O resgate da história de um sebo na cidade de Rio Claro

Este trabalho foi escrito com intuito de apontar a import��ncia dos sebos na democratiza����o da leitura. Partindo de uma perspectiva metodol��gica de an��lise documental e bibliogr��fica, apresento ao leitor deste trabalho, a história do sebo ���Outras Histórias��� localizado na cidade de Rio Claro/SP, inaugurado em 1992. Trago depoimentos escritos de quatro dos frequentadores/leitores deste sebo a fim de refletir acerca da import��ncia do mesmo para a democratiza����o da leitura. Fa��o uma reflex��o crítica sobre estes depoimentos escritos tra��ando um caminho consonante com a minha concep����o sobre o papel dos sebos na difus��o do ato de ler. Explano tamb��m fragmentos de minha história pessoal, falando da minha estreita rela����o com a pr��tica de leitura e com os livros ao longo de minha vida. Elaboro um breve hist��rico sobre a história dos livros e da história da leitura para apontar sua evolu����o juntamente com a evolu����o da humanidade. Evidencio assim, o papel fundamental que os sebos ocupam na sociedade ao fornecerem, ao mesmo tempo, boas op����es de leituras a um pre��o condizente com a situa����o econ��mica da sociedade brasileira, mostrando assim o car��ter democr��tico que o sebo representa

Coroa da terra: a poesia como (re)cria����o do mundo

This monograph is aimed at reflecting the internal structure of the book Coroa da Terra (1946), the Portuguese poet Jorge de Sena (1919-1978), investigating for this, the guiding criteria for the ordering of poems. Starting from a question posed by an author paratext, we considered the possibility that the book is constituted as a unit of poetic path, in which each poem comprises a stretch of the pilgrimage undertaken by the poet toward the crown of the Earth. Moreover, from the epigraph of the book and the Preface (1960) of 1st edition of Poesia I (1961), we consider the idea that the Coroa da Terra is a search for truth, or even that the pilgrimage made by the poet is on the trail of a poetic word conscious and therefore ethically responsible. This search would set the poetic language of testimony, from which derive two other important vectors for the exegesis of poetry seniana: metamorphosis and pilgrimage. Upholding the unity of the book would be the language in dialectical flow as a formal procedure, which enables the poet be an expression in constant motion. To check the validity of our hypothesis, we conducted an analysis of four poems in sequential order (���Purgat��rio���, ���Suma Teol��gica���, ���Os trabalhos e os dias���, ���Espiral���). To them, it was added to analyze the poem ���Metamorfose���, poem 23rd of the Coroa da Terra, which acted as a reference point and as close to the research by presenting a character's thought seniano synthesis. It was found that the idea of unity is sustained when we consider Coroa da Terra as a journey of formative poetic direction

A grande miss��o do s��culo XIX e a escrita da história de Ernest Renan (1848-1863)

P��s-gradua����o em História - FCLAS

Flutua����o e gramaticaliza����o no paradigma dos juntores em portugu��s forma, significado e história de (na) hora que

In this paper, I focus on one type of grammatical change consisting of creating periphrastic junctures from nominal sources used in relative clause contexts. This is a periphrase production mechanism that has been increasing the unstable paradigm of junctures and helping delineate Portuguese language grammar. One construction resulting from this mechanism is (na) hora que, in relation to which I propose to investigate form, meaning and history. The central aim is to show the emergence of (na) hora que, a grammaticalization instance in course, in which it is possible to catch stages of the its gradual constitution process, concerning both the syntagmatic reorganization of items with consequent morphological losses, and the constitution of meanings, with the origin of polysemies, pointing to a directionality grounded on the increase of the cognitive complexity

Restos, res��duos e impurezas para compor a poesia: o entr��pico e o po��tico em Ad��lia Lopes

