991 resultados para Quevedo, Francisco de, 1580-1645-Poesia


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Forest species with economic potential, such as aroeira (Schinus terebinthifolius Raddi.), require selection of individuals with superior characteristics for use in forest restoration projects and for establishment of commercial plantations. These plantations can contribute to the sustainability of natural populations of species in the remaining forest fragments, in areas of permanent preservation, legal reserves or other areas of ecological significance. It was evaluated the fruits' yield, morphometry and viability of seeds from 15 individuals of aroeira, collected in different fragments in the region of Lower São Francisco river, Sergipe State. The fruit yield was estimated by Fornier's intensity index, and the morphometric characteristics were obtained with a digital paquimeter and analytical balance. The viability and vigor were evaluated by germination percentage and germination speed index (GSI), under controlled conditions. The results of fruit yield were subjected to variance analysis, and the means were compared by Tukey (p <0.05). The other variables means were compared by Scott-Knott test (p<0.05). The individuals differed in Fournier's indices (indices 1, 2, 3 and 4) and in the size of fruits and seeds. The germination varied from 0 to 83% and the GSI from 0.00 to 0.98. The phenotypic differences observed among individuals for fruit yield, and morphophysiological characteristics can be used in forest restoration and establishment of provenances/progenies tests, aiming discrimination of superior material for future commercial plantations.

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The occurence of carbonatic rocks defines a typical type of relief, called karst, that, by its geomorphology and hydrology, usually differs from the surrounding landscape. In the upper São Francisco river basin, some striking remnants of vegetation associated to karst can be found, which are locally knwon as Mata de Pains. In this region, a mosaic of different physiognomies, including forests and open areas, which present noteworthy plant diversity, composes the vegetation. The aim of this study is to provide an inventory of angiosperm species in areas of carbonatic rocks outcrops in the upper São Francisco river basin karst region, as well as analyze the floristic relationship of the study area with different Brazilian phytogeographic domains. Fieldwork was performed during the period of 2002 a 2006, when collections of fertile speciemns were done in areas associated to carbonatic rock outcrops. During the study, 1512 exsicates were incorporated to BHCB herbarium collection. A total of 456 angiosperm species were inventoried, distributed in 299 genera and 77 families. Herbaceous habit was better represented, with 161 species, followed by shrubs and trees (111 species each) and lianas (73 species). The flora of the study area presents more influence of the Mata Atlântica domain (Atlantic Rain Forest), followed by, in order of importance, Cerrado, Amazonia, Caatinga, Pantanal and Pampa. Floristic surveys in different karst regions inserted in different phytogeographic domains may, together, provide useful information in understanding the phytogeografic history of Neotropical vegetation.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Pós-graduação em Letras - FCLAS

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Ce travail cherche montrer quelques caractéristiques de la Poésie Visuel, expresion artistique qui melange le langage verbal et le langage visuel à tel point qu´on ne peut pas afirmer une classification appuyée sur les genres traditionnels. Aprés une curte presentation des chemins et des points polémiques de cette esthétique, on analyse comme exemple deux compositions sorties de le grand réseau de communication de l´Art Postal qui est né les années soixante et survit aujourd´hui avec intensité. L´Art Postal a une structure fondé sur la simultanéité de l´information que ressamble à la forme de la poésie visuel. Cettes compositions contemporaines sont confrontées à la tradition du poème visuel qui commence peut-être à l´époque des premiers écrits de hiéroglyphe. Elles sont analysées, donc, dans son originalité. A partir des analyses realisées dans le but de révéler les significations, on arrive à la question proposé par Wilcon Joia Pereira : la nécessité de se comprendre d´une façon nouvelle les expériences esthétiques oú les mots deviennent des images

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A presente monografia tem a finalidade de refletir como a imagem poética é construída na poesia concreta de Augusto de Campos. Para isso, será utilizada a teoria de alguns estudiosos, como Alfredo Bosi, Octavio Paz, Philadelpho Menezes, Aguillar, entre outros, para embasar a reflexão sobre a imagem poética que se desenha a partir da leitura da poesia por meio das palavras que compõem a produção artística. Há uma ênfase, durante a análise das poesias, nas palavras que as constituem, pois elas formam um elemento fundamental para a criação da imagem poética na produção da poesia concretista. O trabalho também reflete sobre a repercussão do movimento Concretista em décadas distintas (50,70 e 90) e em diferentes vertentes, como na música, nos âmbitos nacional e internacional, ressaltando a importância do Concretista para o enriquecimento da poesia, especialmente as compostas por Augusto de Campos. Também será mencionada a diferença entre a poesia visual e a poesia concreta. Para isso, serão explicitadas as suas peculiaridades e as suas propostas

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The São Francisco river delta is an important sedimentation environment located between the States of Sergipe and Alagoas. Due to a set of factors (physical processes and anthropic interference), a process of coastal erosion is currently happening quickly in their mouth. The sedimentation dynamics and coastal erosion in São Francisco river mouth and the reasons for the process of erosion is occurring quickly were the elements of study in this work. For that, were analyzed rainfall historical data series and river flow, sediment contribution data, to examine aerial photos and satellite images, besides the use of the bibliography on the matter. The analyses made served as a basis to understand how the process is happening and to verify how the anthropic interference is contributing to the occurrence of accelerated erosion on the spot.

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This monograph is aimed at reflecting the internal structure of the book Coroa da Terra (1946), the Portuguese poet Jorge de Sena (1919-1978), investigating for this, the guiding criteria for the ordering of poems. Starting from a question posed by an author paratext, we considered the possibility that the book is constituted as a unit of poetic path, in which each poem comprises a stretch of the pilgrimage undertaken by the poet toward the crown of the Earth. Moreover, from the epigraph of the book and the Preface (1960) of 1st edition of Poesia I (1961), we consider the idea that the Coroa da Terra is a search for truth, or even that the pilgrimage made by the poet is on the trail of a poetic word conscious and therefore ethically responsible. This search would set the poetic language of testimony, from which derive two other important vectors for the exegesis of poetry seniana: metamorphosis and pilgrimage. Upholding the unity of the book would be the language in dialectical flow as a formal procedure, which enables the poet be an expression in constant motion. To check the validity of our hypothesis, we conducted an analysis of four poems in sequential order (―Purgatório‖, ―Suma Teológica‖, ―Os trabalhos e os dias‖, ―Espiral‖). To them, it was added to analyze the poem ―Metamorfose‖, poem 23rd of the Coroa da Terra, which acted as a reference point and as close to the research by presenting a character's thought seniano synthesis. It was found that the idea of unity is sustained when we consider Coroa da Terra as a journey of formative poetic direction

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This monograph aims contribute to point out the presence of technical procedures, formal and thematic elements, typical of the Symbolist/Decadentism aesthetic in lyric poetry of Al Berto (1948-1997), using the Camilo Pessanha’s (1867-1926) work as tool to comparison. To achieve this goal, we analyze the corpus selected for research, consisting of three Pessanha’s poems taken from the book that brings together his work, Clepsidra, “Caminho I”, “Caminho II” e “[Depois das bodas de oiro]”, and three poems of Al Berto, taken from the book O Medo, which is the combination of his work too: “Os dias sem ninguém - 4”, “Doze moradas de silêncio – I” and “[no exíguo espaço do corpo ou da casa]”. Through the comparison between the analysis of the poems from Al Berto and Camilo Pessanha it was found resemblances, in fact, - and obviously some differences - between both. Furthermore, it was verified that Al Berto, a contemporary poet, rescues numerous traits of the decadent aesthetic, whose Camilo Pessanha is one of the greatest representatives