Una articulación de arte y política : Dislocaciones y rupturas en la poética de Edgardo Antonio Vigo (1968-1975)

Esta tesis, que integra los estudios de la Sociología del Arte, se centra en la vinculación de la poética del artista Edgardo Antonio Vigo (1928 - 1997) con la política y lo político, así como con los procesos sociales más generales entre 1968 y 1975. Vigo ocupó una posición emergente en el desarrollo del arte platense y desplegó producciones que emprendieron una poética rupturista con lo establecido por algunos de los cánones tradicionales del arte y sus instituciones, y elaboró propuestas estéticas innovadoras que abarcaban las artes visuales en sus diversas formas. Se analizan en esta tesis los modos por los que Vigo al mismo tiempo que apunta a cuestionar las estructuras y manifestaciones de las Bellas Artes, lo hace con las formas dominantes de la cultura a través de obras y textos que tendían a desestabilizar los roles de autor, espectador y obra, así como a involucrarse de distintos modos en los acontecimientos políticos de la época. Se estudian, además, las producción de acciones artísticas en el espacio público, que Vigo llamó señalamientos, la utilización y apropiación del discurso y aspectos materiales de lo judicial-administrativo y la edición de la revista ensamblada Hexágono '71 (1971 -1975). En estas zonas de la poética de Vigo se consideran las diversas relaciones entre arte y política, las cuales no han sido lineales ni unidireccionales, sino modos de distorsionar y disentir con las jerarquías, lugares y funciones de los sujetos y objetos del entramado social. Para la realización de la tesis se produjo un diseño metodológico cualitativo, se utilizaron fuentes documentales y entrevistas. Se desarrolla un análisis de las obras del artista, más que remitiéndolas a una corriente artística particular, haciendo foco en su relación con la situación social y política, especialmente en sus vinculaciones con el particular proceso de subjetivación política de la época. Se procuró para ello realizar una investigación que se detenga de manera pormenorizada en el trabajo artístico y sus particularidades (materiales, técnicas, formas, estrategias de intervención), así como en sus discursos escritos, plasmados en ensayos, artículos y otros textos, para avanzar desde allí hacia un análisis interpretativo y comprensivo de las conexiones y de los efectos que perseguía tal trabajo con los procesos políticos. Se presentan en los Anexos matrices de datos de los señalamientos y de Hexágono '71, así como un índice razonado de la misma

Una articulación de arte y política : Dislocaciones y rupturas en la poética de Edgardo Antonio Vigo (1968-1975)

Esta tesis, que integra los estudios de la Sociología del Arte, se centra en la vinculación de la poética del artista Edgardo Antonio Vigo (1928 - 1997) con la política y lo político, así como con los procesos sociales más generales entre 1968 y 1975. Vigo ocupó una posición emergente en el desarrollo del arte platense y desplegó producciones que emprendieron una poética rupturista con lo establecido por algunos de los cánones tradicionales del arte y sus instituciones, y elaboró propuestas estéticas innovadoras que abarcaban las artes visuales en sus diversas formas. Se analizan en esta tesis los modos por los que Vigo al mismo tiempo que apunta a cuestionar las estructuras y manifestaciones de las Bellas Artes, lo hace con las formas dominantes de la cultura a través de obras y textos que tendían a desestabilizar los roles de autor, espectador y obra, así como a involucrarse de distintos modos en los acontecimientos políticos de la época. Se estudian, además, las producción de acciones artísticas en el espacio público, que Vigo llamó señalamientos, la utilización y apropiación del discurso y aspectos materiales de lo judicial-administrativo y la edición de la revista ensamblada Hexágono '71 (1971 -1975). En estas zonas de la poética de Vigo se consideran las diversas relaciones entre arte y política, las cuales no han sido lineales ni unidireccionales, sino modos de distorsionar y disentir con las jerarquías, lugares y funciones de los sujetos y objetos del entramado social. Para la realización de la tesis se produjo un diseño metodológico cualitativo, se utilizaron fuentes documentales y entrevistas. Se desarrolla un análisis de las obras del artista, más que remitiéndolas a una corriente artística particular, haciendo foco en su relación con la situación social y política, especialmente en sus vinculaciones con el particular proceso de subjetivación política de la época. Se procuró para ello realizar una investigación que se detenga de manera pormenorizada en el trabajo artístico y sus particularidades (materiales, técnicas, formas, estrategias de intervención), así como en sus discursos escritos, plasmados en ensayos, artículos y otros textos, para avanzar desde allí hacia un análisis interpretativo y comprensivo de las conexiones y de los efectos que perseguía tal trabajo con los procesos políticos. Se presentan en los Anexos matrices de datos de los señalamientos y de Hexágono '71, así como un índice razonado de la misma