A poesia de Ad��lia Lopes merece nossa aten����o crítica pela singularidade com que se recorta no atual panorama liter��rio portugu��s. Em ���Louvor do lixo���, por exemplo, poema contido em sua obra A mulher-a-dias (2002), �� redimensionado o papel da poeta em um mundo marcado pela entropia e por formas desgastadas de sobreviv��ncia. Operando com imagens alusivas ao cotidiano e dotando a linguagem po��tica de um funcionamento desestabilizador das conven����es, Ad��lia instiga no leitor questionamentos, n��o apenas sobre a subjetividade po��tica, como tamb��m sobre uma nova concep����ode lirismo, o qual inclui em seu fazer materiais imprevis��veis, desconcertantes. Nosso prop��sito �� analisar como a autora promove tal desconcerto, por meio de procedimentos de constru����o presentes no poema mencionado. O gauchismo de Ad��lia recupera um posicionamento transgressor que, embora j�� patente em po��ticas de vanguarda do s��culo XX, assume novas implica����es ao gerar outros efeitos de sentido. A tradi����o cultural, o meio familiar, os valores po��ticos, o erotismo s��o alguns dos aspectos que est��o na mira da vis��o corrosiva da poeta, que n��o receia expor a si e �� pr��pria linguagem.

Nursery Rhymes e a correspond��ncia formal e funcional na tradu����o de poesia infantil

Este trabalho concentra-se na tradu����o de poemas infantis em l��ngua inglesa, examinando, em particular, as denominadas nursery rhymes, componentes do cancioneiro popular na cultura do Reino Unido. Ser��o considerados aspectos formais e hist��ricos dessa categoria po��tica e apresentadas sugest��es de tradu����o para alguns poemas, com base nos conceitos de correspond��ncia formal e correspond��ncia funcional, elaborados por Paulo Henriques Britto, como aplicados ao processo tradut��rio (ademais de seu emprego na crítica de tradu����o po��- tica). Foram selecionados para tradu����o e exemplifica����o das discuss��es tr��s poemas de tem��ticas diversas, extra��dos das colet��neas organizadas por Peter e Iona Opie, The Oxford Dictionary of Nursery Rhymes (1952/1997) e A Family Book of Nursery Rhymes (1964).

Mais ou menos negra? Quest��es de negritude, tradu����o e a poesia de Harryette Mullen

This paper addresses issues regarding my translation of selected poems by Harryette Mullen, a rising African-American contemporary poet, whose dense poetry works on the black oral tradition, the experimentalism of writing, the (African-American) pop music, in addition to delving into issues such as the representation of (black) female sexuality. One of the complex aspects of her poetry is the notion of miscegenation, conceived as an aesthetic argument and as a constitutive condition of the identity of multiracial Americans. This concept establishes a textuality that questions the accessible intelligibility generally expected from black American poetry, insofar as a mosaic of dissonant voices are brought to light in her text, which makes it difficult to categorize. In Brazil, especially among politically engaged Afro-Brazilians, there has been criticism towards the praise of miscegenation, since the latter has been considered to support of the myth of racial democracy. Building on these aspects, we investigate the extent to which it is a challenge to translate her poetry ��� based on miscegenation and hybridity as aesthetic constructs ��� especially when taking into account the discursive locus of readers identified with an Afro-Brazilian aesthetic, particularly critical of miscegenation. From the point of view of translation, we evaluate the extent to which her poetry could be read by the predominant cultural discourse in Brazil, inclined to favor miscegenation as an integral concept of national identity, as a seductively experimental poetry. In view of this, one wonders whether this perspective makes hers poetry ���less black��� for Afro-Brazilian literary standards.

Serenas e desesperadas: representa����es femininas na obra po��tica de Cec��lia Meireles

P��s-gradua����o em Letras - FCLAS

Aspectos do poema em prosa de Cruz e Sousa e Rub��n Dar��o

Coordena����o de Aperfei��oamento de Pessoal de N��vel Superior (CAPES)

A psican��lise entre a higiene mental e a escola nova na obra de Arthur Ramos: contribui����es �� história da educa����o no Brasil

Conselho Nacional de Desenvolvimento Cient��fico e Tecnol��gico (CNPq)

Globaliza����o, desemprego e (nova) pobreza: estudo sobre impactes nas sodiedades portuguesa e brasileira

This article reflects upon the possible connections between the processes of economic globalization, changes in the labour market and the new forms of poverty. The debate is framed by two different economic contexts: Portugal (characterized by slow and insufficient growth rates, a serious social crisis, and difficulties in asserting itself economically and politically in the European and world contexts) and Brazil (a dynamic emerging economy, with high growth rates and receding poverty levels). This allows us to assess some of the economic and social impacts arising from the global pressure to be economically competitive, which have led to new forms of poverty, social precariousness and job insecurity in both societies.

