Famílias e alunos de origem africana no Maranhão do século XIX

This article demonstrates the existence of black families and the presence of children from these families in public schools of Maranhão, in the nineteenth century. Based on a conjectural methodology newspapers ads of the nineteenth century were consulted and also codices relating to records of baptism, marriage, and documentation of the Government Secretary, located in the Public Archives of the State of Maranhão and Public Library Benedito Leite.

José de Alencar e o teatro: Um romântico realista

José de Alencar (1829-1877) is more known by the public reader by his novels. However, Alencar was also one of the most famous Brazilian playwright of nineteenth century's second half, with a work marked by successes, failures and controversies. This article intends to study an important part of his work, especially the beginning of his actions towards the still incipient Brazilian theatre in his chronic Ao correr da pena, as well as the analysis of two plays, O demônio familiar (1857), and As asas de um anjo (1857). These works not only show his public's success and failure, but also his flair for controversy. By using as theoretical basis João Roberto Faria and Martin Esslin, as well as other literary and theatre theorists, it will be shown that, although he defended French realism in theatre and used proceedings related to the genre, such realism, on his plays, was mixed with romantic solutions what made his work unique.