Aspectos do anti-psicologismo e da crítica ao empirismo milliano em Frege

This article presents some aspects of the relationship between the philosophies of Frege and Stuart Mill, from the standpoint of the fregean critic of psychologism and empiricism. I defend the thesis that, in Foundations of Arithmetic, Frege directs his criticism to the empiricism professed by Mill in his System of Logic; this critic does not constitutes a ‘charge’ of the English philosopher as being a psychologist. For this, we presented several aspects concerning the role that the antipsicologismo has in the Fregean thought and its direct relationship with the logicist project of reduction of arithmetic to logic. To defend our thesis, some arguments intended to show that empiricism not necessarily and directly imply psychologism are presented.

A ideologia dos filmes utilizados na educação infantil: uma análise a partir da teoria crítica

This work has as purpose to show what are the influences of media in the education and in the shaping the thinking and understand that ideologies are present in the films used in the classroom in kindergarten. For this, I directed the discussion beginning by concepts as Ideology and its more different definitions by several thinkers over the years, the thinkers of Critical Theory of Frankfurt School, called “frankfurtians” of first and second generation of this school, also making an association between Cinema and Education, evidencing concepts involving this association as Cultural Industry, using films properly in classrooms in kindergarten, with the teacher as mediator and then discussed what amounts of movies on children's education, how they assist and deepen the knowledge developed by students in schools of infantile education. Additionally, they are exposed the different opinions about the subject Film and Education for students from kindergarten, what benefits and what disadvantages in the use of films, the different opinions on the subject. We also discuss, in this work, the ideologies present in three films produced by Walt Disney, they are Cinderella, Snow White and the Seven Dwarfs and Alice in Wonderland, relating them to how they can contribute to the development and learning students in kindergarten. I associated more as possible the previous discussions to analyze the ideologies present in these films, by summarizing these, and decomposing them through an analysis tool called frame. Finally, I completed everything that was discussed and analyzed, which students in kindergarten may develop with the use of films in schools, what they contribute, in some way, for the learning and education of students as viewers using the school as access to different cultures and the teacher as a mediator of this relationship

Geografia e novas tecnologias: o centro integrado de alertas de desastres naturais (CIADEN) como proposta de prática pedagógica para o ciclo I do ensino fundamental

This research work aims to analyze and understand the teaching of geography in the perspective of historical and critical pedagogy, with the object of analysis, the Center for Integrated Natural Disaster Alerts (CIADEN) for students in Cycle I of the Elementary School, located in Etec “Astor de Mattos Carvalho”, in Cabrália Paulista-SP. Deepening the knowledge of geography teaching in a critical and controversial about the bad weather and the use of new technologies to transform the social order and its relationship with the environment. Contributing to the students and the community have a new proposal for action from the content learned, capable of solving the present and future with respect to weather, climate and natural disasters. To implement a culture of prevention and risk perception, providing the diffusion of knowledge socially useful

O lúdico na escola: atividades lúdicas no cotidiano das escolas do ensino fundamental I no município de Araras

Partindo de leituras e discussões sobre a importância das atividades lúdicas para crianças em idade escolar, esta pesquisa procurou identificar o lúdico dentro da escola, bem como a sua utilização como estratégia de ensino no Ensino Fundamental I. Buscou-se, primeiramente, levantar argumentação teórica que comprovasse a eficiência do lúdico no processo de ensino-aprendizagem, no desenvolvimento social, cognitivo e físico da criança. Coletou-se dados da realidade escolar em quatro escolas do município de Araras, interior de São Paulo, investigando a presença e a utilização de atividades lúdicas, na sala de aula. Colheu-se dados através de questionário fechado entregue aos professores para embasar, juntamente com o referencial teórico, as análises e discussões sobre a presença ou não do lúdico, na escola, e sua importância quando utilizado. Esta pesquisa possibilitou trazer à tona a discussão dos dados da realidade escolar, sob a luz do material teórico pesquisado, e verificou-se que o corpo docente entende e procura utilizar o lúdico em sala de aula, contudo falta material e também incentivo das escolas com relação a essa rica alternativa. Dessa forma, essa realidade permitiu refletir acerca da preparação dos professores, para desenvolver conteúdos e estratégias mais prazerosas; de modo a trazer o aluno a participar das relações de ensino-aprendizagem de forma crítica e criativa; bem como a participação ativa de coordenação e direção dentro da escola auxiliando o trabalho do professor.

A fotografia compromissada na espanha: a experiência de Josep Renau nas revistas Orto e Octubre

The aim of this paper is to investigate the environment in which a proposal for photographs and photo montages created in Spain in the 1930s was developed. To achieve this, the experiences of the Spanish artist Josep Renau and his work in the illustrated magazines Orto and Octubre is examined. There is an attempt to explore how the European experience of proletarian culture and photography was circulated and appropriated by the Spanish cultural universe. I believe that during these years Spain became a production hub and disseminator of political iconography which later spread to Mexico and Latin America.

A crítica de Siegfried Kracauer ao romance-reportagem ou o 'caso Brecht'

This article seeks to historically contextualize Kracauer’s aesthetic-political position regarding this successful literary genre among German writers in the early 1930s: the novel report. It is inevitable the reference to the Berlin journal, Die Linkskurve, and to Lukács’s critiques developed in the period – when he resumes aesthetic questions on the novel as a literary genre in a Marxist interpretation and outlines his thesis on “critical realism”. Kracauer wrote a critique about the film Kuhle Wampe, directed by S. Dudow with a script by B. Brecht and E. Ottwald and music by H. Eisler, which engendered a discussion full of misunderstandings, but extremely interesting, between E. Bloch and Kracauer and between Kracauer and Brecht. Finally, I comment the journal project Krise und Kritik, which failed with the rise of Hitler.