Leitura crítica da produ����o liter��ria de Alfonsina Storni

This paper presents the trajectory traced by the Literary Criticism on the poetry of Alfonsina Storni, an Argentine writer of the early twentieth century. The first literary production of Alfonsina Storni, called modernist or tardorrom��ntica (SARLO, 1988), is produced in the period 1916-1925; from Ocre (1926), she marks a break, confirmed in their last two books of poetry, Mundo de siete Pozos (1935) and Mascarilla y Tr��bol (1938), with the label of vanguardism and new aesthetic experiences such as antisoneto. Regarding the Criticism built over the poetic work of Alfonsina Storni by his contemporaries, we have three positions of reading: approaches biographical criticism and proposals for readings of critics and poets linked to Vanguard Argentina and made some critical texts by women from the middle academic. According to Salomone (2006), the criticism made by third trend marks another landmark of the constitutive deed of Alfonsina Storni, show tensions and positions that differ from the hegemonic critical. Subsequently, there is setting up a Women's Literature, along with a normative critique, which will consider the production book produced by women as produced by a subject biological woman, and that represents certain textuality with naturalized features peculiar to women. Today, in light of the Critical Feminist and contributions of Discourse Analysis, especially on the concepts and the connections between language and power, a critical reading of the production female, consists of texts of women writers since the mid-nineteenth century, is focused as a result of an ideological perspective and typically androcentric patriarchal, for example, on poems by Alfonsina Storni. According to Alice Salomone (2006), from the 80s of last century, the look on the production literary Latin American writers has another approach, which she calls "critical current: feminist criticism and modernity cultural".

Emily Dickinson e a poesia de autoria feminina

Faremos uma leitura do poema 754 de Emily Dickinson, ���My Life had stood ��� a Loaded Gun���, �� luz da teoria feminista de Sandra Gilbert e Suzan Gubar com o intuito de entender o dilema da autoria feminina no s��culo XIX: a necessidade de auto-afirma����o po��tica em contraposi����o �� impossibilidade de auto-afirma����o como mulher em uma sociedade patriarcal. O poema 754 dramatiza esse dilema criando uma cena pastoril na qual �� a personagem feminina que fala e age em nome do homem, invertendo os pap��is do g��nero pastoril e da sociedade norte-americana da ��poca. Esta invers��o �� que possibilita a supera����o do dilema, na medida em que pressup��e um eu-l��rico de voz forte e eloquente, capaz de se pronunciar afirmativamente sobre assuntos do universo masculino enquanto silencia a voz masculina.

Algumas considera����es sobre a poesia de Eucana�� Ferraz

The contemporary Brazilian poetic production is marked by a strong diversity in the forms of expression and the thematic contents that it makes circulate; it is found either turned to the critical reading of the Brazilian poetry���s most traditional repertoire, or more concerned about the research of new expressive models afforded by language. Such constitutive diversity, which operates on the intermediate gradients between these two tendencies, finds itself underlined by the little orthodox practice of the production divulgation and circulation, that appropriated the internet and the poetic performances to compensate the low paper-based edition. What we have is a type of poetic dialectology which identifies the poetry readers group. Verifying the most regular procedures in the construction of the dialectology, through the work of Eucana�� Ferraz and Jo��o Cabral, is the objective of this paper.

Antonio Candido, leitor de poesia

Este artigo objetiva, a partir de estudos de Antonio Candido voltados para a poesia l��rica, rastrear o pensamento est��tico e cr��tico-te��rico do autor sobre a mat��ria, bem como avaliar sua pr��tica anal��tica do texto po��tico. Tal pr��tica, coerente com o postulado na vasta obra do autor, ancora-se em dois eixos principais: o �����rcade/ rom��ntico��� (voltado para o per��odo formativo da literatura brasileira) e o ���modernista��� (que enfatiza a consolida����o plena de nossa literatura).