Una articulación de arte y política : Dislocaciones y rupturas en la poética de Edgardo Antonio Vigo (1968-1975)

Esta tesis, que integra los estudios de la Sociología del Arte, se centra en la vinculación de la poética del artista Edgardo Antonio Vigo (1928 - 1997) con la política y lo político, así como con los procesos sociales más generales entre 1968 y 1975. Vigo ocupó una posición emergente en el desarrollo del arte platense y desplegó producciones que emprendieron una poética rupturista con lo establecido por algunos de los cánones tradicionales del arte y sus instituciones, y elaboró propuestas estéticas innovadoras que abarcaban las artes visuales en sus diversas formas. Se analizan en esta tesis los modos por los que Vigo al mismo tiempo que apunta a cuestionar las estructuras y manifestaciones de las Bellas Artes, lo hace con las formas dominantes de la cultura a través de obras y textos que tendían a desestabilizar los roles de autor, espectador y obra, así como a involucrarse de distintos modos en los acontecimientos políticos de la época. Se estudian, además, las producción de acciones artísticas en el espacio público, que Vigo llamó señalamientos, la utilización y apropiación del discurso y aspectos materiales de lo judicial-administrativo y la edición de la revista ensamblada Hexágono '71 (1971 -1975). En estas zonas de la poética de Vigo se consideran las diversas relaciones entre arte y política, las cuales no han sido lineales ni unidireccionales, sino modos de distorsionar y disentir con las jerarquías, lugares y funciones de los sujetos y objetos del entramado social. Para la realización de la tesis se produjo un diseño metodológico cualitativo, se utilizaron fuentes documentales y entrevistas. Se desarrolla un análisis de las obras del artista, más que remitiéndolas a una corriente artística particular, haciendo foco en su relación con la situación social y política, especialmente en sus vinculaciones con el particular proceso de subjetivación política de la época. Se procuró para ello realizar una investigación que se detenga de manera pormenorizada en el trabajo artístico y sus particularidades (materiales, técnicas, formas, estrategias de intervención), así como en sus discursos escritos, plasmados en ensayos, artículos y otros textos, para avanzar desde allí hacia un análisis interpretativo y comprensivo de las conexiones y de los efectos que perseguía tal trabajo con los procesos políticos. Se presentan en los Anexos matrices de datos de los señalamientos y de Hexágono '71, así como un índice razonado de la misma

LPF Berkeley 1968; Berkeley 1968

5 proof sheets of an unidentified student protest at Berkeley

ISIS Success in Iraq: A Movement 40 Years in the Making

Thesis (Master's)--University of Washington, 2016-06

An interview study of community college student perspectives on service -learning

