Hebdomekontapentaeteris tes Rizareiou Ekklesiastikes Scholes 1844-1919 : panegyrikos tomos hekdotheis hypo tou kathegetikou syllogou tes scholes epi te hebdomekontapentaeteridi autes.

Mode of access: Internet.

Letters from New York : second series /

Covers December 25, 1843 to December 31, 1844.

Lettres de Catherine II à Grimm = Pisʹma Imperatrit︠s︡y Ekateriny II k Grimmu, 1774-1796 /

Mode of access: Internet.

The Massachusetts civil list for the colonial and provincial periods, 1630-1774. Being a list of the names and dates of appointment of all the civil officers constituted by authority of the charters, or the local government.

Includes civil list for Plymouth colony: p. 35-40.

Karl Koch 1771-1844 /

Thesis (doctoral)--Universität Bern, 1906.

Liebe und Ehe im deutschen Roman zu Rousseaus Zeiten 1747 bis 1774.

Thesis (doctoral)--Universitat Bern.

Der plastische Schmuck innern des Munsters zu Salem aus den Jahren 1774-1784 von Johann Georg Durr und Johann Georg Wieland.

Thesis (doctoral)--Universitat Leipzig.

The early life of Robert Southey, 1774-1803.

Reprint of the author's thesis, Columbia University.

William Ryle Davies, 1844-1901.

Mode of access: Internet.

The theories of inspiration of the Rev. Daniel Wilson, Rev. Dr. Pye Smith, and the Rev. Dr. Dick, proved to be erroneous : with remarks on the Christian observer, & Eclectic review,

Mode of access: Internet.

An address delivered in the court-house in Concord, Massachusetts, on 1st August, 1844, on the anniversary of the emancipation of the Negroes in the British West Indies.

Mode of access: Internet.

Letters of Anna Seward : written between the years 1784 and 1807 : in six volumes.

Folded facsimile letter from the author to Archibald Constable tipped in following p. [xii]

What is the Point of Copyright History?:Reflections on Copyright at Common law in 1774 by H. Tomás Gómez-Arostegui

Copyright history has long been a subject of intense and contested enquiry. Historical narratives about the early development of copyright were first prominently mobilised in eighteenth century British legal discourse, during the so-called Battle of the Booksellers between Scottish and London publishers. The two landmark copyright decisions of that time – Millar v. Taylor (1769) and Donaldson v. Becket (1774) – continue to provoke debate today. The orthodox reading of Millar and Donaldson presents copyright as a natural proprietary right at common law inherent in authors. Revisionist accounts dispute that traditional analysis. These conflicting perspectives have, once again, become the subject of critical scrutiny with the publication of Copyright at Common Law in 1774 by Prof Tomas Gomez-Arostegui in 2014, in the Connecticut Law Review ((2014) 47 Conn. L. Rev. 1) and as a CREATe Working Paper (No. 2014/16, 3 November 2014).

Taking Prof Gomez-Arostegui’s extraordinary work in this area as a point of departure, Dr Elena Cooper and Professor Ronan Deazley (then both academics at CREATe) organised an event, held at the University of Glasgow on 26th and 27th March 2015, to consider the interplay between copyright history and contemporary copyright policy. Is Donaldson still relevant, and, if so, why? What justificatory goals are served by historical investigation, and what might be learned from the history of the history of copyright? Does the study of copyright history still have any currency within an evidence-based policy context that is increasingly preoccupied with economic impact analysis?

This paper provides a lasting record of these discussions, including an editorial introduction, written comments by each of the panelists and Prof. Gomez-Arostegui and an edited transcript of the Symposium debate.

Commentary on International Copyright Act 1844

Legislation replacing the International Copyright Act 1838 (uk_1838) and providing that the British monarch could, by Order in Council, grant to foreign authors both copyright protection for works of literature, drama, music and art, as well as performance rights for dramatic pieces and musical compositions. The document contains the following associated material: Bill to amend Law relating to International Copyright 1844 (uk_1844a).
This Act addressed perceived inadequacies of the International Copyright Act 1838 (uk_1838) by expanding upon both the subject-matter and the nature of the rights that might be included in a reciprocal copyright arrangement with a foreign state. It also specifically linked the protections that foreign authors would enjoy within Britain to existing domestic copyright legislation. Following this legislation Britain successfully negotiated a series of bilateral international copyright treaties the first of which was concluded with Prussia in May 1846.
The commentary locates the Act within existing legislative provisions designed to address the problem of the market for cheap foreign imports of British books. It suggests that, regardless of the existence of stringent measures targeting unlawful foreign imports, the British government regarded a system of international copyright protection as integral in both addressing the import issue and in fostering a more secure overseas market in the interests of the British book trade.