946 resultados para commencement
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A student from the New York Trade School in the Air Conditioning and Refrigeration Dept. looks at plans on top of a building. Black and white photograph contains some damage from adhesive and writing on the front.
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Henry R. Long, research engineer speaks at a New York Trade School event, likely a commencement. Black and white photograph.
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Carpentry students from the New York Trade School at work during a class. Black and white photograph.
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Portrait of Bennett Archambault who was a speaker at the evening school graduation of the New York Trade School in 1949. From a press release attached to the portrait: "Walter Weir, Inc., 250 West 57th Street, New York 19, N.Y., John Black, Public Relations & Publicity Department, Plaza 7-0140, May 23, 1949, For Release: Friday, May 27, 1949, BENNETT ARCHAMBAULT: Member of the Board of Trustees, New York Trade School, and Treasurer, The M.W. Kellogg Company, who reviewed the school's long history and drew an impressive picture of its future, in an address at the 68th Annual Evening School Graduation, held last night (May 26) in the school building on East 67th Street, New York." Black and white photograph.
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Stripping Award is being presented to Joseph Mamarela by Philip Zeiger, member of the Joint Apprenticeship Committee. This took place at the May 13, 1995 commencement ceremony of the New York Trade School. Black and white photograph.
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Herbert Sussman (left) is shown presenting the John P. Mullen award. Herbert M. Sussman was the College's fifth president. He was inaugurated on June 8, 1972 and the school's commencement ceremony. He served from 1972-1977. By this time, New York City Community College of Applied Arts and Sciences was part of the CUNY system and had merged with the Vorhees Technical Institute.
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Portrait of Herbert M. Sussman, president 1972-1977. Herbert M. Sussman was the College's fifth president. He was inaugurated on June 8, 1972 and the school's commencement ceremony. He served from 1972-1977. By this time, New York City Community College of Applied Arts and Sciences was part of the CUNY system and had merged with the Vorhees Technical Institute.
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A newsletter published periodically to keep the faculty, students, staff, and community informed about the activities taking place on the campus of LaGuardia Community College. Cover article: SONY SHIFT SCHEDULED SOON, SPOKESMAN SAYS. Other entries include: CUNY TEACHING EXCELLENCE AWARD TO PROFESSOR MILLER; CHILD CARE LEAVE ADOPTED BY BHE; NINETY SENIOR CITIZENS RECEIVE CERTIFICATES; COLLEGE COMMENCEMENT TO BE HELD AT QUEENS COLLEGE AUDITORIUM; DEAN PALMER TO SING AT SEPT. 16, COMMENCEMENT; FOUR MORE PARAPROFESSIONALS COMPLETE DEGREES.â€
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"A newsletter published periodically to keep the faculty, students, staff, and community informed about the activities taking place on the campus of LaGuardia Community College." No date [1973]; Vol. 1, No. 2; 4 pages; Color (green, black & white); black & white photographs. Cover article: “BLACK HISTORY WEEK AT LAGUARDIAâ€. Other entries include: “LAGUARDIA’S FIRST ANNUAL COMMENCEMENT SCHEDULED FOR SUNDAY, SEPT. 16;†“LAGUARDIA FIVE SEEKS FIRST VICTORY.â€
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"A newsletter published periodically to keep the faculty, students, staff, and community informed about the activities taking place on the campus of LaGuardia Community College." No date [1973]; Vol. 1, No. 3; 4 pages; Color (green, black & white); black & white photographs. Cover article: “COMMENCEMENT SPEAKER NAMED, SHIRLEY CHISHOLM TO DELIVER GRADUATION ADDRESSâ€. Other entries include: “FIORELLO FUNDS COMMITTEE ANNOUNCES F INAL AWARDS;†“’TOWN MEETINGS’ PROGRAMS TO BEGIN ON TELEVISION MARCH 17;†“Highights of BLACK HISTORY WEEK.â€
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A newsletter published periodically to keep the faculty, students, staff, and community informed about the activities taking place on the campus of LaGuardia Community College. Cover article: LAGUARDIA COMMUNITY COLLEGE SENATE PLAN APPROVED. Other entries: 2nd Annual Commencement Date Decided; Pan Appointed Head of Environmental Services;Students Form Choral Club, Accounting Club; Faculty and staff news.
