 years. The noise average was 72.7 dB, considered as damage 2. The professionals' vocal self-assessment ranked an average of 5.1 on the scale, being considered as moderate alteration. In the auditory-perceptual assessment, 74% presented vocal alteration, especially hoarseness; of these, 52% were considered mild alterations. In the acoustic assessment the majority presented fundamental frequency below the expected level. Averages for jitter, shimmer and harmonic-noise ratio showed alterations. An association between the presence of noise between the harmonics and vocal disorders was observed. CONCLUSIONS: There is an association between presence of noise between the harmonics and vocal alteration, with high noise levels. Although most teachers presented mild voice alteration, the self-evaluation showed moderate alteration, probably due to the difficulty in projection.

Unidad didáctica sobre el uso del programa Virtual.Lab para simulaciones acústicas. Parte I

El presente Proyecto de Fin de Carrera supone el propósito conjunto de los alumnos Álvaro Morillas y Fernando Sáez, y del profesor Vladimir Ulin, de desarrollar una unidad didáctica sobre el programa de simulación para ingeniería Virtual.Lab. La versión sobre la que se ha trabajado para realizar este texto es la 11, publicada en agosto de 2012. Virtual.Lab, del fabricante belga LMS International, es una plataforma software de ingeniería asistida por ordenador, que agrupa en una misma aplicación varias herramientas complementarias en el diseño de un producto, desde su definición geométrica a los análisis de durabilidad, ruido u optimización. No obstante, de entre todas las posibles simulaciones que nos permite el programa, en este proyecto sólo se tratan las que están relacionadas con la acústica. Cabe resaltar que gran parte de los conceptos manejados en Virtual.Lab son compatibles con el programa CATIA V5, ya que ambos programas vienen instalados y funcionan conjuntamente. Por eso, el lector de este proyecto podrá transportar sus conocimientos al que es uno de los programas estándar en las industrias aeronáutica, naval y automovilística, entre otras. Antes de este proyecto, otros alumnos de la escuela también realizaron proyectos de fin de carrera en el campo de la simulación computarizada en acústica. Una característica común a estos trabajos es que era necesario hacer uso de distintos programas para cada una de las etapas de simulación (como por ejemplo, ANSYS para el modelado y estudio de la vibración y SYSNOISE para las simulaciones acústicas, además de otros programas auxiliares para las traducciones de formato). Con Virtual.Lab desaparece esta necesidad y el tiempo empleado se reduce. Debido a que las soluciones por ordenador están ganando cada vez más importancia en la industria actual, los responsables de este proyecto consideran la necesidad de formación de profesionales en esta rama. Para responder a la demanda empresarial de trabajadores cualificados, se espera que en los próximos años los planes de estudio contengan más cursos en esta materia. Por tanto la intención de los autores es que este material sea de utilidad para el aprendizaje y docencia de estas asignaturas en cursos sucesivos. Por todo esto, se justifica la relevancia de este PFC como manual para introducir a los alumnos interesados en iniciarse en un sistema actual, de uso extendido en otras universidades tecnológicas europeas, y con buenas perspectivas de futuro. En este proyecto se incluyen varios ejemplos ejecutables desde el programa, así como vídeos explicativos que ayudan a mostrar gráficamente los procesos de simulación. Estos archivos se pueden encontrar en el CD adjunto. Abstract This final thesis is a joint project made by the students Álvaro Morillas and Fernando Sáez, and the professor Vladimir Ulin. The nature of the joint regards the writing of a didactic unit on Virtual.Lab, the simulation software. The software version used in this text is the number 11, released in August 2012. Virtual.Lab, from the Belgian developer LMS International, is a computer-aided engineering software which is used for several related tasks in this field: product design, durability simulation, optimization, etc. However, this project is focused on the acoustical capabilities. It is worthy to highlight that most procedures explained in this text can be used in the software CATIA V5 as well. Both tools come installed together and may be used at the same time. Therefore, the reader of this project will be able to use the acquired knowledge in one of the most relevant softwares for the aerospace, marine and automotive engineering. Previously to the development of this project, this School has conducted projects on this field. These projects regarded the use of ANSYS for modeling and meshing stages as well as the use of SYSNOISE for the final acoustic analysis. Since both systems use different file formats, a third-party translation software was required. This thesis fulfill this pending necessity with Virtual.Lab; the translation software procedure is not necessary anymore and simulations can be done in a more flexible, fast way. Since companies have an increasing usage of numerical methods in the development of their products and services, the authors think that it is important to develop the appropriate method to instruct new professionals in the field. Thus, the aim of this project is to help teachers and students in their process of learning the use of this leading software in acoustical simulations. For all the reasons mentioned above, we consider that this project is relevant for the School and the educational community. Aiming to achieve this objective the author offers example files and video demonstrations with guidance in the CD that accompanies this material. This facilitates the comprehension of the practical tasks and guides the prospect users of the software.