Desligamentos da crítica: psicanálise e reflexão sobre arte

This paper intends to discuss the relationship between psychoanalysis and aesthetic thinking under the prism of the “unbinding” theory – earlier conceived by the psychoanalyst Andre Green –, linking it to some theories proposed by Hal Foster, art historian and art critic, where we can find the lacanian “real” as the linking concept. One could say, in this linkage made here, that both authors are dealing, in a very particular way, with a question that refers to the theory of the real (as it was conceived by Jacques Lacan), even in the case of Green it is not referred directly; Green’s theory, however, seems to discuss some kind of a regredience that could be linked to the death drive. Accessing the psychoanalytical dispositive, and using it as it is appropriated to the (art) object to be interpreted, Foster, for example, advances in both the field of aesthetic reflection and in the more specific field of psychoanalysis. It should be noted that Foster’s reflection refers strictly to the post-pop images, observed mainly in the 1990’s photography. Thus, I think that this intersection between aesthetics and psychoanalysis might allow us to shed some light on a new art reading possibility towards a “non-applied” psychoanalytical paradigm, which, in my opinion, seems to be an appropriate way to understand some of the contemporary art production.

Formação continuada: dialogando com os professores que atuam no ensino infantil e fundamental (Ciclo I) da rede municipal de Bauru/SP

Currently, we can observe a significant increase in the disappointment of the world population about education, which raised doubts about the current school system and resulted in a forced increase of interest in an education reconstruction. The investigation process of this research based itself in the qualitative exploratory approach, since it allows the interpretation of the reality of the investigated environment, and it is concern about the process and not the quantification of data. Five professionals who work for the prefecture in the city of Bauru participated in this study and they graduated in the third module of the continuing education of the department of physical education from UNESP/Bauru, which occur in the second semester of 2010. The purpose of the present study was to identify the reasons why teachers who work for the prefecture in the city of Bauru look for the continuing education in physical education and explore their expectations and perception about the course. Considering the analysis presented in this study, we can observe that the search for continuing education based itself in issues such as: the confusion that exists between theory and practice, where the teachers exemplifies that, after their initial education, theory was not consistent with the real needs of their pedagogical practice; the entry of students younger and younger in the infant and fundamental education; the search for contents that answer the needs of psychomotor development of children between 2 and 5 years old and, at the same time, contents for the inclusion of children with special needs; as well as political pedagogical issues. Even though the reasons presented in this research for the teachers to justify the search for the continuing education in physical education were of distinct natures, at the end we observed that the teachers had their expectations fulfilled, demonstrating that the course of continuing education can be a space of dialog...

Interdiscursividade em Ovídio: recorrências expressivas entre Amores II, 4; Pônticas III, 8 E Tristes I, 11

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Entre choques, cortes e fissuras - a (semi)formação estética: uma análise crítica da apropriação de filmes na educação escolar

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

O silêncio cartográfico de João Teixeira Albernaz I nas representações da costa brasileira

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Velhice, ideologia e crítica: uma análise sobre a participação, protagonismo e empoderamento dos (as) velhos (as) nos espaços conferências

Pós-graduação em Serviço Social - FCHS

Pela construção de um estado de crítica: a reflexão crítica como campo dialógico

O texto aqui apresentado foi originalmente elaborado para o debate sobre a crítica de arte no I Congresso de Jornalismo realizado em São Paulo, pela Revista Cult, em Maio de 2009. Tendo como campo de trabalho a prática artística e a docência e envolvida no processo de formação de artistas desde 1982, meu objetivo foi argumentar a favor de um entendimento da crítica como dispositivo da arte e, portanto, atributo não só de críticos, mas também de artistas. Defendo a idéia da manutenção de um ‘estado de crítica' para o contexto brasileiro a partir de uma relação dialógica e internacionalizada, envolvendo também a fala crítica de artistas. Para isso reporto às práticas adotadas no século XX pelos artistas que colaboraram para inserir a obra de arte no campo programático da auto-crítica e da crítica ao sistema, evidenciando assim a posição destes como agente ativos no sistema

Crisis y superación en el ámbito de la Geografía crítica: construyendo la metageografía.

El punto de inicio del razonamiento desarrollado para la construcción de lo que se denomina metageografía, parte con el reconocimiento de un estado de crisis en la Geografía, y en segundo lugar, de su rol como posibilidad, a pesar de ser una ciencia fragmentada, de comprender el mundo moderno, pues su conocimiento puede constituirse en un movimiento hacia la totalidad. En un sentido más amplio, se reflexiona sobre el lugar de la Geografía en la explicación de la realidad en constante cambio. ¿Es posible pensar que, a pesar de sus avances, la Geografía se encuentra en un estado de crisis? Nos enfrentamos con la obligación de revelar sus indicios y, por consiguiente, la necesidad de construir un camino hacia adelante en la necesidad de comprender la realidad desde o por la Geografía. La metageografía es una propuesta teórico-metodológica para la superación de la situación de crisis en que la disciplina se encuentra, a partir de la práctica socioespacial como modo explicativo.