Análise microclimática funcional da Floresta Estadual Edmundo Navarro de Andrade: comparação entre os períodos 1889-1917, 1971-1999 e 1999-2011

Currently the forests around the world face different aspects of weather. Global climate change and its adversities alter significantly the dynamics of the forest, directly influencing the operation. Human activities interfere in the functions of forests, either by removal of vegetation, either by reforesting deforested areas. Given the influence of human activity and climate change on forests, this project presents a comparative and analytical situation, the microclimatic level, the State Forest Edmundo Navarro de Andrade (FEENA), in Rio Claro. We measured the temperature maximum, minimum and average in different periods surrounding the FEENA, from 1889 to 1917, 1971 to 1999 and from 1999 to 2011. What allowed to suggest changes in the microclimate of your surroundings and probably in forest dynamics

Walter Bacci: desculpas e deslizes diálogo entre artista plástico e cenógrafo

Pós-graduação em Artes - IA

A Confluência de Gêneros em Dark Water, de Walter Salles Jr.

Dark Water is the title of the translation of a short story, ―Floating Water‖, from the book Honogurai mizu no soko kara by Koji Suzuki, originally published in Japan, that the Japanese director Hideo Nakata adapted for the cinema and that was remade by the Brazilian director Walter Salles Jr. The objective of this study is to analyse Walter Salles’ film to demonstrate how it resolved the problems of transcreation, whilst at the same time it fulfilled commercial and artistic functions and incorporated the traces of its aesthetic trajectory. In this case, attention is drawn to the types of relationship between literature and cinema, to the metalinguistic function as a generator of poetics and of an interesting dialogue between genres.

Uma leitura vertiginosa: os fanzines punks no Brasil e o discurso da união e conscientização : (1981-1995)

Pós-graduação em História - FCLAS

Memória, infância e brincar em escritos de Walter Benjamin: cultura lúdica e processos de formação e prática docente

This text aims to present some ideas of the philosopher Walter Benjamin, one of the most intriguing intellectuals of our time, trying to outline in his work the relationship that the author establishes between childhood playing and ludic culture, more precisely regarding the memory of playing, childhood, culture, history and memory in contemporary society after the twentieth century. Thus, in order to identify reinterpreted experiments, as places, forms of playing and types of toys made out of this paradigm, we were guided by the notes, essays, translations and articles in which Benjamin identified conceptions of childhood and ludic culture. Benjamin's view of childhood is not childish, simplistic or reductive. His works allow us to discuss and justify the need for a more detailed analysis on the phenomenon of development and teaching practice within the everyday schoolchildren. By revisiting the original ideas, and irreverent criticism of Benjamin, thinking education from his account, we hope to contribute with other studies in the field of education, by elucidating the process of development and teaching practice in relation to the ludic childhood culture, specifically regarding childhood and the places of childhood in the contemporary context.

Walter Benjamins dwellings

The present article presents what might be called “benjaminian geography” and relates it to Walter Benjamin’s urban philosophy. Besides introducing the philosopher’s addresses in Paris, the article speculates on such choices as well. It proposes to present elements of the complexity of benjaminian spatiality.

A ordem republicana em Mato Grosso: disputas de poder e rotinização das práticas políticas - 1889-1917

Pós-graduação em História - FCHS

Itinerários, estruturas de sociabilidades e ação política: intelectuais de São Paulo na crise do Império (1875-1889)

Pós-graduação em História - FCHS

Poética do surrealismo: uma leitura de Campos de Carvalho

In this article we analyze how the character of the story-teller is build up as a fictional creation in the novel Vaca de nariz sutil (1961) by Walter Campos de Carvalho (1916-1998). We associated the building process of the narrator-character to the poetic of the surrealism, process which brings a fragmentary feature to the writer’s language, and reflects a search for some coherency in a given chaotic environment, wherein space itself becomes the role of a dialogue between identity and representation of the real in the construction of the narrative analyzed here.

First record of Palombitrema triangulum (Suriano, 1981) Suriano, 1997 (Monogenea: Dactylogyridae) from freshwater fishes in Brazil

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

VT Preparado: AC/JC : a videoarte de Walter Silveira

Pós-graduação em Artes - IA

Ecology of the Skink, Mabuya arajara Reboucas-Spieker, 1981, in the Araripe Plateau, Northeastern Brazil

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Growth and development time of subtropical Cladocera Diaphanosoma birgei Korinek, 1981 fed with different microalgal diets

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Otto Maria Carpeaux leitor de Walter Benjamin: passagens do moderno

This article makes a connection between Benjamin and Carpeaux in order to identify points of contact between the two authors. In this methodological operation assumes the crucial role collating Wege nach Rom with Benjamin's, Passages, which leads us to speak of a Carpeaux reader of Benjamin.

O papel da memória nas ramificações da cultura em Theodor W. Adorno e Walter Benjamin

A memória foi uma temática importante dentro das reflexões da Escola de Frankfurt. O objetivo do presente trabalho é esmiuçar as considerações de Theodor W. Adorno em torno do papel da articulação do passado na vida cotidiana e das suas materializações na cultura, bem como comparar essa linha de pensamento com a de Walter Benjamin, outro teórico que se debruçou demoradamente sobre este tema. Compararemos a forma como os dois autores focalizam a memória, bem como o papel que cada um deles atribui à cultura enquanto materialização do decorrido. Os dois autores forneceram respostas diferentes para a pergunta “o que significa elaborar o passado”. São justamente as aproximações e os afastamentos entre um e outro o que procuraremos estudar neste trabalho.