Caracterización y optimización acústica del Teatro Auditorio Buero Vallejo

En el siguiente proyecto se realiza el estudio acústico del teatro “Buero Vallejo” situado en la ciudad de Guadalajara. Teniendo en cuenta que la sala está destinada a diferentes utilizaciones , es decir, es una sala multiusos, se analizará su comportamiento acústico e idoneidad ante las diferentes funciones a las que se destina. Las principales representaciones que se han contemplado han sido las actuaciones musicales y obras de teatro. El proyecto se divide en dos partes bien diferenciadas, en primer lugar la teoría relacionada con el estudio acústico de recintos cerrados y por último la parte práctica para la obtención de resultados. En la primera fase del proyecto se analizan los principales conceptos que debemos tener en cuenta en el ámbito de la acústica así como los criterios y parámetros que definen la calidad acústica de una sala para los diferentes tipos de representación. Para obtener una idea principal de cuales son las representaciones mayoritarias en la sala, se obtiene una estadística de las obras que son representadas en el Teatro Auditorio Buero Vallejo durante 6 meses y posteriormente se estudian los valores que debería tener el recinto para las diferentes actuaciones. En este sentido se realiza en primer lugar un análisis genérico sobre los principales parámetros que califican la calidad de una sala y se establecen los parámetros acústicos que se consideran, a día de hoy, como cuantificadores relevantes en el análisis acústico. Para concluir está primera fase, definimos los objetivos acústicos y parámetros a analizar, particularizados a los objetivos que debe cumplir en Teatro Auditorio Buero Vallejo. En la segunda fase del proyecto se realiza la parte práctica del estudio que constará de dos partes: - En primer lugar se realiza un estudio de las características acústicas actuales que tiene el Teatro Auditorio Buero Vallejo mediante la obtención de medidas in situ, que nos permiten cuantificar las propiedades acústicas del recinto. - En segundo lugar se emplea uno de los software de simulación más extendidos en el campo de la acústica arquitectónica para realizar la predicción de estos parámetros acústicos y así poder efectuar un estudio completo de las características acústicas de la sala. ABSTRACT. This project is about the acoustic study of the Theatre Buero Vallejo located in the city of Guadalajara. Since the room is intended for different purposes , it means, it is a multipurpose room, we analyze acoustic behaviour and suitability for the different uses it is intended to. The main representations that have been taken into account have been music and theatre plays. The project is divided into two distinct parts , the first one, the theory related to the acoustic study of enclosures and finally the practice for obtaining results. In the first phase we analyze the main concepts we have to take into account in the field of acoustics and the criteria and parameters that define the acoustic quality of a room for different types of representation. To get an idea of the main representations played in the room, we have obtained a statistic of the plays that are represented at the Teatro Auditorio Buero Vallejo for 6 months and after that, the values for different performances are studied. First of all a generic analysis on the main parameters that describe the quality of a room is made and the acoustic parameters that are considered today as relevant quantifiers of acoustic analysis are setted. To conclude the first phase, we define the objectives and parameters to analyze acoustics, and we particularize them to the objectives to be met in Teatro Auditorio Buero Vallejo. In the second phase we make the practical study which will consist of two parts: - The first one, a study of current acoustic characteristics that Teatro Auditorio Buero Vallejo has by obtaining in situ measurements , which allow us to quantify the acoustical properties of the enclosure. - The second one, we use one of the most widespread simulation software in the field of architectural acoustics for prediction of these acoustic parameters and in this way being able to make a complete study of the acoustic characteristics of the room.

