Ensemble. Acerca de las viviendas de Pérez Pita y Junquera.

Pérez Pita y Junquera, a la manera de Corrales y Molezún, es uno de los equipos más prestigiosos de su generación.

Para que le quisieran (Sobre Tanis Pérez Pita)

Artículo de opinión sobre Tanis Pérez Pita, publicado en El País

Discurso leído en el acto de su recepción por el señor Don Gabriel Maura Gamazo, conde de la Mortera, y contestación del señor Don Juan Pérez de Guzman y Gallo el día 13 de abril de 1913 [Texto impreso]

Precede al tít.: "Real Academia de la Historia"

Curso que ha seguido el espediente promovido en la Junta de Comercio de Valencia a consecuencia de cierta proposición presentada por D. José Campo y Pérez... para el anticipo de cantidades destinadas a las obras y limpia del puerto del Grao [Texto impreso]

Hay un ejemplar encuadernado con: Memoria razonada sobre las mejoras de que son susceptibles los trabajos del puerto del Grao de Valencia y la población de esta ciudad destinada a la consecución definitiva del primero y al verdadero engrandecimiento de la segunda (Carreres/4681)

Flujo laminar: el cementerio de Igualada y los procesos elásticos en la arquitectura de Enric Miralles y Carme Pinós

La tesis Flujo Laminar, El cementerio de Igualada y los procesos elásticos en la arquitectura de Enric Miralles y Carme Pinós analiza la metodología que utilizan y desarrollan los arquitectos Miralles y Pinós en el proyecto del cementerio de Igualada. Enric Miralles y Carme Pinós comienzan a trabajar juntos en 1983, separándose siete años después. La producción arquitectónica que generan durante este periodo ha sido valorada y considerada por la crítica como una de las de mayor calidad en el último cuarto del siglo XX. Respecto a esta etapa de colaboración existen artículos dispersos que analizan de manera aislada algunos aspectos de sus proyectos. Sin embargo, no se han realizado estudios que analicen su metodología proyectual, sus herramientas, sus estrategias y sus diferentes conexiones y referencias. Tampoco se han analizado hasta el momento, cómo son sus procesos proyectuales, sus tiempos y sus objetivos. En este sentido, el proyecto del cementerio de Igualada será clave en la trayectoria del equipo. El tiempo extenso empleado en el proceso y la singularidad de la obra, además de otros factores del propio imaginario de Miralles y Pinós, marcarán a este proyecto como un punto de inflexión en su trabajo. La investigación plantea, en primer lugar, la descripción del contexto en el cual se comienzan a desarrollar los proyectos iniciales de Miralles y Pinós, además de los antecedentes que generarán la propuesta para el cementerio de Igualada. Seguidamente, se describen y analizan los apoyos y las referencias que los arquitectos utilizan en este proyecto, tanto las vinculadas a la cultura local como las atrapadas desde el imaginario universal. Por otro lado, el bloque central de la investigación aporta doce herramientas que construyen la metodología proyectual de Miralles y Pinós. Esta contribución se ha realizado desde el análisis y el cruce de los documentos originales del proyecto de Igualada y los escritos existentes de los arquitectos. Las herramientas aportadas son: deslizar, desplazar, repetir, enterrar, constreñir, oscilar, estirar, desenredar, desviar, rehacer, hendir y fluir. Todas ellas se describen, analizan e interpretan desde setenta y dos documentos esenciales extraídos del proceso de Igualada. Un último capítulo de conclusiones, define lo que se presenta en la investigación como una metodología propia de Enric Miralles y Carme Pinós, denominada procesos elásticos, en el que se describen sus cualidades y sus tiempos, a la vez que se presenta también una táctica empleada en el proyecto de Igualada denominada flujo laminar. ABSTRACT The thesis Laminar Flow, the Igualada cemetery and the elastic processes in the architecture of Enric Miralles and Carme Pinós analyses the methodology that the architects Miralles and Pinós used in the project for the Igualada cemetery park. Enric Miralles and Carme Pinós began to work together in 1983, and went their different ways seven years later. The architectural production they generated during that period has been valued and considered by critics to be among the greatest quality of production in the final quarter of the twentieth century. There is a scattering of articles about this period which give an independent analysis of some features of their products. However, there are no studies which analyse their project design methodology, their tools, their strategies and their different connections and references. Neither has there been analysis to date of the nature of their project design processes, nor of their times and their aims. Within this context, the Igualada cemetery project was key in the path to be trodden by the team. The great length of time used on the process and the singularity of the work, alongside other factors from Miralles and Pinós's personal imaginarium, were to mark this project as a turning point in their work. This research sets out, first of all, to describe the context in which the early projects by Miralles and Pinós began to be developed, as well as the background to the generation of their proposal for the Igualada cemetery. There follows a description and analysis of the resources and of the references that the architects used in this project, both those linked to local culture and those picked from the universal imaginarium. Furthermore, the central block of the research identifies twelve tools which make up Miralles and Pinós's project design methodology. This contribution has been performed on the basis of analysis and comparison of the original Igualada project documents and of writings extant by the architects. The tools identified are: slide, shift, repeat, bury, constrain, oscillate, stretch, untangle, divert, redo, groove and flow. They are all described, analysed and interpreted on the basis of seventy-two essential documents extracted from the Igualada process. A final chapter of conclusions defines what is presented in the research as a methodology which is specific to Enric Miralles and Carme Pinós, denominated elastic processes, describing their qualities and their times, along with the presentation of a tactic used in the Igualada project which is denominated laminar flow.

