The bibliography of Ruskin : a bibliographical list arranged in chronological order of the published writings in prose & verse of John Ruskin M.A.from 1838 to the present time (October 1878).

Mode of access: Internet.

The bibliography of Ruskin; a bibliographical list, arranged in chronological order, of the published writings in prose and verse, of John Ruskin, M. A., from 1834 to the present time (October 1878)

Includes "Letter from Mr. Ruskin" to the compiler (2 p.)

Female Exiles in Language: Reading for New Poetic Subjects in Modern and Contemporary Feminist Experimental Poetry

Thesis (Ph.D.)--University of Washington, 2016-06

Epiphanien unter eiskaltem Himmel. Zum Prosawerk von Klaus Böldl:for prose work of Klaus Böldl

This essay undertakes the first critical assessment of Klaus Böldl's prose works and discusses the position his three published books hold within the context of contemporary German literature. After an introductory examination of Böldl's contribution to the literary portrayal of the peripheral, in this instance the North European/Scandinavian hemisphere, a contrastive analysis of the plots identifies recurring patterns and motifs. In the main part of the essay, the two focal characteristics of Böldl's writings are explored in depth: the narrative destruction of the threshold between natural history and civilisation, as well as the function of transcendental experiences reminiscent of epiphanies. With reference to theoretical writings by Walter Benjamin and George Steiner these literary epiphanies are interpreted as moments of transcendancy's 'profane presence'. © Springer 2005.

Elements of vivid colloquial speech in V. Shukshin's prose

DUE TO COPYRIGHT RESTRICTIONS ONLY AVAILABLE FOR CONSULTATION AT ASTON UNIVERSITY LIBRARY AND INFORMATION SERVICES WITH PRIOR ARRANGEMENT

Arbeit an der Differenz. Zum Eigensinn von Heiner Müllers Prosa:on the obstinacy of Heiner Müller's prose

Die Studie unternimmt die erste umfassende Untersuchung der Prosa von Heiner Müller, die in einer Vielzahl von wechselnden Kontexten und Funktionen eine Brücke bildet zwischen den lyrischen und dramatischen Texten des Autors. Ihre besondere Form besteht dabei in der Verweigerung traditioneller Gattungsnormen aufgrund ihres offenen, prozessualen Charakters. Daher wird der wildwüchsige Bestand an Prosatexten in thematischen Werkgruppen kategorisiert, einer literaturhistorischen Ortsbestimmung unterzogen und systematisierend im Feld der ›Kurzen Formen‹ eingeordnet. Diese Präzisierung des Eigensinns Müller’scher Prosa unternimmt dabei nicht nur einen auch unpublizierte Nachlasstexte umfassenden Werkdurchgang, sondern leistet zudem einen wichtigen Beitrag zur Klärung des höchst komplexen Textbegriffes bei Müller.

The effect of bilingual representation in prose reading on explicit and implicit memory

Chinese-English bilingual students were randomly assigned to three reading conditions: In the English-English (E-E) condition (n = 44), a text in English was read twice; in the English-Chinese (E-C) condition (n = 30), the English text was read first and its Chinese translation was read second; in the Chinese-English (C-E) condition (n = 30), the Chinese text was read first and English second. An expected explicit memory test on propositions in the format of sentence verification was given followed by an unexpected implicit memory test on unfamiliar word-forms.^ Analyses of covariance were conducted with explicit and implicit memory scores as the dependent variables, reading condition (bilingual versus monolingual) as the independent variable, and TOEFL reading score as the covariate.^ The results showed that the bilingual reading groups outperformed the monolingual reading group on explicit memory tested by sentence-verification but not on implicit memory tested by forced-choice word-identification, implying that bilingual representation facilitates explicit memory of propositional information but not implicit memory of lexical forms. The findings were interpreted as consistent with separate bilingual memory-storage models and the implications of such models in the study of cognitive structures were discussed in relationship to issues of dual coding theory, multiple memory systems, and the linguistic relativity philosophy. ^