Metodología de análisis acústico de sitios arqueológicos de Mesoamérica

El presente trabajo busca llenar un vacío existente en cuanto a una metodología general en los estudios Arqueoacústicos para la zona Mesoamericana. El resultado mas importante de ésta tesis es la propuesta de un procedimiento y método para los cuales se detalla el conjunto de operaciones utilizadas en las mediciones particulares involucradas, parámetros y análisis relevantes (de los cuales destacan el decaimiento de energía, tiempos de reverberación, intensidades de sonido directo y total, claridad e inteligibilidad), tipos de simulaciones e incertidumbres y actividades técnicas propias de la Ingeniería Acústica que se proponen para la efectiva y útil integración de la dimensión sonora en el quehacer arqueológico. Una importante consideración de la propuesta metodológica aquí presentada, es la consideración, por un lado, de los resultados obtenidos experimentalmente del trabajo in situ en cada uno de los sitios arqueológicos de interés, y por otro los resultados obtenidos de las simulaciones y modelaciones por computadora de los mismos para su comparación y contraste. La propuesta de sistematización está dividida en tres momentos investigativos, como son la coordinación y trabajo logístico en sitios arqueológicos, su reconocimiento y prospección acústica; el trabajo de campo; y el análisis de los resultados obtenidos. Asimismo, dicha propuesta metodológica, se presenta dividida en tres objetos de estudio fundamentales en el quehacer arqueoacústico: los Fenómenos Sonoros encontrados en sitios arqueológicos; los objetos de generación de sonido, tengan éstos aplicaciones musicales o de otra índole; y finalmente los espacios y recintos arquitectónicos, ya sean cerrados o abiertos, y el estudio de su funcionalidad. El acercamiento a la descripción de cada una de dichas ramas, se realiza mediante la presentación de casos de estudio, para los que se contrastan dos áreas culturales representativas e interrelacionadas de Mesoamérica, la zona del Bajío y la zona Maya. Dicho contraste es llevado a cabo mediante el análisis acústico de 4 zonas arqueológicas que son Plazuelas, Peralta y Cañada de la Virgen, pertenecientes a la zona del Bajio, y Chichen Itzá perteneciente a la zona Maya. De particular importancia para el presente trabajo, es la funcionalidad de los espacios estudiados, específicamente de la de los patios hundidos, característicos de la arquitectura del Bajío, y las plazas públicas que constituyen una estructura integral en muchos sitios arqueológicos, centrales para la comprensión de las conexiones entre el fenómeno sonoro y el comportamiento de una cultura en particular. Asimismo, el análisis de los instrumentos de generación sonora ha permitido realizar inferencias sobre papel del sonido en el comportamiento humano de las culturas en cuestión, completando los modelos acústicos y posibilitando el situar las características de las fuentes sonoras en los espacios resonantes. Los resultados particulares de ésta tesis, han permitido establecer las características acústicas de dichos espacios e instrumentos, así como formular y validar las hipótesis sobre su usos y funciones como espacios para eventos públicos y sociales, así como para representaciones culturales multitudinarios. ABSTRACT The present work, aims to fill a void existing in terms of a general methodology in Archaeoacoustic studies for the Mesoamerican region. The most important result of this thesis is the proposal of a procedure and method for archaeoacoustical studies and its relevant analysis and parameters (of which stand out the energy decay, reverberation times, intensities, clarity and intelligibility), simulations and uncertainty considerations for the effective and useful integration of the sound dimension in the archaeological realm. An important methodological consideration in the present work is the comparison and contrast of the results obtained experimentally on site, and the results of simulations and computer modeling. The proposed systematization is divided into three distinct moments: logistics; fieldwork; and result analysis. Likewise, the presented methodological proposal is divided into three fundamental objects of study: Sound phenomena found in archaeological sites; sound generation objects and instruments; and architectural enclosures and the study of their functionality. Presenting case studies is the approach to the description of each of these branches. Two interrelated Mesoamerican cultural areas are considered, the Bajío and the Mayan. Their contrast is carried out by the acoustic analysis of four archaeological sites: Plazuelas, Peralta and Cañada de la Virgen, belonging to the area of the Bajío, and Chichen Itza belonging to the Maya area. Of particular relevance to this paper, is the acoustic functionality of the public spaces present in many archaeological sites, specifically that of the sunken patios, characteristic of the architecture of the Bajío. The analysis of the sound generation instruments has allowed certain inferences about the role of sound in human behavior of the cultures in question, thus completing the acoustic models. It has also enable the contrast of the characteristics of the sound sources and those of the resonant spaces. The results of this thesis have made it possible to develop and validate certain hypotheses about the uses and functions of certain spaces for public and social events as well as for mass cultural representations.