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Tony Blair to Speak at Commencement Science Building Gets Go-Ahead Spike Lee Does the Colby Thing Historian Leonard Awarded Lincoln Prize Presidential Preview Show by Mike Daisey Creates Nationwide Controversy President Adams as Art Curator Chen Wins Peace Grant--Again Qin Awarded Watson Fellowship Roots in Slavery Tell Bigger Story TwitterFEED A (Real) Virtual Community Corrado Tapped as Expert on Super PACs
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A presente dissertação estuda uma feira nordestina, a Feira de são Cristóvao, situada na zona norte do Rio de Janeiro e que se realiza há mais de trinta anos. Mostra o surgimento desta Feira como vinculado ao fenômeno das migrações nordestinas para as grandes cidades do Centro-Sul nos primeiros anos da década de 50. Reconstitui a história da Feira onde se evidencia a existência de formas associativas. Estas, disputaram entre si, através de mecanismos autoritários, o domínio e a exploração da Feira até a sua legalização em 1982. Focaliza a maneira como o nordestino migrante se apropriou do espaço da Feira, registrando as principais características desse espaço. Discute o significado de paraiba e nortista. Paraiba, denominação de cunho depreciativo, é dada ao migrante originário do Nordeste pelos demais habitantes da cidade; nortista, é a autodenominação que o nordestino se atribui para sua identificação. Analisa, como uma das manifestações específicas da Feira, a produção e venda da comida regional. Esta é produzida através de práticas e técnicas sedimentadas na educação do senso comum caracterizando um tipo de saber que é próprio das classes populares. Finalmente, trata de conhecer e interpretar a Feira de São Cristóvão como um espaço de expressão da cultura popular que contribui no processo de reconstrução da identidade do nordestino na cidade que o batizou de paraíba.
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Trata-se neste estudo, a Campanha Nacional de Esco las da Comunidade (CNEC) corno um todo que visa colaborar na oferta de educação no Brasil, inserindo-se num complexo meio politico e social, buscando nele o concurso das instituições governamentais que a regulam em nivel nacional, estadual e municipal e procurando penetrar nas comunidades a fim de obter os recursos humanos, materiais e financeiros que possam garantir a sua sobrevivência e conservação. Nesta perspectiva o trabalho realiza~set' através de etapas históricas, ou da evolução do seu processo de existência, ou do processo de sua construção, ou, ainda, da elaboração continua de seus conceitos, desde os seus primórdios até o principio desta década, com a promulgação da Lein95.692/71 Na primeira fase que compreende os anos de 1943 a 1952, consideram-se as caracteristicas políticas, econômico sociais e educacionais da época em que surgiu a CNEC, procurando-se descobrir influências sofridas, fatores na formação dos tipos de relação com o ambiente e que lhe são atribuídas.
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La musique, plus qu`um mot et le texte écrit, a le pouvoir de produire le déplacement du sujet en relation aux contingences du temps e de l´espace. Entendre de la musique est plus que de l´amusement. Comme un artifice cognitif qui ultrapasse l´expérience analytique e métonymique, les formes tonales doublent la réalité, expandent les sens, actionent l´imagination, retotalisent les sentiments, amplient les expériences, permettent la rencontre du sujet avec les éssences des phénomènes qui ne sont pas traductibles par les mots. Nous écoutons de la musique pour restituer notre dignité e conférer à la vie plus de vérité, plus de concrétion (Santiago Kovadloff). La mélodie permet l´expérimentation des états de cohésion, de conéction pleine entre sens et intention, entre commencement et fin, de la finitude de la vie (Schopenhauer). Le phénomène musical provoque l´expréssion de la douleur, de la souffrance et, au même temps, du jubile et de la joie, réliant nature et homme (Nietzsche). Tenant comme base cette compréhension, la dissertation tient dans la musique une importante métaphore pour comprendre la complexité humaine, une fois qu´elle propicie une écoute sensible du monde et mobilise dans le sujet l´expérimentation de divers états de l´être. Nous pouvons dire que la musique est un opérateur de la conaissence parce qu´elle fait affleurer l´écoute intérieure, la rencontre du sujet avec lui même. Cet opérateur cognitif actione les pôles de l´ésprit qui font dialoguer sensibilité, éthique et esthétique, ordre et chaos, silence et bruit, mouvement et pause, repétition et inovation. Par l´expérience musicale, nous habitons des formes hibrides de sensibilité et raison. L´inachèvement, notre principal caractéristique comme humains, a, dans la musique, une image impair, parce que la musique est l´expression du dévir. Pour tisser ces arguments, la dissertation part des études de Schopenhauer et Nietzsche sur la musique, esthétique et métaphysique; Expose des fragments de la biographie de trois grands penseurs contemporains (Werner Heinsenberg, Ilya Prigogine et Edgar Morin) accentuant la présence de la musique en ses vies; et, par fin, présente ce que nous appelons biographies sonores de quatre artistes-musiciens brésiliens (Benedito Juarez et Gil Jardim, de São Paulo, et Ronaldo Ferreira de Lima et, Cleudo Freire, du Rio Grande do Norte)