El Sueco (2º ed.) [Texto impreso] : periòdic de corfa y molla y ensisam de totes herbes... per D. Chusep Bernat y Baldovi y D. Pascual Pérez y Rodríguez

Reprod. de la ed. de: Valencia : Imp. de Lopez, 1847

El Sueco (reed. de 1911) [Texto impreso] : periòdic de corfa y molla y ensisam de totes herbes... per D. Chusep Bernat i Baldoví y D. Pascual Pérez Rodríguez

En rollo de microfilm con: La Donsayna (HM-11-4-068)

[Retrato de Conchita Pérez Manglano de Valenciana sentada siendo reina de los juegos florales de la feria de julio de Valencia de 1917] [Material gráfico]

Colección J. Huguet

Effect of the season on the free phytoprostanes content in Cornicabra extra virgin olive oil from deficit irrigated olive trees

BACKGROUND: The effect of regulated deficit irrigation (RDI) on the phytoprostane (PhytoP) content in extra virgin olive (Olea europaea L., cv. Cornicabra) oil (EVOO) was studied. During the 2012 and 2013 seasons, T0 plants were irrigated at 100% ETc, while T1 and T2 plants were irrigated avoiding water deficit during phases I and III of fruit growth and saving water during the non-critical phenological period of pit hardening (phase II), developing amore severewater deficit in T2 plants. In 2013, a fourth treatment (T3) was also performed, which was similar to T2 except that water saving was from the beginning of phase II to 15 days after the end of phase II. RESULTS: 9-F1t-PhytoP, 9-epi-9-F1t-PhytoP, 9-epi-9-D1t-PhytoP, 9-D1t-PhytoP, 16-B1-PhytoP and 9-L1-PhytoP were present in Cornicabra EVOO, and their contents increased in the EVOO fromRDI plants. CONCLUSION: Deficit irrigation during pit hardening or for a further period of 2 weeks thereafter to increase irrigation water saving is clearly critical for EVOO composition because of the enhancement of free PhytoPs, which have potential beneficial effects on human health. The response of individual free PhytoPs to changes in plant water status was not as perceptible as expected, preventing their use as biomarkers of water stress.

Face, content, and construct validity of the EndoViS training system for objective assessment of psychomotor skills of laparoscopic surgeons

Background The aim of this study is to present face, content, and constructs validity of the endoscopic orthogonal video system (EndoViS) training system and determines its efficiency as a training and objective assessment tool of the surgeons’ psychomotor skills. Methods Thirty-five surgeons and medical students participated in this study: 11 medical students, 19 residents, and 5 experts. All participants performed four basic skill tasks using conventional laparoscopic instruments and EndoViS training system. Subsequently, participants filled out a questionnaire regarding the design, realism, overall functionality, and its capabilities to train hand–eye coordination and depth perception, rated on a 5-point Likert scale. Motion data of the instruments were obtained by means of two webcams built into a laparoscopic physical trainer. To identify the surgical instruments in the images, colored markers were placed in each instrument. Thirteen motion-related metrics were used to assess laparoscopic performance of the participants. Statistical analysis of performance was made between novice, intermediate, and expert groups. Internal consistency of all metrics was analyzed with Cronbach’s α test. Results Overall scores about features of the EndoViS system were positives. Participants agreed with the usefulness of tasks and the training capacities of EndoViS system (score >4). Results presented significant differences in the execution of three skill tasks performed by participants. Seven metrics showed construct validity for assessment of performance with high consistency levels. Conclusions EndoViS training system has been successfully validated. Results showed that EndoViS was able to differentiate between participants of varying laparoscopic experience. This simulator is a useful and effective tool to objectively assess laparoscopic psychomotor skills of the surgeons.