Over the past two decades, the community college in the United States has boasted a leadership role in the movement to make education community-based and performance-oriented. This has led to an intensification in attempts to search for more innovative means to make education more experiential and relevant to students' lived experiences. ^ One such innovative program that holds promise to meet this challenge is service-learning. This paradigm attempts to relate the academic education in the classroom to community-based problems, which fits in neatly with the community-based characteristics of the community college. It promises to link ideas developed in the classroom and their practical application within the community through guided reflection. It is designed to enhance and enrich student learning of course material by combining citizenship, academic subjects, skills, and values. ^ Though many studies have been carried out in regard to the outcomes of service-learning through quantitative means, relatively few qualitative studies are available, and those available have primarily studied traditional students at four-year residential colleges or universities. Therefore, there is an urgent need to study non-traditional students' perspectives at the community college level. ^ The purpose of this study was to describe and explain the perspectives of five students at Broward Community College, Central Campus, Ft. Lauderdale, Florida. The following exploratory questions guided this study: (1) What elements constitute these students' perspectives? (2) What variables influence their perspectives? (3) What beliefs do these students hold about their service-learning experience which support or are contrary to their perspectives? ^ This ethnographic interview study was conducted over a period of twelve months and consisted of three interviews for each of the five participants. The analysis of the data was conducted following the stringent principles of ethnographic research which included constant comparative analysis. The interviews were tape recorded with the participants' permission, transcribed verbatim, and organized into categories for in-depth understanding. Furthermore, these categories were developed from the data collected and an organizational scheme for understanding and interpreting of these perspectives emerged. The researcher, as well, kept a reflective journal of the research process as part of the data set. ^ The results of this study show the need for a better grasp of the concepts of service-learning on the part of all involved with its implementation. In spite of this, all of the participants displayed gains to a greater or lesser degree in personal growth, academic skills, and citizenship skills. ^

An interview study of community college student perspectives on service-learning

Over the past two decades, the community college in the United States has boasted a leadership role in the movement to make education community-based and performance-oriented. This has led to an intensification in attempts to search for more innovative means to make education more experiential and relevant to students' lived experiences. One such innovative program that holds promise to meet this challenge is service- learning. This paradigm attempts to relate the academic education in the classroom to community-based problems, which fits in neatly with the community-based characteristics of the community college. It promises to link ideas developed in the classroom and their practical application within the community through guided reflection. It is designed to enhance and enrich student learning of course material by combining citizenship, academic subjects, skills, and values. Though many studies have been carried out in regard to the outcomes of service-learning through quantitative means, relatively few qualitative studies are available, and those available have primarily studied traditional students at four-year residential colleges or universities. Therefore, there is an urgent need to study non-traditional students' perspectives at the community college level. The purpose of this study was to describe and explain the perspectives of five students at Broward Community College, Central Campus, Ft. Lauderdale, Florida. The following exploratory questions guided this study: 1. What elements constitute these students' perspectives? 2. What variables influence their perspectives? 3. What beliefs do these students hold about their service-learning experience which support or are contrary to their perspectives? This ethnographic interview study was conducted over a period of twelve months and consisted of three interviews for each of the five participants. The analysis of the data was conducted following the stringent principles of ethnographic research which included constant comparative analysis. The interviews were tape recorded with the participants' permission, transcribed verbatim, and organized into categories for in-depth understanding. Furthermore, these categories were developed from the data collected and an organizational scheme for understanding and interpreting of these perspectives emerged. The researcher, as well, kept a reflective journal of the research process as part of the data set. The results of this study show the need for a better grasp of the concepts of service-learning on the part of all involved with its implementation. In spite of this, all of the participants displayed gains to a greater or lesser degree in personal growth, academic skills, and citizenship skills.

Student Independent Projects Environmental Studies 2011: A Values Profile for a Healthy, Sustainable Corner Brook Community

We now live in a world where urbanization has become the norm. Approximately half the world now lives in cities(O'brien, 2008). In recent years for a province like Newfoundland and Labrador which has relied heavily on one industry, the fishery, this statistic holds a lot of meaning. For well over a century there has been a continuing movement from Newfoundland to other parts of Canada and the US. Between 1971 and 1998 alone, net out-migration amounted 20% of the provinces population. This exodus has become a significant part of Newfoundland culture (Bowering Delisle, 2008). Communities have declining populations because families can no longer afford to live in their communities. For places like Corner Brook though citizens do not feel the urge to move to bigger urban centers like St. John's or places on the mainland. The purpose of this paper is to outline values which maybe keeping Corner Brook residents from uprooting their families to move to bigger urban centers such as St. John's, in order to be able to support ther families, get experience in their fields or to just acquire a job like many other people around the province.