Dulce Maria Loynaz' Jardin: Subversive tropological discourse

The purpose of this dissertation is to analyze how the tropes or figurative discourse in Loynaz’s novel, Jardín, becomes a means by which she involves the reader within a text that subverts socio-cultural conventions. Through textual analysis, it explains how the poet communicates her views of the world as a conflictive space where existence is the will to live, life being a human construction like a garden, and a woman’s decision –often frustrated by men– to seek self-realization.^ By tracing some critical studies focused on polarities allegedly present in Jardín, such as: poetry/prose, lyric poetry/novel, word/silence, life/death, character novel/space novel, civilization/barbarism, posmodernismo/vanguardismo, and femininity/feminism, this essay explores Loynaz’s esthetic and ideological codes to demonstrate how opposition can be seen in her novel as part of her arrangement of an artistic philosophy.^ This research refers to three main sources: the semiotician Umberto Eco’s notion of the text’s indeterminacy as an opera aperta, reception theory, and Mikhail Bakhtin’s concept of dialogism. By applying these theories to the analysis of this novel, I seek to show Loynaz’s literary modus (tropological language) and ideological dictum , which correlate oppositions and transform them as a point of departure to reconsider civilized life. The poet is presented as an esthetic force that compels the reader to question some false values, by creating an implicit but intelligent dialogue between him/her and a lyrical text. To describe such literary procedure, I coin in this study the term dialirismo (dialyricism). ^ My essay is centered on the tropes through which Loynaz creates her dialyrical text. By focusing on metaphor, symbol, synecdoche, and metonymy, I examine Jardín as a convergence of the following conceptual aspects: intertextuality, primitivism, and feminist discourse. I argue that Loynaz’s novel is a creative response to the literary tradition, as well as a proposal to understand writing –and reading– as an open, interactive process in search not only of artistic values but also of critical knowledge.^ This exploration shows how the novelist faces a so-called civilized world through the eyes of her fictional character, Bárbara, who confronts patriarchal discourse. It celebrates Loynaz’s poetic representation of this inquisitive woman, in her fenced garden, as a human being who can see, above and beyond an iron curtain, the possibility to overcome an aggressive male-centered civilization.^

Le roman de Guillaume d'Orange de la tradition cyclique à la mise en prose

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

Le roman de Guillaume d'Orange de la tradition cyclique à la mise en prose

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

La création poétique à travers la "Correspondance Jules Supervielle-Etiemble"

A travers l’étude de la Correspondance Jules Supervielle-Etiemble et sa confrontation avec les manifestes du poète que sont  « Eléments d’une poétique » et « En songeant à un art poétique », notre article tente de définir la spécificité de la conception supervilienne de la poésie tout en évoquant les difficultés du poète à extérioriser, dans les premières années de sa jeunesse, les images inhérentes à son univers intérieur, et en faisant l’inventaire de quelques principes qui régissent son activité poétique : le refus de toutes les esthétiques et de toutes les techniques qui régissent préalablement la création poétique, l’adoption d’une technique a posteriori ou d’une « technique mouvante qui ne se fixe qu’à chaque poème », le travail de corrections, de retouches et de ratures, et le culte de l’oubli considéré moins comme une défaillance de la mémoire que comme le catalyseur des associations et images inattendues.

Writing disenchantment: British First World War Prose, 1914-30.

This book argues that disenchantment is not only a response to wartime experience, but a condition of modernity with a language that finds extreme expression in First World War literature. The objects of disenchantment are often the very same as the enchantments of scientific progress: bureaucracy, homogenisation and capitalism. Older beliefs such as religion, courage and honour are kept in view, and endure longer than often is realised. Social critics, theorists and commentators of the late nineteenth and early twentieth centuries provide a rich and previously unexplored context for wartime and post-war literature. The rise of the disenchanted narrative to its predominance in the War Books Boom of 1928 – 1930 is charted from the turn of the century in texts, archival material, sales and review data. Rarely-studied popular and middlebrow novels are analysed alongside well-known highbrow texts: D. H. Lawrence, Virginia Woolf, H. G. Wells and Rebecca West rub shoulders with forgotten figures such as Gilbert Frankau and Ernest Raymond. These sometimes jarring juxtapositions show the strained relationship between enchantment and disenchantment in the war and the post-war decade.

The prose works of Jonathan Swift /

First published in 1897.

Prose remains of Arthur Hugh Clough : with a selection from his letters and a memoir /

Mode of access: Internet.