Szenenbild, in: William Shakespeare: Ein Sommernachtstraum

Signatur des Originals: S 36/G03829

Szenenbild, in: William Shakespeare: Der Sturm

Signatur des Originals: S 36/G03830

Szenenbild, in: William Shakespeare: Maß für Maß

Signatur des Originals: S 36/G03831

Szenenbild, in: William Shakespeare: Der Kaufmann von Venedig

Signatur des Originals: S 36/G03832

Szenenbild, in: William Shakespeare: Heinrich IV.

Signatur des Originals: S 36/G03833

Richard III., Figurine, in: William Shakespeare: Richard III.

Signatur des Originals: S 36/G13835

Harriet Berlioz-Smithson als Orphelia, Rollenbild, Profil, in: William Shakespeare: Hamlet

Signatur des Originals: S 36/G04389

Macbeth : Tondichtung für grosses Orchester (nach Shakespeare's Drama), op. 23 /

Cover title.

WILLIAM SHAKESPEARE: HAND-LIST OF EDITIONS, COMMENTARIES, ETC., IN THE CENTRAL REFERENCE AND LENDING DEPARTMENTS

Mode of access: Internet.

A Compendious or briefe examination of certayne ordinary complaints of diuers of our countrymen in these our dayes : which although they are in some parte vnjust and friuolous, yet are they all by way of dialogue throughly debated and discussed by William Shakespeare, gentleman.

Reprint. Originally published: London : Thomas Marshe, 1581.

“By Looking Liking”: Baz Luhrmann's William Shakespeare's Romeo+Juliet

Twenty years since its release onto the big screen, Baz Luhrmann’s William Shakespeare’s Romeo+Juliet continues to attract viewers, divide critics and remain unchallenged, in a league of its own, when it comes to film adaptation of Shakespeare’s plays. This article begins with taking stock of reception directions which still dispute the field of film adaptation. Cued by Worthen’s “Performance Paradigm”, my argument positions Luhrmann’s film (his second at the time and the one to propel the Australian director into Hollywood fame) firmly in the cinematic and sees the film narrative not as opposed to the textual and/or spoken one, but as a complex citational practice developed at the level of oral, visual and written discourse.