Spic'ing into Existence: Epitaph, Epithet, and the Ethnopoetic Imagination

Quién Es, Quién Somos? Spic’ing into Existence claims a four-fold close-reading: first, analysis of texts: from theoretical meditations to (prison) memoir and film. Second, a half dozen central figures appear, largely Latinx and black American. They cut across a score of registers, socio-economics, ideological reservations, but all are, as Carl Carlton sang, poetry in motion. Writers, poets, theologians, pathologists, artists, comedians, actors, students whose vocation is invocation, the inner surge of their calling. Third, the manuscript draws from a series of historical moments—from radical liberation of the late 60s, to contemporary student activism. Finally, this body of work is movement, in all its social, gestural, and kinesthetic viscera. From this last heading, we peel away layers of what I call the ethnopoet, the fascia undoing that reveals its bio-political anatomy, dressing its bare life with kinship speech. First, the social revolutions of the Civil Rights, Black Power, abolitionism, the Black Panthers and Young Lords, boycotts and jarring artistic performances. These events are superficial not in vain sense, but key epicenters of underground murmurings, the workings of a cunning assailant. She robs not lavish estates, but another day to breathe. Gesturally, as perhaps the interlocutor, lies this author, interspersing his own diatribes to conjure her presence. The final branch is admittedly the most intangible. Kinesthetically, we map the nimbleness, footwork lígera of what I call the ethnopoet. Ethnopoet is no mere aggregate of ethnicity and poetry, but like chemical reaction, the descriptor for its behavior under certain pressures, temperatures, and elements. Elusive and resisting confinement, and therefore definition, the ethnopoet is a shapeshifting figure of how racialized bodies [people of color] respond to hegemonic powers. She is, at bottom, however, a native translator, the plural-lensed subject whose loyalty is only to the imagination of a different world, one whose survival is not contingent upon her exploitation. The native translator’s constant re-calibrations of oppressive power apparatuses seem taxing at best, and near-impossible, at worst. To effectively navigate through these polarized loci, she must identify ideologies that in turn seek “affective liberatory sances” in relation to the dominant social order (43). In a kind of performative contradiction, she must marshall the knowledge necessary to “break with ideology” while speaking within it. Chicana Studies scholar, Chela Sandoval, describes this dual movement as “meta-ideologizing”: the appropriation of hegemonic ideological forms in order to transform them (82). Nuestros padres se subieron encima de La Bestia, y por eso somos pasageros a ese tren. Y ya, dentro su pansa, tenemos que ser vigilantes cuando plantamos las bombas. In Methodology of the Oppressed, Sandoval schematizes this oppositional consciousness around five principle categories: “equal rights,” “revolutionary,” “supremacist,” “separatist,” and “differential.” Taken by themselves, the first four modes appear mutually exclusive, incapable of occupying the same plane, until a fifth pillar emerges. Cinematographic in nature, differential consciousness, as Sandoval defines it, is “a kinetic motion that maneuvers, poetically transfigures, and orchestrates while demanding alienation, perversion, and reformation in both spectators and practitioners” (44). For Sandoval, then, differential consciousness is a methodology that privileges an incredible sense mobility, one reaching artistic sensibilities. Our fourth and final analytic of movement serves an apt example of this dual meaning. Lexically speaking, ‘movement’ may be regarded as a political mobilization of aggrieved populations (through sustained efforts), or the process of moving objects (people or otherwise) from one location to another. Praxis-wise, it is both action and ideal, content and form. Thus, an ethnic poetics must be regarded less as a series of stanzas, shortened lyric, or even arrangement of language, but as a lens through which peripheralized peoples kaleidecope ideological positions in an “original, eccentric, and queer sight” (43). Taking note of the advantages of postponing identifications, the thesis stands its ground on the term ethnopoet. Its abstraction is not dewey-eyed philosophy, but an anticipation of poetic justice, of what’s to come from callused hands. This thesis is divided into 7.5 chapters. The first maps out the ethnopoet’s cartographies of struggle. By revisiting that alleged Tío Tomas, Richard Rodriguez, we unearth the tensions that negatively, deny citizenship to one silo, but on the flipside, engender manifold ways of seeing, hearing, and moving . The second, through George Jackson’s prison memoirs, pans out from this ethnography of power, groping for an apparatus that feigns an impervious prestige: ‘the aesthetic regime of coercion.’ In half-way cut, the thesis sidesteps to spic into existence, formally announcing, through Aime Cesaire, myself, and Pedro Pietri, the poeticization of trauma. Such uplift denies New Age transcendence of self, but a rehearsal of our entrapment in these mortal envelopes. Thirdly, conscious of the bleeding ethnic body, we cut open the incipient corpse to observe her pathologist. Her native autopsies offer the ethnic body’s posthumous recognition, the ethnopoetics ability to speak for and through the dead. Chapter five examines prolific black artists—Beyonce and Kendrick Lamar—to elide the circumvention of their consumption via invoking radical black hi/her-stories, ones fragmenting the black body. Sixth, the paper compares the Black Power Salute of the 1968 Mexico City Olympics to Duke’s Mi Gente Boycott of their Latino Student Recruitment Weekend. Both wielded “silent gestures,” that shrewdly interfered with white noise of numbed negligence. Finally, ‘taking the mask off’ that are her functionalities, the CODA expounds on ethnopoet’s interiority, particularly after the rapid re-calibration of her politics. Through a rerun of El Chavo del Ocho, one of Mexican television’s most cherished shows, we tune into the heart-breaking indigence of barrio residents, only to marvel at the power of humor to, as Friday’s John Witherspoon put it, “fight another day.” This thesis is the tip of my tongue. Y por una vez, déjala que cante.

"A New Genesis": The "Silent Vigil" at Duke University, April 5th-12th, 1968

Honors thesis

El Instituto antes de Salamanca. Los primeros años del Instituto de Investigaciones y Experiencias Cinematográficas (1947-1955)

El presente texto analiza la función del Instituto de Investigaciones y Experiencias Cinematográficas (IIEC) como punto de encuentro de la cultura cinematográfica nacional entre 1947 y 1955 —los años de Victoriano López— y dirige el foco analítico a los discursos, debates e intereses que marcaron la labor del instituto en estos primeros años. Para ello, este artículo fija su atención en uno de los pocos docu­mentos originales conservados de esa época, un boletín publicado por los alumnos en 1951, material que será aquí completado con entrevistas y los escasos documentos referentes al instituto conservados en el Archivo General de la Administración. La piedra de toque del análisis la constituyen por un lado las ac­tividades del cineclub, organizado por los alumnos de la clase de Historia del Cine en 1951, y, en el plano discursivo, los debates en torno a la Filmología, doctrina con la que desde 1947 se intenta dotar a las acti­vidades del Instituto de una base teórica con desiguales resultados. Se consigue así un acercamiento a las prácticas y discursos esenciales para comprender la importancia del instituto como punto central dentro de una naciente cultura cinematográfica nacional.

Women, workplace militancy and political subjectivity in Britain, 1968-1985

This thesis examines the experiences and political subjectivity of women who engaged in workplace protest in Britain between 1968 and 1985. The study covers a period that has been identified with the ‘zenith’ of trade-union militancy in British labour history. The women’s liberation movement also emerged in this period, which produced a shift in public debates about gender roles and relations in the home and the workplace. Women’s trade union membership increased dramatically and trade unions increasingly committed themselves to supporting ‘women’s issues’. Industrial disputes involving working-class women have frequently been cited as evidence of women’s growing participation in the labour movement. However, the voices and experiences of female workers who engaged in workplace protest remain largely unexplored. This thesis addresses this space through an original analysis of the 1968 sewing-machinists’ strike at Ford, Dagenham; the 1976 equal pay strike at Trico, Brentford; the 1972 Sexton shoe factory occupation in Fakenham, Norfolk; the 1981 Lee Jeans factory occupation in Greenock, Inverclyde and the 1984-1985 sewing-machinists’ strike at Ford Dagenham. Drawing upon a combination of oral history and written sources, this study contributes a fresh understanding of the relationship between feminism, workplace activism and trade unionism during the years 1968-1985. In every dispute considered in this thesis, women’s behaviour was perceived by observers as novel, ‘historic’ or extraordinary. But the women did not think of themselves as extraordinary, and rather understood their behaviour as a legitimate and justified response to their everyday experiences of gender and class antagonism. The industrial disputes analysed in this thesis show that women’s workplace militancy was not simply a direct response to women’s heightened presence in trade unions. The women involved in these disputes were more likely to understand their experiences of workplace activism as an expression of the economic, social and subjective value of their work. Whilst they did not adopt a feminist identity or associate their action with the WLM, they spoke about themselves and their motivations in a manner that emphasised feminist values of equality, autonomy and self-worth.

Effect on the disability index of adult patients with benign paroxysmal positional vertigo using vestibular rehabilitation and human movement

Objective: determine the effect on the disability index of adult patients with benign paroxysmal positional vertigo (BPPV) using vestibular rehabilitation therapy (VRT) and human movement. Subjects: six subjects with an average age of 49.5 ± 14.22 years who have been diagnosed with benign paroxysmal positional vertigo by an otolaryngologist. Instruments: the Dizziness Handicap Inventory and a questionnaire to determine impact on the quality of life of patients with this pathology (Ceballos and Vargas, 2004). Procedure: subjects underwent vestibular therapy for four weeks together with habituation and balance exercises in a semi-supervised manner. Two measurements were performed, one before and one after the vestibular therapy and researchers determined if there was any improvement in the physical, functional, and emotional dimensions. Statistical analysis: descriptive statistics and Student’s t-test of repeated measures were applied to analyze results obtained. Results: significant statistical differences were found in the physical dimension between the pre-test (19.33 ± 4.67 points) and post-test (13 ± 7.24 points) (t = 2.65; p < 0.05).  In contrast, no significant statistical differences were found in the functional (t = 2.44; p>0.05), emotional (t = 2.37; p>0.05) or general dimensions (t = 2.55; p>0.05). Conclusion: vestibular therapy with a semi-supervised human movement program improved the index of disability due to vertigo (physical dimension) in BPPV subjects.

Learning math through movement: physical education as another alternative

The purpose of this study was to determine the cognitive effects of applying physical recreational activities to two groups of pre-school students, related to mathematics to one of the groups and recreational games to the other.  A total of 27 subjects (13 girls and 14 boys) of 5 and a half and 6 and half years of age participated in the study.  The instrument used was a questionnaire including basic math concepts such as geometry, basic operations with concrete elements, and how to read the clock, based on the topics established by the Costa Rican Ministry of Public Education.  Once the instrument was developed, a plan of physical recreational activities related to math was prepared and applied to the experimental group (pre-school B) for one and a half months, while the other group played recreational games.  Data was analyzed using descriptive and inferential statistics.  Positive and significant effects were found in the physical recreational activity program regarding student performance in 10 of the 12 items that were applied to assess mastery of basic math concepts.  In conclusion, using physical education as another instrument to teach other disciplines represents an excellent alternative for pre-school teachers that try to satisfy the learning needs of children that will soon be attending school.  Using movement as part of guided and planned activities plays an indispensable role in children’s lives; therefore, learning academic subjects should be adapted to their needs to explore and know their environment.